Hermes | Samizdat

July 15, 2016

Eco: The I Ching and the Binary Calculus

Diagram_of_I_Ching_hexagrams_owned_by_Gottfried_Wilhelm_Leibniz,_1701

The French Jesuit Joachim Bouvet (1656-1730) sent this unattributed diagram of hexagrams to Gottfried Wilhelm Leibniz (1646-1730) circa 1701. The arabic numerals written on the diagram were added by Leibniz. This artifact is held in the Leibniz Archive, Niedersächsische Landesbibliothek, and was published in Franklin Perkins, Leibniz and China: A Commerce of Light, Cambridge,2004, p. 117. This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author’s life plus 100 years or less.

“Leibniz’s tendency to transform his characteristica into a truly blind calculus, anticipating the logic of Boole, is no less shown by his reaction to the discovery of the Chinese book of changes–the I Ching.

Leibniz’s continuing interest in the language and culture of China is amply documented, especially during the final decades of his life. In 1697 he had published Novissima sinica (Dutens 1768: IV, 1), which was a collection of letters and studies by the Jesuit missionaries in China.

It was a work seen by a certain Father Joachim Bouvet, a missionary just returned from China, who responded by sending Leibniz a treatise on the ancient Chinese philosophy which he saw as represented by the 64 hexagrams of the I Ching.

The Book of Changes had for centuries been regarded as a work of millennial antiquity. More recent studies, however, have dated it to the third century BCE. Nevertheless, scholars of the time of Leibniz still attributed the work to a mythical author named Fu Hsi.

As its function was clearly magical and oracular, Bouvet not unnaturally read the hexagrams as laying down the fundamental principles for Chinese traditional culture.

When Leibniz described to Bouvet his own research in binary arithmetic, that is, his calculus by 1 and 0 (of which he also praised the metaphysical ability to represent even the relation between God and nothingness), Bouvet perceived that this arithmetic might admirably explain the structure of the Chinese hexagrams as well.

He sent Leibniz in 1701 (though Leibniz only received the communication in 1703) a letter to which he added a wood-cut showing the disposition of the hexagrams.

In fact, the disposition of the hexagrams in the wood-cut differs from that of the I Ching, nevertheless, this error allowed Leibniz to perceive a signifying sequence which he later illustrated in his Explication de l’arithmétique binaire (1703).

Umberto Eco, The Search for the Perfect Language, figure 14.1, p. 285.

Figure 14.1 shows the central structure of the diagrams seen by Leibniz. The sequence commences, in the upper left hand corner, with six broken lines, then proceeds by gradually substituting unbroken for broken lines.

Leibniz read this sequence as a perfect representation of the progression of binary numbers (000, 001, 010, 110, 101, 011, 111 . . . ). See figure 14.2.

Umberto Eco, The Search for the Perfect Language, figure 14.2, p. 286.

Once again, the inclination of Leibniz was to void the Chinese symbols of whatever meaning was assigned to them by previous interpretations, in order to consider their form and their combinatorial possibilities.

Thus once more we find Leibniz on the track of a system of blind thought in which it was syntactic form alone that yielded truths. Those binary digits 1 and 0 are totally blind symbols which (through a syntactical manipulation) permit discoveries even before the strings into which they are formed are assigned meanings.

In this way, Leibniz’s thought not only anticipates by a century and a half Boole’s mathematical logic, but also anticipates the true and native tongue spoken by a computer–not, that is, the language we speak to it when, working within its various programs, we type expressions out on the keyboard and read responses on the screen, but the machine language programmed into it.

This is the language in which the computer can truly “think” without “knowing” what its own thoughts mean, receiving instructions and re-elaborating them in purely binary terms.

Certainly Leibniz mistook the nature of the I Ching, since “the Chinese interpreted the kua in every manner except mathematically” (Lozano 1971). Nevertheless, the formal structures that he (rightly enough) isolated in these diagrams appeared to him so esoterically marvelous that, in a letter to Father Bouvet, he did not hesitate in identifying the true author of the I Ching as Hermes Trismegistus–and not without reasons, because Fu Hsi was considered in China as the representative of the era of hunting, fishing and cooking, and thus can be considered, as can Hermes, the father of all inventions.”

Umberto Eco, The Search for the Perfect Language, translated by James Fentress, Blackwell. Oxford, 1995, pp. 284-7.

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July 9, 2016

Eco: Francis Lodwick, 2

John Wilkins, An Essay Towards a Real Character, p. 311

John Wilkins (1614-1672), An Essay Towards a Real Character and a Philosophical Language, London, John Martin, 1668, p. 311. Reproduced as Figure 13.2 in Umberto Eco, The Search for the Perfect Language, “Francis Lodwick,” 1995, p. 264. This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author’s life plus 100 years or less.

“This idea of a non-hierarchical organization seems, at one point, to have occurred to Wilkins as well. Figure 13.2 reproduces a table found on p. 311 of his Essay. The table describes the workings of prepositions of motion by relating the possible positions (and possible actions) of a human body in a three-dimensional space.

It is a table in which there is no principle of hierarchy whatsoever. Yet this is an isolated example, and Wilkins seems to have lacked the courage to extend this principle to his entire system of content.

Unfortunately, even Lodwick’s primitives for actions were not really primitive at all. It would undoubtedly be possible to identify a series of positions assumed by the human body in space–such as getting up or lying down–and argue that these were intuitively and universally comprehensible; yet the sixteen radicals proposed by Lodwick can be criticized in the same way as Degérando would later do for Wilkins: even such a simple notion as to walk must be defined in terms of movement, the notion of movement requires as its components those of place, of existence in a given place, of a moving substance which in different instants passes from one place to another.

All this presupposes the notions of departure, passage and arrival, as well as that of a principle of action which imparts motion to a substance, and of members which support and convey a body in motion in a specific way (“car glisser, ramper, etc., ne sont pas la même chose que marcher;” “since sliding, climbing, etc., are not the same as walking;” Des signes, IV, 395).

Moreover, it is also necessary to conceive of a terrestrial surface upon which movement was to take place–otherwise one could think of other actions like swimming or flying. However, at this point one should also subject the ideas of surface or members to the same sort of regressive componential analysis.

One solution would be to imagine that such action primitives are selected ad hoc as metalinguistic constructs to serve as parameters for automatic translation. An example of this is the computer language designed by Schank and Abelson (1977), based on action primitives such as PROPEL, MOVER, INGEST, ATRANS OR EXPEL, by which it is possible to analyze more complex actions like to eat (however, when analyzing the sentence “John is eating a frog,” Schank and Abelson–like Lodwick–cannot further analyze frog).

Other contemporary semantic systems do not start by seeking a definition of a buyer in order to arrive eventually at the definition of the action of buying, but start rather by constructing a type-sequence of actions in which a subject A gives money to a subject B and receives an object in exchange.

Clearly the same type-sequence can be employed to define not only the buyer, but also the seller, as well as the notions of to buy, to sell, price, merchandise, and so forth. In the language of artificial intelligence, such a sequence of actions is called a “frame.”

A frame allows a computer to draw inferences from preliminary information: if A is a buyer, then he may perform this and that action; if A performs this or that action, then he may be a buyer; if A obtains merchandise from B but does not pay him, then A is not a guyer, etc., etc.

