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Tag: Ceres

Ishtar and Tammuz are Composite Deities

“If it be granted, then, that Ishtar and Tammuz are deities of vegetation, it is possible still further to narrow their sphere by associating them particularly with the corn. Adonis and Aphrodite are connected with the growth of the crops. Ceres, who forbids the corn to spring while her daughter is in the realm of Pluto, is undoubtedly a corn-mother, and Proserpine evidently partakes of the same nature.

Osiris was the culture-deity who introduced corn into Egypt. A representation of him in the temple of Isis at Philas depicts corn-stalks growing out of his dead body—the body of Osiris (the grain) is torn to pieces, scattered through the land, and the pieces buried (or planted) in the earth, when the corn sprouts from it.

Moreover, Tammuz himself was cruelly disposed of by his lord, who “ground his bones in a mill, and then scattered them to the wind”—plainly a type of the treatment meted out to the corn. An Arabic writer relates that Tammuz was cruelly killed several times, but that he always came to life again, a story which recalls Robert Burns’ John Barleycorn, itself perhaps based on mythical matter.

May not these examples suggest an elucidation on animistic lines? Deities of the Tammuz type appear to symbolize the corn-grain and nothing more— cut down, bruised and beaten, buried in the earth, and finally springing to renewed life.

Who, then, are the goddesses, likewise identified with the corn, who seek in the underworld for lover or child, endeavouring with tears to ransom the corn from the dark earth? Are they not the primitive corn-spirits, the indwelling animistic spirits of the standing grain, doomed at the harvest to wander disconsolately through the earth till the sprouting of the corn once more gives them an opportunity to materialize?

The stories of the mutilation and dispersion of the bodies of Tammuz and Osiris, and of the many deaths of the former god, furnish a basis for yet another explanation of the Tammuz myth. Sir James Frazer brings forward the theory that the ‘Lamentations’ of the ancient Babylonians were intended not for mourning for the decay of vegetation, but to bewail the cruel treatment of the grain at harvest-time, and cites in this connexion the ballad of John Barleycorn, which, we are told, was based on an early English poem, probably itself of mythological origin.

It is, however, most likely that the myth of Tammuz and Ishtar is of a composite nature, as has already been indicated. Possibly a myth of the sun-god and earth-goddess has been superimposed on the early groundwork of the corn-spirit seeking the corn.

It would certainly seem that Ishtar in her descent into Aralu typified the earth, shorn of her covering of vegetation. Then in time she might come to symbolize the vegetation itself, or the fertility which produced it, and so would gain new attributes, and new elements would enter into the myths concerning her. Only by regarding her as a composite deity is it possible to reach an understanding of the principles underlying these myths.”

Lewis Spence, Myths and Legends of Babylonia and Assyria, 1917, pp. 138-40.

Tammuz and Ishtar, Adonis and Aphrodite, Attis and Cybele, Isis and Osiris

As has been indicated already, the myth of Tammuz and Ishtar furnished the groundwork for certain myths of classic Greece and Rome.

The Phoenician Astarte (Ashtoreth), a development of Ishtar, became in time the Aphrodite of the Greeks, a deity who plays a part in the Adonis legend analogous to that of Ishtar in the Tammuz story. The name Adonis itself is derived from Adoni (‘my lord’), the word with which the Phoenician worshippers of Tammuz hailed the setting sun.

The myth of Adonis is perhaps the most nearly related of any to that of Tammuz, since its chief characters are acknowledged counterparts of those in the Babylonian legend, while the tale of Ishtar’s descent into Hades may be regarded as a sequel to the Greek story, or rather to an early Babylonian variant thereof.

Briefly outlined, the story runs as follows: Adonis was the fruit of an unnatural union between the Syrian king Theias and his daughter Smyrna (Myrrha). Theias pursued the princess, intending to take her life for the crime, but the pity of the gods turned her into a tree from which, at the end of ten months, Adonis was born. It is said that a boar rent open the tree-trunk with its tusk, and thus enabled the divine infant to see the light.

Aphrodite, charmed with the beauty of the child, gave him into the care of Persephone, who was so enamoured of her charge that she afterwards refused to give him up. The goddesses appealed to Zeus, who decreed that Adonis should spend six months of each year with Aphrodite and six with Persephone in the underworld; or, according to another version, four months were to be passed with Aphrodite and four with Persephone, while the remaining four were to be at his own disposal.

He was afterwards slain by a boar sent against him by Artemis (herself, by the way, a development of Ishtar). It may be remarked that Aphrodite, who figures, like Ishtar, as the goddess of love and beauty, is also closely associated with the nether regions, perhaps because she was identified with the Babylonian goddess in her journey to Hades in search of her spouse.

Akin to Adonis is the god Attis, who likewise, according to one version of his myth, is slain by a boar. After his death he becomes a pine-tree, and from his blood violets spring. He is beloved of Cybele, the mother-goddess, who laments his untimely end.

