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Tag: Sophia

Opening and Closing of the Cosmic Book

“The historical origins of this doctrine remain to be examined. It is entirely conceivable that it came from the Orient to Provence, where it became associated at a later date with the doctrine of the sefiroth. The penchant for great numbers in the cosmic cycles, which quickly led beyond the 50,000 years of a cosmic jubilee, corresponds to similar tendencies in India and the Ismailite gnosis.

As early as the thirteenth century (as Bahya ben Asher attests), the single yobhel had become 18,000 and the seven shemittoth had mushroomed to thousands. The view that the slowing down of the revolutions of the stars at the end of every period of creation took place in geometric progression led to an extension of the 7,000 years of every single shemittah, reaching prodigious numbers.

On the other hand these ideas may also have roots, however tenuous, in the Aggadah. Several old rabbinic dicta were quoted by the kabbalists in this context for example, the epigram of R. Qatina in Sanhédrin 97a: “Six millennia shall the world exist, and in the following one it shall be desolate,” deduced, paradoxically enough from Isaiah 2:11.

Apparently the idea of such cosmic weeks arose independently of any scriptural foundation. Similarly, the same talmudic text declares: “As the land lies fallow once in seven years, the world too lies fallow one thousand years in seven thousand,” and only later, in the eighth millennium, the new aeon, which is the “world to come,” will begin.

The midrashic text known as Pirqe Rabbi Eliezer speaks in chapter 51 of a periodic opening and closing of the cosmic book or, to be more exact, of an unrolling of the celestial scroll, indicating a similar notion of continual creation.

Another motif that later attained great importance among the kabbalists was provided by the dictum of R. Abbahu (third century) in Bereshith Rabba, section 9 (and the parallel paraphrase in Shemoth Rabba), who deduced from Ecclesiastes 3:11 that “God created and destroyed worlds before creating this one; He said, these please me, those do not please me.”

Here the motif of the worlds that succeed our creation is combined with that of previous worlds, a motif that also plays a role in the doctrine of the shemittah. The destruction of the world is explained by the kabbalists of Gerona as the interruption of the current of the emanation, which no longer flows toward the lower worlds, toward heaven and earth, but remains closed in on itself. Creation, then, remains in a chaotic state, and only when the current is once again renewed is new life formed.

In the Book Temunah the doctrine of the shemittoth is elaborated in great detail and closely linked, above all, with the mystical conception of the nature of the Torah. There exists a supreme Torah, which we have already encountered on page 287 as torah qedumah. This primordial Torah is none other than the divine Sophia, containing within itself in pure spirituality, the traces of all being and all becoming.

Its letters are “very subtle and hidden, without figure, form, or limit.” But when the lower sefiroth emanate, they act in every shemittah in a different manner, according to the particular law of each one. No shemittah is by itself capable of manifesting all the power of God, expressed in the Sophia and in the primordial Torah.

Rather, the timeless and self-enclosed content of this primordial Torah is distributed at the time of the cosmic and historical creation in such a way that each shemittah unveils a particular aspect of the divine revelation, and with that, the intention pursued by God in this particular unit of creation.

This means, in effect, that the specific causality of each shemittah is expressed in a corresponding revelation of the Torah. The spiritual engrams hidden in the primordial Torah certainly do not undergo any change in their essence, but they are manifested in various permutations and forms as constituted by the letters of the Torah, and as combined in different manners in accordance with the changing shemittoth.

The presupposition of the one Torah that is at the same time the highest and most all-embracing mystical essence thus serves as a justification of the existence of the most diverse manifestations in the changing shemittoth. The fundamental principle of the absolute divine character of the Torah is thus maintained, but it receives an interpretation that renders possible a completely new conception.”

Gershom Scholem, Origins of the Kabbalah, 1962, pp. 465-6.

The Mah ‘Elohim of Genesis 1:2

“In another way, however, Isaac’s mysticism of language is easier to understand. From the Sophia, which we have come to know as the primordial Torah as yet undifferentiated by language, the voice is formed in the next sefirah, binah. This voice is not yet audible and is still hidden; it becomes audible only at the later stages of emanation and at the end of this process becomes articulated speech.

But already the hidden voice becomes differentiated, by prolonging itself, into many letters. “Hewn in the pneuma,” which is binah, they acquire, according to Isaac, an exterior and an interior, body and soul. This power of the letters flows into the world beneath the sefiroth, forming on the celestial sphere the secret but nonetheless primordial images of all things in the figure of the 231 gates of this sphere; the gates represent the combinations, two by two, of the elements of the Hebrew alphabet.