In still other contemporary semantics, the verb to kill, for example, might be represented as “Xs causes (Xd changes to (- live Xd)) + (animate Xd) & (violent Xs):” if a subject (s) acts, with violent means or instruments, in a way that causes another subject (d), an animate being, to change from a state of living to a state of death, then s has killed d. If we wished, instead, to represent the verb to assassinate, we should add the further specification that d is not only an animate being, but also a political person.

It is worth noting that Wilkins‘ dictionary also includes assassin, glossing it by its synonym murther (erroneously designating it as the fourth species of the third difference in the genera of judicial relations: in fact, it is the fifth species), but limiting the semantic range of the term by “especially, under pretence of Religion.”

It is difficult for a philosophic a priori language to follow the twists and turns of meaning of a natural language.

Properly worked out, Lodwick’s project might represent to assassinate by including a character for to kill and adding to it a note specifying purpose and circumstances.

Lodwick’s language is reminiscent of the one described by Borges in “Tlön, Uqbar, Orbis Tertius” (in Ficciones), which works by agglutinations of radicals representing not substances but rather temporary fluxes. It is a language in which there would be no word for the noun moon but only the verb to moon or to moondle.

Although it is certain that Borges knew, if only at second hand, the work of Wilkins, he probably had never heard of Lodwick. What is certain, however, is that Borges had in mind the Cratylus, 396b–and it is by no means impossible that Lodwick knew this passage as well.

Here Plato, arguing that names are not arbitrary but motivated, gives examples of the way in which, rather than directly representing the things that they designate, words may represent the origin or the result of an action.

For instance, the strange difference (in Greek) between the nominative Zeus and the genitive Dios arose because the original name of Jupiter was a syntagm that expressed the habitual activity associated with the king of the gods: di’hoòn zen, “He through whom life is given.”

Other contemporary authors have tried to avoid the contortions that result from dictionary definitions by specifying the meaning of a term by a set of instructions, that is, a procedure which can decide whether or not a certain word can be applied.

This idea had already appeared in Charles Sanders Pierce (Collected Papers, 2.330): here is provided a long and complex explanation of the term lithium, in which this chemical element was defined not only in relation to its place in the periodic table of elements and by its atomic weight, but also by the operations necessary to produce a specimen of it.

Lodwick never went as far as this; still, his own intuition led him to run counter to an idea that, even in the centuries to follow, proved difficult to overcome. This was the idea that nouns came first; that is, in the process in which language had emerged, terms for things had preceded terms for actions.

Besides, the whole of Aristotelian and Scholastic discussion privileged substances (expressed by common nouns) as the subjects of a statement, in which the terms for actions played the role of predicates.

We saw in chapter 5 that, before the advent of modern linguistics, theorists tended to base their research on nomenclature. Even in the eighteenth century, Vico could still assume that nouns arose before verbs (Scienza nuova seconda, II, 2.4). He found this to be demonstrated not only by the structure of a proposition, but by the fact that children expressed themselves first in names and interjections, and only later in verbs.

Condillac (Essai sur l’origine des connaissances humaines, 82) also affirmed that “for a long time language remained with no words other than nouns.” Stankiewicz (1974) has traced the emergence of a different trend starting with the Hermes of Harris (1751: III), followed by Monboddo (Of the Origins and Progress of Language, 1773-92) and Herder, who, in his Vom Geist der hebräischen Poesie (1787), noted that a noun referred to things as if they were dead while a verb conferred movement upon them, thus stimulating sensation.

Without following Stankiewicz’s reconstruction step by step, it is worth noting that the reevaluation of the role of the verb was assumed in the comparative grammars by the theorists of the Indo-European hypothesis, and that in doing so they followed the old tradition of Sanskrit grammarians, who derived any word from a verbal root (1974: 176).

We can close with the protest of De Sanctis, who, discussing the pretensions of philosophic grammars, criticized the tradition of reducing verbs to nouns and adjectives, observing that: “I love is simply not the same as I am a lover [ . . . ] The authors of philosophical grammars, reducing grammar to logic, have failed to perceive the volitional aspect of thought” (F. De Sanctis, Teoria e storia della litteratura, ed. B. Croce, Bari: Laterza, 1926: 39-40).

In this way, in Lodwick’s dream for a perfect language there appears the first, timid and, at the time, unheeded hint of the problems that were to become the center of successive linguistics.”

Umberto Eco, The Search for the Perfect Language, translated by James Fentress, Blackwell. Oxford, 1995, pp. 264-8.

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June 9, 2016

Eco: The Kircherian Ideology

Athanasius Kircher (1602-80), Egyptian pyramids by Gioseffo Petrucci, Prodromo apologetico alli studi chiercheriani, Amsterdam, 1677, reprinted from Sphinx Mystagoga, a selection of images related to Athanasius Kircher in the Stanford University Archives, curated by Michael John Gorman, 2001. This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author’s life plus 100 years or less.

“It would be idle to hold Kircher responsible for his inability to understand the nature of hieroglyphic writing, for which in his time nobody had the key. Yet his ideology magnified his errors.

“Nothing can explain the duplicity of the research of Kircher better than the engraving which opens the Obeliscus Pamphilius: in this cohabit both the illuminated image of Philomatià to whom Hermes explains every mystery and the disquieting gesture of Harpocrates who turns away the profane, hidden by the shadow of the cartouche.” (Rivosecchi 1982: 57).

The hieroglyphic configurations had become a sort of machine for the inducing of hallucinations which then could be interpreted in any possible way.

Rivosecchi (1982: 52) suggests that Kircher exploited this very possibility in order to discuss freely a large number of potentially dangerous themes–from astrology to alchemy and magic–disguising his own opinions as those of an immemorial tradition, one in which, moreover, Kircher treated prefigurations of Christianity.

In the midst of this hermeneutic bulimia, however, there glimmers the exquisitely baroque temperament of Kircher at play, delighting in his taste for the great theater of mirrors and lights, for the surprising museographic collection (and one has only to think of that extraordinary Wunderkammer which was the museum of the Jesuit Collegio Romano).

Only his sensitivity to the incredible and the monstrous can explain the dedication to the Emperor Ferdinand III that opens the third volume of Oedipus:

“I unfold before your eyes, O Most Sacred Caesar, the polymorphous reign of Morpheus Hieroglyphicus. I tell of a theater in which an immense variety of monsters are disposed, and not the nude monsters of nature, but adorned by the enigmatic Chimeras of the most ancient of wisdoms so that here I trust sagacious wits will draw out immeasurable treasures for the sciences as well as no small advantage for letters.

Here there is the Dog of Bubasti, the Lion Saiticus, the Goat Mendesius, here there is the Crocodile, horrible in the yawning of its jaws, yet from whose uncovered gullet there emerges the occult meanings of divinity, of nature, and of the spirit of Ancient Wisdom espied through the vaporous play of images.

Here there are the Dipsodes thirsting for blood, the virulent Asp, the astute Icneumon, the cruel Hippopotami, the monstrous Dragons, the toad of swollen belly, the snail of twisted shell, the hairy caterpillar and the innumerable other specters which all show the admirably ordered chain which extends itself into the depths of nature’s sanctuaries.

