Eco: Magic Names and Kabbalistic Hebrew
“The date 1492 is an important one for Europe: it marks not only the discovery of America, but also the fall of Granada, through which Spain (and thus all Europe) severed its last link with Islamic culture.
As a consequence of Granada, moreover, their Christian majesties expelled the Jews from Spain, setting them off on a journey that carried them across the face of Europe. Among them there were the kabbalists, who spread their influence across the whole continent.
The kabbala of the names suggested that the same sympathetic links holding between sublunar objects and celestial bodies also apply to names.
According to Agrippa, Adam took both the properties of things and the influence of the stars into account when he devised his names; thus “these names contain within them all the remarkable powers of the things that they indicate” (De occulta philosophia, I, 70).
In this respect, Hebrew writing must be considered as particularly sacred; it exhibits perfect correspondence between letters, things and numbers (I, 74).
Giovanni Pico della Mirandola attended the Platonic academy of Marsilio Ficino where he had, in the spirit of the times, begun his study of the languages of ancient wisdom whose knowledge had gone into eclipse during the Middle Ages; Greek, Hebrew, Arabic and Chaldean.
Pico rejected astrology as a means of divination (Disputatio adversos astrologicos divinatores), but accepted astral magic as a legitimate technique for avoiding control by the stars, replacing it with the illuminated will of the magus.
If it were true that the universe was constructed from letters and numbers, it would follow that whoever knew the mathematical rules behind this construction might act directly on the universe.
According to Garin (1937: 162), such a will to penetrate the secrets of nature in order to dominate it presaged the ideal of Galileo.
Among Pico’s sources we find many of the works of Abulafia (Wirszubski 1989). Mithridates‘ translations certainly helped Pico; at the same time, however, they misled him–misleading all succeeding Christian kabbalists in his wake.
In order for a reader to use properly the kabbalist techniques of notariqon, gematria and temurah, it is obvious that the texts must remain in Hebrew: as soon as they are translated, most of the kabbalistic wordplays become unintelligible or, at least, lose their flavor.
In the translations he provided for Pico, Mithridates did often insert original Hebrew terms into his text; yet Pico (in part because typesetters of this period lacked Hebrew characters) often translated them into Latin, so augmenting the ambiguity and the obscurity of the text itself.
Beyond this, Mithridates, in common with many of the first Christian kabbalists, also had the vice of interpolating into the Hebrew texts references supposedly demonstrating that the original author had recognized the divinity of Christ. As a consequence, Pico was able to claim: “In any controversy between us and the Jews we can confute their arguments on the basis of the kabbalistic books.”
In the course of his celebrated nine hundred Conclusiones philosophicae, cabalisticae et theologicae, among which are included twenty-six Conclusiones magicae (1486), Pico demonstrated that the tetragrammaton, the sacred name of God, Yahweh, turned into the name of Jesus with the simple insertion of the letter sin.
This proof was used by all successive Christian kabbalists. In this way, Hebrew, a language susceptible to all the combinatory manipulations of the kabbalist tradition, was raised, once again, to the rank of a perfect language.
For example, in the last chapter of the Heptaplus (1489) Pico, taking off with an interpretation of the first word of Genesis (Bereshit, “In the beginning”), launches himself on a series of death-defying permutational and anagrammatical leaps.
To understand the logic of Pico’s reading, notice that in the following quotation the Hebrew characters have been substituted with the current name of the letters, Pico’s transliterations have been respected, and he is working upon the Hebrew form of the word: Bet, Resh, Alef, Shin, Yod, Tau.
“I say something marvelous, unparalleled, incredible . . . If we take the third letter and unite it with the first, we get [Alef Bet] ab. If we take the first, double it, and unite it with the second, we get [Bet Bet Resh] bebar. If we read all except the fourth with the first and the last, we get [Shin Bet Tau] sciabat.
If we place the first three in the order in which they appear, we get [Bet Resh Alef] bara. If we leave the first and take the next three, we get [Resh Alef Shin] rosc. If we leave the first two and take the two that follow, we get [Alef Shin] es.
If, leaving the first three, we unite the fourth with the last, we get [Shin Tau] seth. Once again, if we unite the second with the first, we get [Resh Bet] rab. If we put after the third, the fifth and the fourth, we get [Alef Yod Shin] hisc.
If we unite the first two letters with the last two, we get [Bet Resh Yod Tau] berith. If we unite the last to the first, we obtain the twelfth and last letter, which is [Tau Bet] thob, turning the thau into the letter theth, an extremely common procedure in Hebrew . . .
Ab means the father; bebar in the son and through the son (in fact, the beth put before means both things); resith indicates the beginning; sciabath means rest and end; bara means he created; rosc is head; es is fire; seth is fundament; rab means of the great; hisc of the man; berith with a pact; tob with goodness.
Thus taking the phrase all together and in order, it becomes: “The father in the son and for the son, beginning and end, that is, rest, created the head, the fire, and the fundament of the great man with a good pact.”
When Pico (in his “Magic Conclusion” 22) declared that “Nulla nomina ut significativa, et in quantum nomina sunt, singula et per se sumpta, in Magico opere virtutem habere possunt, nisi sint Hebraica, vel inde proxima derivata” (“No name, in so far as it has a meaning, and in so far as it is a name, singular and self-sufficient, can have a virtue in Magic, unless that name be in Hebrew or directly derived from it”), he meant to say that, on the basis of the supposed correspondence between the language of Adam and the structure of the world, words in Hebrew appeared as forces, as sound which, as soon as they are unleashed, are able to influence the course of events.”
Umberto Eco, The Search for the Perfect Language, translated by James Fentress, Blackwell. Oxford, 1995, pp. 119-22.