There are 462 such combinations, but the other half of this power remains above the sphere. Hence the letters, no matter how they are combined, are only the visible ramifications of the one promordial name.

It remains unsaid, however, whether this primordial name is the Tetragrammaton, the name ‘ehyeh, or some other mystical name underlying both of these. The entire process of emanation remains condensed in all the letters, and “in each individual letter are contained all ten sefiroth” (3:2).

The letter becomes, therefore, a world in itself encapsulating the whole future as something already preformed in it. “In each individual letter there are subtle, inward, and hidden essences ‘without what’ [that have not become anything definite].

Whatever could be chiseled out of them was already in them, just as all a man’s descendants are already in him.”

These secret essences in the letters, which exert their influence in the midst of creation, are conceived “in the manner of the essences given in the Sophia.” It is quite possible that the “whatless” being, being without quiddity, to which this passage refers and which is hidden in the letters, had something to do with the punning definition of the Sophia, given by Isaac’s disciples as being the “potency of the what.” This conception is in perfect accord with the quotation from the Yesirah commentary.

Similar ideas on the development of the world of the sefiroth and what lies below it are found, albeit expressed with enigmatic brevity, in Isaac’s commentary on Genesis 1 (which already ibn Sahula admitted was partly incomprehensible).

Mention is made there of a progression from the “splendor to the Sophia” toward the “light of the Intellect” as the content of the creation of the first day, which, as the mystical primordial day, contained within itself “in spirit, though not yet in their form” all the essences. It is only with the diffusion of the light of the intellect that the light of all other things radiated therefrom; and it seems that for Isaac, the primordial creation of the first day embraces all ten sefiroth.

He interprets the events of the second day of creation as constituting a transition representing the “extension of the spirit in the form.” The souls, too, only “extend in the form” on the second day. We do not learn what constitutes this specifically formative power of the spirit, which is the mah ‘elohim of Genesis 1:2. It is a pneuma that comes from the sefiroth of hokhmah and binah, “and it is called among the sages the power that shapes the form.”

The “sages” named here must be the philosophers, judging by the terminology employed; in the Midrash one finds no such expression. From this supreme pneuma, apparently, come all the souls, which are stamped with the letters engraved in the spirit.”

Gershom Scholem, Origins of the Kabbalah, pp. 285-7.

The Letters of the Great Name

“Whatever the precise nature of the supreme sefirah, hokhmah is in any case the “beginning of being” as it is also the “beginning of the dibbur.” Prom hokhmah, all the sefiroth proceed in a clear chain of emanations. In terms of Isaac’s language-mysticism, the divine things are at the same time the divine words. The ideas are names.

This motif, already prefigured in the Bahir where the sefiroth coincided with the ten logoi, now appears in a much profounder form. For the kabbalist, evidently, language-mysticism is at the same time a mysticism of script and of letters. The relation between script and language is a constitutive principle for the Kabbalah.

In the spiritual world, every act of speaking is concurrently an act of writing, and conversely every writing is potential speech, destined to become audible. The speaker engraves, as it were, the three-dimensional space of the word on the plane of the ether.

The script, which for the philologist is only a secondary and otherwise rather useless image of real speech, is for the kabbalist the true repository of its secrets. The phonographic principle of a natural transposition of speech into script and vice versa manifests itself in the Kabbalah in the idea that the sacred letters themselves are the lineaments and signs that the modern phoneticist would want upon his disc.

The creative word of God is legitimately stamped upon just these sacred lines. Beyond language lies the unarticulated reflection, the pure thought, the mute profundity, one could say, in which the nameless reposes. Prom hokhmah on there opens up, identical with the world of the sefiroth, the world of the pure name as a primordial element of language. This is the sense in which Isaac understood the saying of Yesirah 2:5, according to which all language proceeds from a name. The tree of divine powers, which formed the sefiroth in the Bahir, is here transposed to the ramifications of the letters in this great name.

But more than that of the tree, Isaac liked the simile of the coal and the flames (shalhabiyoth) that are fed by it, inspired by another passage of Yesirah (1:7) to which he often has recourse:

“ … Their root [that is, that of language and things] is in a name, for the letters are like branches, which appear in the manner of flickering flames, which are mobile, and nevertheless linked to the coal, and in the manner of the leaves of the tree, its boughs and branches, whose root is always in the tree . . . and all the debharim become form and all the forms proceed only from the one name, just as the branch comes from the root. It follows therefore that everything is in the root, which is the one name (on 2:5).