Here is presented a thousand species of exotic things in many and varied images, transformed by metamorphosis, converted into human figures, and restored once more to themselves again in a dance of the human and the savage intertwined, and all in accordance with the artifices of the divine; and finally, there appears the divinity itself which, to say with Porphyry, scours the entire universe, ordering it with all things in a monstrous connubium; where now, sublime in its variegated face, it raises its canine cervix to reveal itself as Cenocephalus, now as the wicked Ibis, now as the Sparrow-hawk wrapped in a beaky mask.

[ . . . ] now, delighting in its virgin aspect, under the shell of the Scarab it lies concealed as the sting of the Scorpion [these descriptions carry on for four more pages] in this pantomorphic theater of nature unfolded before our gaze, under the allegorical veil of occult meanings.”

This is the same spirit which informed the medieval taste for encyclopedias and for libri monstruorum, a genre which reappears from the Renaissance onwards under the “scientific” guise of the medical studies of Ambroise Paré, the naturalist works of Ulisse Aldrovandi, the collection of monsters of Fortunio Liceti, the Physica curiosa of Gaspar Schott.

Here it is combined, with a quality of frenzied dissymmetry that is almost Borrominian, recalling the aesthetic ideals presiding over the construction of the hydraulic grottos and mythological rocailles in the gardens of the period.

Beyond this, however, Rivosecchi has put his finger on another facet of the Kircherian ideology. In a universe placed under the sign of an ancient and powerful solar deity, the myth of Osiris had become an allegory of the troubled search for stability in the world still emerging from the aftermath of the Thirty Years War, in which Kircher was directly involved.

In this sense, we might read the dedications to Ferdinand III, which stand out at the beginning of each volume of the Oedipus, in the same light as the appeals of Postel to the French monarchy to restore harmony a century before, or as the analogous appeals of Bruno, or as Campanella’s celebration of a solar monarchy, prelude to the reign of Louis XIV, or as the calls for a golden century which we will discuss in the chapter on the Rosicrucians.

Like all the utopian visionaries of his age, the Jesuit Kircher dreamed of the recomposition of a lacerated Europe under a stable monarchy. As a good German, moreover, he repeated the gesture of Dante and turned to the Germanic, Holy Roman emperor.

Once again, as in the case of Lull, though in ways so different as to void the analogy, it was the search for a perfect language that became the instrument whereby a new harmony, not only in Europe, but across the entire planet, was to be established.

The knowledge of exotic languages, aimed not so much at recovering their original perfection, but rather at showing to the Jesuit missionaries “the method of bearing the doctrine of Christ to those cut off from it by diabolic malice” (preface to China, but also Oedipus, I, I, 396-8).

In the last of Kircher’s works, the Turris Babel, the story of the confusion of tongues is once again evoked, this time in an attempt to compose “a grandiose universal history, embracing all diversities, in a unified project of assimilation to Christian doctrine. [ . . . ]

The peoples of all the world, dispersed after the confusion, are to be called back together from the Tower of the Jesuits for a new linguistic and ideological reunification.” (Scolari 1983: 6).

In fact, hungry for mystery and fascinated by exotic languages though he was, Kircher felt no real need to discover a perfect language to reunite the world in harmony; his own Latin, spoken with the clear accents of the Counter-Reformation, seemed a vehicle perfectly adequate to transport as much gospel truth as was required in order to bring the various peoples together.

Kircher never entertained the thought that any of the languages he considered, not even the sacred languages of hieroglyphics and kabbalistic permutations, should ever again be spoken. He found in the ruins of these antique and venerated languages a garden of private delight; but he never conceived of them as living anew.

At most he toyed with the idea of preserving these languages as sacred emblems, accessible only to the elect, and in order to show their fecund impenetrability he needed elephantine commentaries.

In every one of his books, he showed himself as a baroque scholar in a baroque world; he troubled more over the execution of his tables of illustrations than over the writing (which is often wooden and repetitive).

Kircher was, in fact, incapable of thinking other than in images (cf. Rivosecchi 1982: 114). Perhaps his most lasting achievement, and certainly his most popular book, was the Ars magna lucis et umbrae of 1646.

Here he explored the visible in all its nooks and crannies, drawing from his exploration a series of scientifically valid intuitions which even faintly anticipate the invention of the techniques of photography and the cinema.”

Umberto Eco, The Search for the Perfect Language, translated by James Fentress, Blackwell. Oxford, 1995, pp. 162-5.

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May 21, 2016

Eco: Kabbalism and Lullism in Modern Culture

Marsilio Ficino (1433-99), a bust published in “Marsilio Ficino and Renaissance Neoplatonism,” by Nicholas Goodrick-Clarke, on Rosicrucian.org. This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author’s life plus 100 years or less.

“Hebrew was not the only beneficiary of the passion for archaic wisdom that gripped scholars from the end of the Middle Ages onwards. The dawn of the modern era also saw a revival of interest in Greek thought and in the Greek’s fascination with Egypt and its mysterious hieroglyphic script (see ch. 7).

Greek texts were rediscovered and enthusiastically assigned an antiquity they did not, in fact, possess. They included the Orphic Hymns, attributed to Orpheus, but, in fact, written probably between the second and third centuries AD; the Chaldean Oracles, also written in the second century, but attributed to Zoroaster; and, above all, the Corpus Hermeticum.

This was a compilation acquired in 1460 for Cosimo de’ Medici in Florence, and immediately rushed to Marsilio Ficino so that he might translate it.

This last compilation, as was later shown, was the least archaic of all. In 1614, by using stylistic evidence and by comparing the innumerable contradictions among the documents, Isaac Casaubon, in his De rebus sacris et ecclesiasticis, showed that it was a collection of texts by different authors, all writing in late Hellenistic times under the influences of Egyptian spirituality.

None of this was apparent in 1460, however. Ficino took the texts to be archaic, directly written by the mythical Hermes or Mercurius Trismegistus.

Ficino was struck to discover that his account of the creation of the universe resembled that of Genesis, yet–he said–we should not be amazed, because Mercurius could be none other than Moses himself (Theologica platonica, 8, 1).

This enormous historical error, as Yates says, was destined to have surprising results (1964: 18-9).

The Hermetic tradition provided a magico-astrological account of the cosmos. Celestial bodies exercise their power and influence over earthly things, and by knowing the planetary laws one can not only predict these influences, but also manipulate them.

There exists a relation of sympathy between the universal macrocosm and the human microcosm, a latticework of forces which it is possible to harness through astral magic.

Astral magic was practiced through words and other signs, because there is a language by which human beings can command the stars. Such miracles can be performed through “talismans,” that is, images which might guarantee safe recovery, health or physical prowess.

In his De vita coelitus comparanda, Ficino provided a wealth of details concerning how such talismans were to be worn; how certain plants linked by sympathy to certain stars were to be consumed; how magical ceremonies were to be celebrated with the proper perfumes, garments and songs.

Talismanic magic works because the bond which unites the occult virtues of earthly things and the celestial bodies which instilled them is expressed by signatures, that is, formal aspects of material things that recall certain features (properties or powers) of the corresponding heavenly bodies.

God himself has rendered the sympathies between macrocosm and microcosm perceptible by stamping a mark, a sort of seal, onto each object of this world (cf. Thorndike 1923-58; Foucault 1966; Couliano 1984; Bianchi 1987).

In a text that can stand as the foundation for such a doctrine of signatures, Paracelsus declared that:

“The ars signata teaches the way in which the true and genuine names must be assigned to all things, the same names that Adam, the Protoplastus, knew in the complete and perfect way [ . . . ] which show, at the same time, the virtue, the power, and the property of this or that thing. [ . . . ]

This is the signator who signs the horns of the stag with branches so that his age may be known: the stag having as many years as his horns have branches. [ . . . ] This is the signator who covers the tongue of a sick sow with excrescences, so that her impurity may be known; if the tongue is impure so the whole body is impure.

This is the signator who tints the clouds with divers colors, whereby it is possible to forecast the changes of the heavens. (De natura rerum, I, 10, “De signatura rerum“).”

Even the Middle Ages were aware that “habent corpora omnia ad invisibilia bona simulitudinem” (Richard of Saint Victor, Benjamin Major, PL, 196, 90): all bodies possess qualities which give them similarities with invisible goods.

In consequence, every creature of the universe was an image, a mirror reflecting our terrestrial and supernatural destinies. Nevertheless, it did not occur to the Middle Ages that these images might speak in a perfect language.

They required interpretation, explication and comment; they needed to be enclosed in a rational didactic framework where they could be elucidated, deciphered, in order to make clear the mystical affinities between a symbol and its content.

For Renaissance Platonism, by contrast, the relation between the images and the ideas to which they referred was considered so intuitively direct that the very distinction between a symbol and its meaning disappeared (see Gombrich 1972: “Icones Symbolicae,” v).

Umberto Eco, The Search for the Perfect Language, translated by James Fentress, Blackwell. Oxford, 1995, pp. 117-9.

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May 14, 2016

Eco: The Nationalistic Hypothesis, 4

Athanasius Kircher (1602-80), Universal horoscope of the Society of Jesus, or the Jesuits. Comprising an olive tree as a sundial, the time in each Jesuit province can be read. From Ars Magna Lucis et Umbrae, 1646, p. 553, courtesy of Herzog August Bibliothek, and Stanford University. This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author’s life plus 100 years or less.

“In the British context, the Celtic hypothesis had naturally quite a different meaning; it meant, for one thing, an opposition to the theory of a Germanic origin.

In the eighteenth century the thesis of Celtic primacy was supported by Rowland Jones, who argued “no other language, not even English, shows itself to be so close to the first universal language, and to its natural precision and correspondence between words and things, in the form and in the way in which we have presented it as universal language.”

The English language is

“the mother of all the western dialects and the Greek, elder sister of all orientals, and in its concrete form, the living language of the Atlantics and of the aborigines of Italy, Gaul and Britain, which furnished the Romans with much of their vocables . . . The Celtic dialects and knowledge derived their origin from the circles of Trismegistus, Hermes, Mercury or Gomer . . . [and] the English language happens more peculiarly to retain its derivation from that purest fountain of languages (“Remarks on the Circles of Gomer,” The Circles of Gomer, 1771: II, 31-2).”

Etymological proofs follow.

Such nationalistic hypotheses are comprehensible in the seventeenth and eighteenth centuries, when the larger European states began to take form, posing the problem of which of them was to be supreme on the continent.

In this period, spirited claims to originality and superiority arise no longer from the visionary quest for universal peace, but–whether their authors realized this or not–from concrete reasons of state.

In whatever case, and whatever their nationalist motivations, as a result of what Hegel calls the astuteness of reason, the furious search for etymologies, which was supposed to prove the common descent of every living language, eventually ended by creating the conditions in which serious work in comparative linguistics might become more profitable.

As this work expanded, the phantom of an original mother tongue receded more and more into the background, remaining, at most, a mere regulative hypothesis. To compensate for the loss, there arose a new and pressing need to establish a typology of fundamental linguistic stocks.

Thus, in this radically altered perspective, the search for the original mother tongue transformed itself into a general search for the origins of a given language.

The need to document the existence of the primeval language had resulted in theoretical advances such as the identification and delimitation of important linguistic families (Semitic and Germanic), the elaboration of a model of linguistic descent with the inheritance of common linguistic traits, and, finally, the emergence of an embryonic comparative method typified in some synoptic dictionaries. (Simone 1990: 331).”

Umberto Eco, The Search for the Perfect Language, translated by James Fentress, Blackwell. Oxford, 1995, pp. 102-3.

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April 24, 2016

Eco: Before and After Europe, 2

MC Escher, Tower of Babel, 1928. This image of a drawing is copyrighted by the artist, who died in 1972. Low-resolution images of works of art for purposes of critical commentary qualify for fair use under United States copyright law.

“Despite this, by the second century AD, there had begun to form the suspicion that Latin and Greek might not be the only languages which expressed harmoniously the totality of experience.

Slowly spreading across the Greco-Roman world, obscure revelations appeared; some were attributed to Persian magi, others to an Egyptian divinity called Thoth-Hermes, to Chaldean oracles, and even to the very Pythagorean and Orphic traditions which, though born on Greek soil, had long been smothered under the weight of the great rationalist philosophy.

By now, the classical rationalism, elaborated and re-elaborated over centuries, had begun to show signs of age. With this, traditional religion entered a period of crisis as well. The imperial pagan religion had become a purely formal affair, no more than a simple expression of loyalty.

Each people had been allowed to keep its own gods. These were accommodated to the Latin pantheon, no one bothering over contradictions, synonyms or homonyms. The term characterizing this leveling toleration for any type of religion (and for any type of philosophy or knowledge as well) is syncretism.

An unintended result of this syncretism, however, was that a diffused sort of religiosity began to grow in the souls of the most sensitive. It was manifested by a belief in the universal World Soul; a soul which subsisted in stars and in earthly objects alike.

Our own, individual, souls were but small particles of the great World Soul. Since the reason of philosophers proved unable to supply truths about important matters such as these, men and women sought revelations beyond reason, through visions, and through communications with the godhead itself.

It was in this climate that Pythagoreanism was reborn. From its beginnings, Pythagoreans had regarded themselves as the keepers of a mystic form of knowledge, and practiced initiatory rites.

Their understanding of the laws of music and mathematics was presented as the fruit of revelation obtained from the Egyptians. By the time of Pythagoreanism’s second appearance, however, Egyptian civilization had been eradicated by the Greek and Latin conquerors.

Egypt itself had now become an enigma, no more than an incomprehensible hieroglyph. Yet there is nothing more fascinating than secret wisdom: one is sure that it exists, but one does not know what it is. In the imagination, therefore, it shines as something unutterably profound.

That such wisdom could exist while still remaining unknown, however, could only be accounted for by the fact that the language in which this wisdom was expressed had remained unknown as well.

This was the reasoning of Diogenes Laertius, who wrote in his Lives of the Philosophers in the third century AD:

“There are those who assert that philosophy started among the Barbarians: there were, they claim, Magi among the Persians, the Chaldeans, the Babylonians, the Assyrians, the Gymnosophists of India, the Druids among the Celts and Galatians” (I).

The classical Greeks had identified barbarians as those who could not even articulate their speech. It now seemed that these very mumblings were of a sacred language, filled with the promise of tacit revelations (Festugière 1944-54:I).

I have given a summary of the cultural atmosphere at this time because, albeit in a delayed fashion, it was destined to have a deep influence on our story. Although no one at the time proposed the reconstruction of the perfect language, the need for one was, by now, vaguely felt.

We shall see that the suggestions, first planted during these years, flowered more than twelve centuries later in humanistic and Renaissance culture (and beyond); this will constitute a central thread in the story I am about to tell.