The world of language is therefore actually the “spiritual world.” Only that which lives in any particular thing as language is its essential life.

Raising the above to the level of kabbalistic discourse, the words, dibburim, constitute the world of the sefiroth, which are united in their configurations in order to form letters, just as, conversely, the words themselves are the configurations of letters.

Isaac uses both images though their kaleidoscopic relations are not entirely transparent. In any case, letters are for him the elements of the universal script. According to him, the Hebrew word for letters, ‘othiyoth, derives from the verb ‘atha, to come; the letters are “things which come from their cause,” thus, that which “proceeds” from the root.

But each of these elements comprises in ever new configurations all the sefiroth: “In every letter there are the ten sefiroth.” Thus we are told, in connection with Yesirah 4:1 that the ten sefiroth are “inner [or: hidden] essences” whose inner [hidden] being is contained in the hokhmah, and that they are at the same time the roots of principles in which good and evil are still united.

“They [the sefiroth] begin to grow forth like a tree whose beginnings are unrecognizable, until a plant issues from them.” The verbs employed by the Book Yesirah to describe the formation of the letters that God “hewed” in the pneuma suggest to Isaac the image of a mountain from which raw stones are extracted, then hewed and chiseled, and from which well-ordered edifices come into being.

This “edifice” is the world, but the world of the sefiroth as such also represents a building of this type that issues from its elements, and, in the last analysis, from the hokhmah. The sphere in which this hewing of the innermost elements takes place is not the hidden Sophia, where everything is still conceived as united without form, but the sefirah that follows it, binah or teshubah (“that to which all returns”), which is itself a mystical hyle from which the forms are chiseled.”

Gershom Scholem, Origins of the Kabbalah, pp. 277-9.

The Double Hokhmah

“In fact, they occasionally seem to force this hypothesis upon us. In that case it is not too much to assume that the gnostic material of Oriental origin in the Book Bahir, once it was received and adopted by a circle of religiously agitated and productive men, amply suffices to explain the inner development of the Kabbalah up to, and including, the Zohar. But how are we to understand the development that led to that ferment, the evidence of which we have before us in the Book Bahir itself? On this point we are forced to assume the existence of some kind of connection, whether in literary or oral form, with older, premedieval materials.

Certain details, as far as I can see, can have no other explanation and above all cannot be attributed to fortuitous coincidences. They prove that the gnostic symbolisms that occupied a meaningful and comprehensible position within their own framework—as for example in the system of the Valentinian gnosis—found their way into Jewish sources, largely detaching themselves, of course, from their organic connection with gnostic mythology.

Today we can no longer (or not yet?) say anything about the nature of these sources, or whether, perhaps, there once existed entire systems of a Jewish character parallel to the classic systems of Gnosticism or to the later gnostic ramifications of the kind that survived in the Aramaic-Syrian linguistic area, such as, for example, the Mandaean gnosis. Only obscure traces of these sources, not a system but merely fragments of symbols, seem to have come into the hands of the redactors of the Bahir. Nevertheless, their attraction was still strong enough to stimulate the combination of old material with new associations of ideas and, thus, to give it a new content.

A surprising detail of this kind is the doctrine of the double Sophia or hokhmah that among the first kabbalists and as early as the Book Bahir, served as a model for similar symbols occupying a double position within the framework of the divine world, the pleroma.

Thus we have a double “Fear of God” (sections 97, 129, 131), a double “Justice” (sedeq, sections 50, 133), a double he in the Tetragrammaton YHWH (section 20), and also, without a doubt, a double Shekhinah (section 11). The region and position of these power symbols (“the lower he; the lower Justice”) are always, in this case, close to the margin and termination of the world of the aeons, and are connected with the symbolism of the Shekhinah.

But these expositions in the Bahir are most precise in just those instances where they are related to the double hokhmah. That should give us cause for thought. The Gnostics, especially those of the Valentinian school, developed the idea of two aeons that are both called Sophia. One, the “upper Sophia,” is high above, in the world of the pleroma; the other, however, which is also related to the symbolism of the “virgin of light,” is found at its lower end.

The gnostic myth of the cosmic drama told of the fall of the lower Sophia, which succumbed to the temptation of the hyle and fell from the pleroma into the lower worlds, where it is either wholly, or at least in certain parts of its luminous being, “in exile.” Even so, this lower, fallen Sophia remains related to the pneuma, the highest constitutive part of the human soul, the contact between these two entities being described by means of different symbols in different systems. This divine spark in man is connected with the drama of the exile of the “lower Sophia.”