In the meantime, Christianity had become a state religion, expressed in the Greek of the patristic East and in the Latin still spoken in the West. After St. Jerome translated the Old Testament in the fourth century, the need to know Hebrew as a sacred language grew weaker. This happened to Greek as well.

A typical example of this cultural lack is given by St. Augustine, a man of vast culture, and the most important exponent of Christian thought at the end of the empire.

The Christian revelation is founded on an Old Testament written in Hebrew and a New Testament written, for the most part, in Greek. St. Augustine, however, knew no Hebrew; and his knowledge of Greek was, to say the least, patchy (cf. Marrou 1958).

This amounts to a somewhat paradoxical situation: the man who set himself the task of interpreting scripture in order to discover the true meaning of the divine word could read it only in a Latin translation.

The notion that he ought to consult the Hebrew original never really seems to have entered Augustine’s mind. He did not entirely trust the Jews, nurturing a suspicion that, in their versions, they might have erased all references to the coming of Christ.

The only critical procedure he would allow was that of comparing translations in order to find the most likely version. In this way, St. Augustine, though the father of hermeneutics, was certainly not destined to become the father of philology.”

Umberto Eco, The Search for the Perfect Language, translated by James Fentress, Blackwell. Oxford, 1995, pp. 12-4.

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May 30, 2015

The Great Year Doctrine of World Catastrophe

“In the Greek world the first distinct mention of the Great Year was made by Plato, who argued in his Timaeus that time is produced by the celestial bodies: the moon determines the month, the sun the year; but the times of the planets and of the sphere of the fixed stars are so great that it can hardly be known whether they are times at all.

In any case it is clear that the perfect number of time fulfills the perfect year at the moment at which the sun, the moon, the planets, and the fixed stars have all completed their courses and have again reached their starting point. (Plato, Timaeus, 39c, 39d).

By this is meant that the Great Year is completed when the celestial bodies have reached the same positions in relation to each other as they had at the beginning of that period. The identical conception is found in Cicero, qualified by the statement that the actual duration of such a period is a matter of controversy (Cicero, De natura deorum, II, 51-2).

But in his Hortensius, the book which was later to make such a strong impression on the young Augustine, Cicero equated the Great Year with 12,954 ordinary years, as we know from Tacitus and Servius (Tacitus, Dialogus de oratoribus, 16, 7. Maurus Servius Honoratus, Commentary on the Aenid of Virgil, I, 296. The same number is given by Solinus in connection with the phoenix, Solini Polyhistor, cap. xxxvi).

In addition to these opinions about the Great Year there is another according to which the sun, the moon, and the five planets all return at the end of the Great Year to one and the same sign of the Zodiac, the one under which they were when it began. According to Censorinus, Aristotle himself had put forward this same view, and preferentially indicated this period as “the Greatest Year.” This year, like the ordinary solar year, was thought to have a summer and winter too, the summer culminating in a world conflagration and the world in a world flood. (Censorinus, De die natali, 18, II. ).

How much of this really goes back to Aristotle cannot be said with certainty. (V. Rose, Aristotelis fragmenta, Lipsiae, 1886, 39, frg. 25). According to Seneca, Berossus, the Babylonian priest of Bel who wrote in the third century BC, propagated the same doctrine in a more detailed form: when the sun, the moon, and the planets came to lie in a straight line under the sign of Cancer, the world would burst into flames; and if they reached that position under Capricorn, the world would be inundated. (Seneca, Naturales Quaestiones, III, 29, I).

BM102485 – Boundary stone (kudurru)
Kassite dynasty, about 1125-1100 BC
Probably from southern Iraq
A legal statement about the ownership of a piece of land
The cuneiform inscription on this kudurru records the granting by Eanna-shum-iddina, the governor of the Sealand, of five gur of corn land in the district of Edina in south Babylonia to a man called Gula-eresh. The boundaries of the land are laid out; the surveyor is named as Amurru-bel-zeri and the transfer completed by two high officials who are also named.
Nine gods are invoked to protect the monument, along with seventeen divine symbols. The symbols of the important Mesopotamian gods are most prominent: the solar disc of the sun-god Shamash, the crescent of the moon-god Sin and the eight-pointed star of Ishtar, goddess of fertility and war. The square boxes beneath these signs represent altars supporting the symbols of gods, including horned headdresses, the triangular spade of Marduk, and the wedge-shaped stylus of Nabu, the god of writing.
A prominent snake is shown on many kudurru and may, like many of the symbols, be related to the constellations. The text ends with curses on anyone who removes, ignores or destroys the kudurru.
L.W. King, Babylonian Boundary Stones (London, Trustees of the British Museum, 1912)
© The Trustees of the British Museum
http://www.britishmuseum.org/explore/highlights/highlight_objects/me/b/boundary_stone_kudurru-6.aspx

These rather improbable theories were especially favored among astrologers, since Greek astronomy had already reached a point of development at which the doctrines of Berossus could not be accepted. (J. Bidez, Bérose et la grande année, in Melanges Paul Fredericq, Brussels, 1904, 9-19.)

These texts treating the views of Aristotle and Berossus say that world catastrophes corresponding to the summer and winter of the solar year can occur in the course of the Great Year. The period between two world catastrophes could also be seen as a Great Year, but only in the derivative sense. The true Great Year, which might with Aristotle be called the Greatest Year, coincided with a complete cosmic revolution, whether interpreted in the sense of Plato and Cicero or in that of Aristotle and Berossus.

The Great Year of the Classical world arose from the purely mythical conception of a cosmic periodicity ultimately traceable to Babylonia.” (B.L. van der Waerden, Das gross Jahr und die ewige Wiederkehr, in Hermes, 80, 1952, 135-43.)”

R. van den Broek, The Myth of the Phoenix: According to Classical and Early Christian Traditions, Brill Archive, 1972, pp. 72-6.

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March 28, 2015

Plato on Time

“When the father creator saw the creature which he had made moving and living, the created image of the eternal gods, he rejoiced, and in his joy determined to make the copy still more like the original; and as this was eternal, he sought to make the universe eternal, so far as might be.

Now the nature of the ideal being was everlasting, but to bestow this attribute in its fulness upon a creature was impossible.

Wherefore he resolved to have a moving image of eternity, and when he set in order the heaven, he made this image eternal but moving according to number, while eternity itself rests in unity; and this image we call time.

For there were no days and nights and months and years before the heaven was created, but when he constructed the heaven he created them also.

They are all parts of time, and the past and future are created species of time, which we unconsciously but wrongly transfer to the eternal essence; for we say that he “was,” he “is,” he “will be,” but the truth is that “is” alone is properly attributed to him, and that “was” and “will be” only to be spoken of becoming in time, for they are motions, but that which is immovably the same cannot become older or younger by time, nor ever did or has become, or hereafter will be, older or younger, nor is subject at all to any of those states which affect moving and sensible things and of which generation is the cause.

These are the forms of time, which imitates eternity and revolves according to a law of number. Moreover, when we say that what has become is become and what becomes is becoming, and that what will become is about to become and that the non-existent is non-existent–all these are inaccurate modes of expression. But perhaps this whole subject will be more suitably discussed on some other occasion.

Time, then, and the heaven came into being at the same instant in order that, having been created together, if ever there was to be a dissolution of them, they might be dissolved together.

It was framed after the pattern of the eternal nature, that it might resemble this as far as was possible; for the pattern exists from eternity, and the created heaven has been, and is, and will be, in all time. Such was the mind and thought of God in the creation of time.

The sun and moon and five other stars, which are called the planets, were created by him in order to distinguish and preserve the numbers of time; and when he had made their several bodies, he placed them in the orbits in which the circle of the other was revolving–in seven orbits seven stars.

First, there was the moon in the orbit nearest the earth, and next the sun, in the second orbit above the earth; then came the morning star and the star sacred to Hermes, moving in orbits which have an equal swiftness with the sun, but in an opposite direction; and this is the reason why the sun and Hermes and Lucifer overtake and are overtaken by each other.

To enumerate the places which he assigned to the other stars, and to give all the reasons why he assigned them, although a secondary matter, would give more trouble than the primary. These things at some future time, when we are at leisure, may have the consideration which they deserve, but not at present.”

Plato, Timaeus, 360 BCE. Translated by Benjamin Jowett.

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December 10, 2014

More from the Naassene Fragment, the Great Ineffable Mystery of the Samothracians

” … H. Following after these and such like [follies], these most wonderful “Gnostics,” discoverers of a new grammatical art, imagine that their prophet Homer showed forth these things arcanely; and, introducing those who are not initiated into the Sacred Scriptures into such notions, they make a mock of them.

And they say that he who says that all things are from One, is in error, [but] he who says they are from Three is right, and will furnish proof of the first principles [of things]. 2

J. For one (H. he says) is the Blessed Nature of the Blessed Man Above, Adamas; and one is the [Nature] Below, which is subject to Death; and one is the Race without a king 3 which is born Above—where (H. he says) is Mariam the sought-for, and Jothōr the great sage, and Sepphōra the seeing, and Moses whose begetting is not in Egypt—for sons were born to him in Madiam. 4

S. And this (H. he says) also did not escape the notice of the poets:

“All things were threefold divided, and each received his share of honour.” 1

C. For the Greatnesses (H. he says) needs must be spoken, but so spoken by all everywhere, “that hearing they may not hear, and seeing they may not see.” 2

J. For unless (H. he says) the Greatnesses 3 were spoken, the cosmos would not be able to hold together. These are the Three More-than-mighty Words (Logoi): Kaulakau, Saulasau, Zeēsar;—Kaulakau, the [Logos] Above, Adamas; Saulasau, the [Logos] Below; Zeēsar, the Jordan flowing upwards. 4

(17 5) S. He (H. he says) is the male-female Man

in all, whom the ignorant call three-bodied Gēryonēs—Earth-flow-er, as though flowing from the earth; 1 while the Greek [theologi] generally call Him the “Heavenly Horn of Mēn,” 2 because He has mixed and mingled 3 all things with all.

C. For “all things (H. he says) were made through Him, and without Him no one thing was made that was made. In Him is Life.” 4

This (H. he says) is “Life,” the ineffable Race of perfect men, which was unknown to former generations.

And the “nothing” 5 which hath been made “without Him,” is the special cosmos; 6 for the latter hath been made without Him by the third and fourth [? Ruler]. 7

J. This 1 (H. he says) is the drinking-vessel—the Cup in which “the King drinketh and divineth.” 2

This (H. he says) was found hidden in the “fair seed” of Benjamin.

(18) S. The Greeks also speak of it (H. he says) with inspired tongue, as follows:

“Bring water, bring [me] wine, boy!

Give me to drink, and sink me in slumber! 3

My Cup tells me of what race I must be born,

[Speaking with silence unspeaking].” 4

C. This (H. he says) would be sufficient alone if men would understand—the Cup of Anacreon speaking forth speechlessly the Ineffable Mystery.

J. For (H. he says) Anacreon’s Cup is speechless—in as much as it tells him (says Anacreon) with speechless sound of what Race he must be born—

C. —that is, spiritual, not carnal—

J. —if he hear the Hidden Mystery in Silence.

C. And this is the Water at those Fair Nuptials which Jesus turned and made Wine.

“This (H. he says) is the great and true beginning of the signs which Jesus wrought in Cana of Galilee, and made manifest His Kingship [or Kingdom] of the Heavens.” 5

This (H. he says) is the Kingship [or Kingdom] of the Heavens within us, 6 stored up as a Treasure, 7 as “Leaven hid in three measures of Flour.” 8

(19 1) S. This is (H. he says) the Great Ineffable Mystery of the Samothracians,—

C. —which it is lawful for the perfect alone to know—[that is] (H. he says) for us.

J. For the Samothracians, in the Mysteries which are solemnised among them, explicitly hand on the tradition that this Adam is the Man Original.

S. Moreover, 2 in the initiation temple of the Samothracians stand two statues of naked men, with both hands raised to heaven and ithyphallic, like the statue of Hermes in Cyllene. 3

J. The statues aforesaid are images of the Man Original. 4

C. And [also] of the regenerated 5 spiritual [man], in all things of like substance with that Man.

This (H. he says) is what was spoken by the Saviour:

“If ye do not drink My Blood and eat My Flesh, ye shall not enter into the Kingdom of the Heavens. 6

“But even if ye drink (H. he says) the Cup which I drink, 7 where I go, there ye cannot come.” 8

For He knew (H. he says) of which nature each of His disciples is, and that it needs must be that each of them should go to his own nature.

For from the twelve tribes (H. he says) He chose twelve disciples, and through them He spake to every tribe. 1

On this account (H. he says) all have not heard the preachings of the twelve disciples; and even if they hear, they cannot receive them. For the [preachings] which are not according to their nature are contrary to it.”

G.R.S. Mead, Thrice-Greatest Hermes, Vol. 1, 1906, pp. 164-8.

From Hippolytus, Philosophumena; or, Refutation of all Heresies.

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December 9, 2014

The Naassene Fragment Continued, Jesus Made the River Jordan Flow Upwards

” … And that he (H. that is Hermes, so symbolised) is Conductor and Reconductor of souls, 1 and Cause of souls, has not escaped the notice of the poets (H. of the Gentiles), when saying:

“But Cyllenian Hermes summoned forth the souls

Of men mindful” 2—

—not the “suitors” of Penelope (H. he says), hapless wights! but of those who are roused from sleep, and have their memory restored to them—

“From what honour and [how great] degree of blessedness.” 3

J. That is, from the Blessed Man Above—

H. —or Original Man, or Adamas, as they 4 think—

J. —they 5 have been thus brought down into the plasm of clay, in order that they may be enslaved to the Demiurge of this creation, Esaldaios 6—

H. —a fiery God, fourth in number, for thus they call the Demiurge and Father of this special cosmos. 7

(13) S. “And he 1 holds a rod in his hands,

Beautiful, golden; and with it he spell-binds the eyes of men,

Whomsoever he would, and wakes them again too from sleep.” 2

This (H. he says) is He who alone hath the power of life and death. 3

J. Concerning Him it is written: “Thou shalt shepherd them with a rod of iron.” 4

But the poet (H. he says), wishing to embellish the incomprehensibility of the Blessed Nature of the Logos, bestowed upon Him a golden instead of an iron rod.

S. “He spell-binds the eyes” of the dead (H. he says), and “wakes them again too from sleep”—those who are waked from sleep and become “mindful.” 5

C. Concerning them the Scripture saith: “Awake thou that sleepest, and rise, and Christ will give thee light.” 6

This is the Christ, the Son of Man (H. he says), expressed in all who are born from the Logos, whom no expression can express.