It is precisely in the corresponding levels of the structure of the divine middoth that we find, in different passages of the Bahir, the two hypostases or aeons named hokhmah, as the second and the tenth sefirah. Wisdom simply is, in section 96 for example, the upper Wisdom, the “beginning of the paths of God” in the midst of creation.

When God placed this Wisdom in the heart of Solomon he adapted the upper Wisdom to the form of the lower Wisdom, which he was able to grasp. In the form of the lower Wisdom, which is the “daughter” whom God, as it were, gave in marriage to Solomon, “the thirty-two paths of the Sophia,” all the powers and ways of the pleroma are united (sections 43, 62, 67).”

Gershom Scholem, Origins of the Kabbalah, pp. 91-2.

The Shekhinah is Bakol

“The pseudepigraphic disguise that lends it the appearance of an ancient teaching cannot deceive us concerning the true character of this dictum. “The rabbis have taught: Kol, Abraham’s daughter, is not dead. She still exists, and whoever sees her has made a great find, as it is said [Prov. 8:17]: and those who seek me will find me.”

By means of this verse from Proverbs, the daughter is clearly identified as the hokhmah or Sophia, which would be in accord with the symbolism of the Shekhinah in the Bahir, itself related to the mysticism of the Sophia (see following).

It is quite possible that the author of this dictum, preserved only in the Yemenite midrash, knew of an interpretation similar to the one that we read in the Bahir, and which must therefore already have been known in the Orient. But it is just as possible that he produced a similar interpretation quite independently stimulated by the desire to allegorize a strange phrase.

The tradition of the German Hasidim, around 1250, also shows familiarity with older materials that dealt with the interpretation of the Bakol of Genesis 24:1, though in a direction somewhat different from that taken in the Bahir. In connection with this same verse, Ephraim ben Shimshon (ca. 1240) cited a dictum of the adepts of esotericism, ba ‘ale ha-sod, according to which this blessing consisted in God’s charge to the “Prince of the Divine Presence” to grant Abraham’s every wish.

The role of the Shekhinah in the Book Bahir is here assumed by the angel Yahoel, the oldest name of Metatron, prince of the angels, whose relation to the patriarch is not only known from the Apocalypse of Abraham (early second century C.E.), but was also familiar to the German Hasidim of the twelfth century.

However, the particular exegesis relating the word Bakol to Yahoel probably originated in Germany, for it is based on the gematria method of interpretation practiced there at that time.

Whether there is a relation between the Bahir’s reference to the Shekhinah and the idea of the universal presence of the Shekhinah as current at the time particularly among the German Hasidim I would not venture to decide. Such a connection, if it exists, would rest upon a punning interpretation of the Talmud: “The Shekhinah is in every place” (Baba Bathra 25a). By abridging this phrase to shekhinah bakol, “the Shekhinah is in all things,” an association is suggested with the bakol in Genesis 24:1: the Shekhinah is Bakol.

Another example of such a reinterpretation can be found in section 126. The Talmud relates a dictum of the Babylonian amora R. Assi: “The son of David will not come until all the souls in the ‘body’ are exhausted” (Yebamoth 62a, 63b). Here “body” means the storehouse of the préexistent, unborn souls. This traditional interpretation was evidently also known to the Bahir. But there this dictum is further interpreted as a cue for the doctrine of the transmigration of souls: the “body” mentioned there would be the body of man, through which the souls must wander.”

Gershom Scholem, Origins of the Kabbalah, pp. 88-90.

The Great Name of God

“Also related to the magic of language mysticism is the author’s view that the six dimensions of heaven are “sealed” (1:13) by the six permutations of “His great name Yaho” (Hebrew YHW). These three consonants, utilized in Hebrew as matres lectionis for the vowels ia, and o, which are not written, make up the divine name Yaho, which contains the three consonants of the four-letter name of God, YHWH, as well as the form Yao, which penetrated into the documents of Hellenistic syncretism where its permutations likewise play a role. The signs that were subsequently developed to designate vowels were still unknown to the author.

This idea concerning the function of the name Yaho or Yao suggests important parallels. In the system of the Gnostic Valentinus, Iao is the secret name with which the Horos (literally: the limit, the limitation!) frightens away from the world of the pleroma the Sophia-Akhamoth who is in pursuit of Christ.