S. This (H. he says) is the Great Ineffable Mystery of the Eleusinia: “Hye Kye.” 7

J. And that (H. he says) all things have been put under Him, this too has been said: “Into all the earth hath gone forth their sound.” 1

(14) S. And “Hermes leads them, moving his rod, and they follow, squeaking” 2—the souls in a cluster, as the poet hath shown in the following image:

“But as when bats into some awesome cave’s recess

Fly squeaking—should one from out the cluster fall

Down from the rock, they cling to one another.” 3

J. The “rock” (H. he says) means Adamas. This (H. he says) is the “corner-stone”—

C. —“that hath become the head of the corner.” 4 For in the

“Head” is the expressive Brain 1 of the Essence, from which [Brain] “every fatherhood” 2 has its expression—

J. —which “I insert in the foundation of Zion.” 3

[By this] (H. he says) he 4 means, allegorically, the plasm of man. For the Adamas who is “inserted” is [the inner man, and the “foundations of Zion” are 5] the “teeth”—the “fence of the teeth,” as Homer says—the Wall and Palisade 6 in which is the inner man, fallen into it from the Primal Man, the Adamas Above—[the Stone] “cut without hands” 7 cutting it, and brought down into the plasm of forgetfulness, the earthy, clayey [plasm].

(15) S. And (H. he says that) they followed Him squeaking 8—the souls, the Logos.

“Thus they went squeaking together; and he led them on,

Hermes, the guileless, down the dark ways.” 9

That is, (H. he says) [He led them] into the eternal lands free from all guile. For where (H. he says) went they?

(16) “They passed by the streams of Ocean, and by the White Rock,

By the Gates of the Sun, and the People of Dreams.” 10

For He (H. he says) is Ocean—“birth-causing of gods and birth-causing of men” 1—flowing and ebbing for ever, now up and now down.

J. When Ocean flows down (H. he says), it is the birth-causing of men; and when [it flows] up, towards the Wall and Palisade, and the “White Rock,” it is the birth-causing of gods.

This (H. he says) is what is written:

“‘I have said ye are Gods and all Sons of the Highest’ 2—if ye hasten to flee from Egypt and get you beyond the Red Sea into the Desert”; that is, from the intercourse below to the Jerusalem Above, who is the Mother of the Living. 3

“But if ye turn back again into Egypt”—that is, to the intercourse below—“‘ye shall die like men.’” 4

For (H. he says) all the generation below is subject to death, but the [birth] begotten above is superior to death.

C. For from water alone—that is, spirit—is begotten the spiritual [man], not the fleshly; the lower [man] is fleshly. That is (H. he says) what is written: “That which is born of the flesh is flesh, and that which is born of the spirit is spirit.” 5

H. This is their 6 spiritual birth.

J. This (H. he says) is the Great Jordan, which, flowing downwards and preventing the sons of Israel from going forth out of Egypt, or from the intercourse below—

H. —for Egypt is the body, according to them—

J. —was turned back by Jesus 1 and made to flow upwards.”

G.R.S. Mead, Thrice-Greatest Hermes, Vol. 1, 1906, pp. 155-8.

From Hippolytus, Philosophumena; or, Refutation of all Heresies.

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December 9, 2014

The Naassene Fragment, on the Ithyphallus

” … (7) And they say that not only the Mysteries of the Assyrians and Phrygians substantiate this teaching (logos) concerning the Blessed Nature, which is at once hidden and manifest [but also those of the Egyptians 1].

C. 2 [The Nature] which (H. he says) is the Kingdom of the Heavens sought for within man—

H. —concerning which [Nature] they hand on a distinct tradition in the Gospel entitled According to Thomas, saying as follows:

C. “He who seeketh shall find me in children from the age of seven years 3; for in them at the fourteenth year 4 [lit. æon] I hidden am made manifest.”

H. But this is not Christ’s Saying but that of Hippocrates:

“A boy of seven years [is] half a father.” 5

Hence as they place the Original Nature of the universals in the Original Seed, having learned the Hippocratian dictum that a child of seven is half a father, they say at fourteen years, according to Thomas, it is manifested. This 6 is their ineffable and mysterious Logos. 7

(8 8) S. (H.—At any rate they say that) the Egyptians—who are the most ancient of men after the Phrygians, who at the same time were confessedly the first to communicate to mankind the Mystery-rites and Orgies of all the Gods, and to declare their Forms and Energies—have the mysteries of Isis, holy, venerable, and not to be disclosed to the uninitiated.

H. And these are nothing else than the robbing of the member of Osiris, and its being sought for by the seven-robed and black-mantled 1 [Goddess].

And (they [the Egyptians] say) Osiris is Water. 2 And Seven-robed Nature—

H. —having round her, nay, robing herself in seven ætheric vestures—for thus they 3 allegorically designate the planet-stars, calling [their spheres] ætheric vestures—

S. —being metamorphosed, as ever-changing Genesis, by the Ineffable and Uncopiable and Incomprehensible and Formless, is shown forth as creation.

J. And this is what (H. he says) is said in the Scripture:

“Seven times the Just shall fall and rise again.” 4

For these “fallings” (H. he says) are the changes of the stars, 5 set in motion by the Mover of all things.

(9) S. Accordingly they 6 declare concerning the Essence of the Seed which is the cause of all things in Genesis, that it is none of these things, but that it begets and makes all generated things, saying:

“I become what I will, and am what I am.” 1

Therefore (H. he says) That which moves all is unmoved; for It remains what It is, making all things, and becomes no one of the things produced.

(H. He says that) This is the Only Good—

C. And concerning this was spoken what was said by the Saviour:

“Why callest thou me Good? One is Good 2—my Father in the Heavens, who maketh His sun to rise on righteous and unrighteous, and sendeth rain on saints and sinners.” 3

H. And who are the saints on whom He sendeth rain and the sinners on whom He also sendeth rain—this also he tells subsequently with the rest.

S. —and (H. that) This is the Great, Hidden, and Unknown Mystery of the Egyptians, Hidden and [yet] Revealed. For there is no temple (H. he says) before the entrance of which the Hidden [Mystery] does not stand naked, pointing from below above, and crowned with all its fruits of generation.

(10) And (H. they say) it stands so symbolised not only in the most sacred temples before the statues, but also set up for general knowledge—

C. —as it were “a light not under the bushel, but set “on the candlestick” 1—a preaching “heralded forth on the house-tops.”2

S. —on all the roads and in all the streets, and alongside the very houses as a boundary and limit of the dwelling; (H. that) This is the God spoken of by all, for they call Him Bringer-of-good, not knowing what they say.

H. And this mystery [-symbol] the Greeks got from the Egyptians, and have it [even] to this day.

At any rate, he says, we see the “Hermes” 3 honoured by them in this form.

(11) S. And the Cyllenians, treating [this symbol] with special honour, [regard it as the] Logos. 4

For (H. he says) Hermes is [the] Logos, who, as being the Interpreter and Fabricator of all things that have been and are and shall be, was honoured by them under the symbolism of this figure, namely an ithyphallus.”

G.R.S. Mead, Thrice-Greatest Hermes, Vol. 1, 1906, pp. 155-8.

From Hippolytus, Philosophumena; or, Refutation of all Heresies.