Does not the cosmos (as distinct from the pleroma), sealed by means of the six permutations of Yao in the Book Yesirah, constitute a sort of monotheistic parallel, perhaps even inspired by polemical intentions, to this Valentinian myth? In another text of a manifestly Jewish-syncretistic character, we similarly find the name Iao, as an invocation that consolidates the world in its limits, a perfect analogy to the sealing in Yesirah: in the cosmogony of the Leiden magical papyrus the earth writhed when the Pythian serpent appeared “and reared up powerfully. But the pole of heaven remained firm, even though it risked being struck by her. Then the god spoke: Iao! And everything was established and a great god appeared, the greatest, who arranged that which was formerly in the world and that which will be, and nothing in the realm of the Height was without order any more.”

The name Iao appears again among the secret names of this greatest god himself. It is difficult not to suspect a relation here between Jewish conceptions and those of Gnosticism and syncretism. This “sealing” of the Creation by means of the divine name belongs to the old stock of ideas of the Merkabah gnosis; it is attested in chapter 9 of the “Greater Hekhaloth.” What is said in the “Book of Creation” of the “six directions” of space is here said of the “orders of the Creation,” therefore, of the cosmos in general, whose preservation within its established arrangements, sidre bereshith, is due to its “sealing” by the great name of God.”

–Gershom Scholem, Origins of the Kabbalah, 1987, pp. 31-3.

The 32 Paths of the Sophia

“Besides these literary monuments of the Merkabah gnosis, there was another, extremely curious text which circulated widely during the Middle Ages, excercising a great influence in many lands and in diverse circles: the “Book of Creation,” Sefer Yesirah. Concerning the origin and spiritual home of this work, which numbers only a few pages, divergent opinions have been voiced, although to date it has been impossible to come to any reliable and definitive conclusions.

This uncertainty is also reflected in the various estimates of the date of its composition, which fluctuate between the second and the sixth centuries. This slender work is also designated in the oldest manuscripts as a collection of “halakhoth on the Creation,” and it is not at all impossible that it is referred to by this name in the Talmud. In the two different versions that have come down to us, it is divided into chapters whose individual paragraphs were likewise regarded by medieval tradition as mishnaic.

[ … ]

The book’s strong link with Jewish speculations concerning divine wisdom, hokhmah or Sophia, is evident from the first sentence:

“In thirty-two wondrous paths of wisdom God . . . [there follows a series of biblical epithets for God] engraved and created His world.”

These thirty-two paths of the Sophia are the ten primordial numbers, which are discussed in the first chapter, and the twenty-two consonants of the Hebrew alphabet, which are described in a general way in chapter 2 and more particularly in the following chapters as elements and building blocks of the cosmos.

The “paths of the Sophia” are thus fundamental forces that emanate from her or in which she manifests herself. They are, as in the old conception of the Sophia herself, the instruments of creation. In her or through her—the Hebrew preposition permits both translations—God, the master of the Sophia, “engraved” Creation. The symbolism of the number thirty-two reappears also in some Christian gnostic documents, but it is in this text that it seems to be established for the first time and in the most natural manner.

Mention should, however, be made of Agrippa von Nettesheim, who informs us (De occulta philosophia 2:15) that thirty-two was considered by the Pythagoreans as the number of righteousness because of its well-nigh unlimited divisibility. More recently Nicholas Sed has discussed in a remarkable essay the relationship of the symbolism of the Book Yesirah with the Samaritan Memar of Marqah.

–Gershom Scholem, Origins of the Kabbalah, 1987, pp. 24-6.

 

The Noble Virgin of Sophia in Boehme

“Boehme extended his theosophy with the figure of the Noble Virgin of Sophia, a figure based on the allegory in the Book of Wisdom and Proverbs. She animates the second world of “eternal nature” as a serene and reflective aspect of God. Both the terms “abyss” and “Sophia” recall mythic aspects in the Gnostic aeonology of Valentinus (second century), a remarkable example of Protestant esotericism naively invoking Hellenistic heterodoxy.”

–Nicholas Goodrick-Clarke, The Western Esoteric Traditions: An Historical Introduction, 2008. Pg. 96.

Boehme, Sophia, and Valentinus.

“Boehme extended his theosophy with the figure of the Noble Virgin of Sophia, a figure based on the allegeory in the Book of Wisdom and Proverbs. She animates the second world of “eternal nature” as a serene and reflective aspect of God. Both the terms “abyss” and “Sophia” recall mythic aspects in the Gnostic aeonology of Valentinus (second century), a remarkable example of Protestant esotericism naively invoking Hellenistic heterodoxy.”

 –Nicholas Goodrick-Clarke, The Western Esoteric Traditions: A Historical Introduction, 2008. Pg. 96.  

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