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November 10, 2014

The Five Epagomenal Days

“But to the three hundred and sixty days given in the calendars of lucky and unlucky days must be added the five epagomenal days which were considered to be of great importance and had each its peculiar name.

On the first Osiris was born, on the second Heru-ur (Aroueris), on the third Set, on the fourth Isis, and on the fifth Nephthys; the first, third, and fifth of these days were unlucky, and no work of any kind was to be undertaken on them.

The rubric which refers to these days (See Chabas, op. cit., p. 104) states that whosoever knoweth their names shall never suffer from thirst, that he shall never be smitten down by disease, and that the goddess Sekhet (the Eye of Sekhet seems to have taken the form of noxious vapours in the fields at sunrise; see Chabas, op. cit., p. 78) shall never take possession of him; it also directs that figures of the five gods mentioned above shall be drawn with unguent and ânti scent upon a piece of fine linen, evidently to serve as an amulet.

From the life of Alexander the Great by Pseudo-Callisthenes (I. 4) we learn that the Egyptians were skilled in the art of casting nativities, and that knowing the exact moment of the birth of a man they proceeded to construct his horoscope.

Nectanebus employed for the purpose a tablet made of gold and silver and acacia wood, to which were fitted three belts. Upon the outer belt was Zeus with the thirty-six decani surrounding him; upon the second the twelve signs of the Zodiac were represented; and upon the third the sun and moon (quote from my History of Alexander the Great, Cambridge, 1889, p. 5).

He set the tablet upon a tripod, and then emptied out of a small box upon it models of the seven stars (i.e., Sun, Moon, Zeus, Kronos, Aphrodite, and Hermes; we must add Mars according to Meusel’s Greek text) that were in the belts, and put into the middle belt eight precious stones; these he arranged in the places wherein he supposed the planets which they represented would be at the time of the birth of Olympias, and then told her fortune from them.”

E.A. Wallis Budge, Egyptian Magic, London, 1901. Pp. 228-9.

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July 25, 2014

“The Praises of Isis, Mistress of the Universe and Creator of Civilization.”

Demetrios, the son of Artemidoros, who is also called Thraseas, a Magnesian from Magnesia on the Meander, an offering in fulfillment of a vow to Isis. He transcribed the following from the stele in Memphis which stands by the temple of Hephaistos:

“I am Isis, the tyrant of every land; and I was educated by Hermes, and together with Hermes I invented letters, both the hieroglyphic and the demotic, in order that the same script should not be used to write everything.

I imposed laws on men, and the laws which I laid down no one may change. I am the eldest daughter of Kronos. I am the wife and sister of King Osiris. I am she who discovered the cultivation of grain for men. I am the mother of King Horos (Horus).

I am she who rises in the Dog Star. I am she who is called goddess by women. By me the city of Bubastis was built. I separated earth from sky. I designated the paths of the stars. The sun and the moon’s course I laid out. I invented navigation. I caused the just to be strong.

Woman and man I brought together. For woman I determined that in the tenth month she shall deliver a baby into the light. I ordained that parents be cherished by their children. For parents who are cruelly treated I imposed retribution.

Together with my brother Osiris I stopped cannibalism. I revealed initiations to men. I taught men to honor the images of the gods. I established precincts for the gods. The governments of tyrants I suppressed.

I stopped murders. I compelled women to be loved by men. I caused the just to be stronger than gold and silver. I ordained that the true be considered beautiful. I invented marriage contracts. Languages I assigned to Greeks and barbarians.

I caused the honorable and the shameful to be distinguished by Nature. I caused nothing to be more fearful than an oath. He who unjustly plotted against others I gave into the hands of his victim. On those who commit unjust acts I imposed retribution.

I ordained that suppliants be pitied. I honor those who justly defend themselves. With me the just prevails. Of rivers and winds and the sea I am mistress. No one becomes famous without my knowledge. I am the mistress of war. Of the thunderbolt am I mistress. I calm and stir up the sea. I am the rays of the sun. I sit beside the course of the sun. Whatever I decide, this also is accomplished. For me everything is right.

I free those who are in bonds. I am the mistress of sailing. The navigable I make unnavigable when I choose. I established the boundaries of cities. I am she who is called Lawgiver. The island from the depths I brought up into the light. I conquer Fate. Fate heeds me. Hail Egypt who reared me.”

—From Stanley M. Burstein, The Reign of Cleopatra (Westport, CT: Greenwood Press, 2004), p. 154.

–From Stanley M. Burnstein, The Hellenistic Age from the Battle of Ipsos to the Death of Kleopatra VII (Cambridge: Cambridge University Press, 1985), pg. 147.

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July 15, 2014

The Search for the Prisca Theologia.

“These great and good men promulgated the idea of an ongoing, beneficent magic available to certain men of every age for the collective use of mankind. The Latin for this is prisca theologia, secret wisdom. The odd thing is that this belief in a secret wisdom is not the Rosicrucians’ alone. We know in London in the middle of the same century of the existence of a society called the Invisible College. Its members were reputed to be the very carriers of the beneficent magic I speak of.

You of course do not know of the writings of Giordano Bruno, of which here is a specimen page in his own handwriting. My scholars have traced for me, like the best detectives, the existence of this idea and of various mysterious organizations to maintain it, in most of the Renaissance cultures, in medieval societies and in ancient Greece.

I hope you are following this closely. The earliest recorded mention of special people born in each age to ease the sufferings of humankind with their prisca theologia comes to us through the Greek in the translated writings of the Egyptian priest Hermes Trismegistus. It is Hermes who gives the historical name to this occult knowledge. It is called the Hermetica.”

–EL Doctorow, Ragtime, pg. 124.

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June 23, 2014

Alchemical Implications of Dee’s Monas

“As with Dee’s Pythagorean speculations, here, too, we find instances of later writers either directly referring to Dee or at least making use of similar techniques. Petrus Bungus’s Numerorum Mysteria (1618), for instance, refers the reader to Dee’s Monas Hieroglyphica in a discussion of the letter X and the significance of the point at the intersection of the four radiating lines, with unity denoting God and a good intellect, and duality a demon and bad intellect.

Dorn, in another of his scholia to the Tractatus Aureus, this time commenting on Hermes’ ruminations on the symbolism of a hen’s egg, takes Dee’s Roman numeral speculations in Theorem 16 a stage further.

He argues that the two letter Vs which mirror one another represent, as it were, the “As above, so below” maxim of the Emerald Tablet, with the upper V being incorporeal, and the lower corporeal. When these two are brought together, they form the letter X, i.e. the denarius or number of perfection, represented otherwise by the letters IO, as if one were saying “one circle,” or one revolution of a circle, this denary number being the Mercury of the Philosophers.

In addition, the Roman letter M equals the number 1,000, which is the ultimate perfection of all other numbers, and for Dorn denotes sulfur, which (containing fire, the fifth essence, and spirit) makes all things bear fruit.

If you join all these letters together, you get the word OVUM; the letter O signifies earth, for philosophical earth should be round and circular like the motion of the heavens; the letters VU represent water and air, and the final letter M represents fire (possibly because it resembles the astrological glyph for Aries ) — all combining to make the word “EGG.”

–Peter J. Forshaw, “The Early Alchemical Reception of John Dee’s Monas Hieroglyphica,” AMBIX, November, 2005, pg. 253.

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Tag: Hermes

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