In the Adonis legend there is evidence of some overlapping. Persephone, or Proserpine, who here corresponds to the Allatu of the Babylonian variant, figures in another well-known myth as the prototype of Tammuz. When she is carried off to the nether-world by Pluto, her mother, Ceres, will not suffer the corn to grow while her daughter remains a prisoner. Like Ishtar in search of her spouse, the mother-goddess seeks her child with weeping and lamentation. Through the eating of a pomegranate seed, Proserpine is finally obliged to pass four (or six) months of every year with her dark captor, as his consort.

Another myth which has affinities with the tale of Tammuz and Ishtar is the Egyptian one which deals with the quest of Isis. The god Osiris is slain through the machinations of his brother Set (who, being identified elsewhere with a black hog, recalls the boar which slew Adonis and Attis), and his body, enclosed in a chest, is cast into the Nile.

Afterwards the chest is thrown up by the waves, and round it springs miraculously a tamarisk tree. Meanwhile Isis, wife and sister to Osiris, travels hither and thither in search of his remains, which in due time she finds. However, the chest is stolen from her by Set, who, taking therefrom the body of Osiris, tears the corpse into fourteen pieces, which he scatters through the land. Isis still pursues her quest, till she has found all the portions and buried them.

These tales were the mythical correlates of certain ritualistic practices designed to bring about the change of seasons, and other natural phenomena, by means of sympathetic magic. The burden of a great duty falls upon the shoulders of primitive man; with his rites and spells and magic arts he must assist the universe in its course.

His esoteric plays, typifying the mysterious fact of growth, are necessary to ensure the sprouting of the corn; his charms and incantations are essential even for the rising of the sun; lacking the guarantee of science that one season shall follow another in its proper order, he goes through an elaborate performance symbolizing the decay and revival of vegetation, believing that only thus can the natural order be maintained. Through the force of sympathetic magic he sees his puny efforts related to the mighty results which follow them.

This, then, is the origin of the ritual of the Tammuz festival, which may conceivably have had an existence prior to that of the myth itself. The representation of the death and resurrection of the god, whether in myth or ritual, had undoubtedly a seasonal significance, wherefore the date of his festival varied in the different localities.

In Babylonia it was celebrated in June, thus showing that the deity was slain by the fierce heat of the sun, burning up all the springtide vegetation. Ishtar’s sojourn in Hades would thus occupy the arid months of summer.

In other and more temperate climes winter would be regarded as the enemy of Tammuz. An interesting account of the Tammuz festival is that given by an Arabic author writing in the tenth century, and quoted by Sir James Frazer in his Golden Bough.

Tammuz (July). In the middle of this month is the festival of el-Būgāt, that is, of the weeping women, and this is the Ta-uz festival, which is celebrated in honour of the god Ta-uz. The women bewail him, because his lord slew him so cruelly, ground his bones in a mill, and then scattered them to the wind. The women (during this festival) eat nothing which has been ground in a mill, but limit their diet to steeped wheat, sweet vetches, dates, raisins, and the like.”

The material for this description was furnished by the Syrians of Harran. Of the curious legend attaching to the mourning rites more will be said later.”

Lewis Spence, Myths and Legends of Babylonia and Assyria, 1917, pp. 131-5.

Human Sacrifice

“The goddesses of classic mythology had similar reputations. Aphrodite (Venus) had many divine and mortal lovers. She links closely with Astarte and Ashtoreth (Ishtar), and reference has already been made to her relations with Adonis (Tammuz). These love deities were all as cruel as they were wayward. When Ishtar wooed the Babylonian hero, Gilgamesh, he spurned her advances, as has been indicated, saying:

On Tammuz, the spouse of thy youth,

Thou didst lay affliction every year.

Thou didst love the brilliant Allalu bird

But thou didst smite him and break his wing;

He stands in the woods and cries “O my wing.”

He likewise charged her with deceiving the lion and the horse, making reference to obscure myths:

Thou didst also love a shepherd of the flock,

Who continually poured out for thee the libation,

And daily slaughtered kids for thee;

But thou didst smite him and didst change him into a leopard,

So that his own sheep boy hunted him,

And his own hounds tore him to pieces.

These goddesses were ever prone to afflict human beings who might offend them or of whom they wearied. Demeter (Ceres) changed Ascalaphus into an owl and Stellio into a lizard. Rhea (Ops) resembled

The tow’red Cybele,

Mother of a hundred gods,

the wanton who loved Attis (Adonis). Artemis (Diana) slew her lover Orion, changed Actaeon into a stag, which was torn to pieces by his own dogs, and caused numerous deaths by sending a boar to ravage the fields of Oeneus, king of Calydon.

Human sacrifices were frequently offered to the bloodthirsty “mothers.” The most famous victim of Artemis was the daughter of Agamemnon, “divinely tall and most divinely fair.” Agamemnon had slain a sacred stag, and the goddess punished him by sending a calm when the war fleet was about to sail for Troy, with the result that his daughter had to be sacrificed.

Artemis thus sold breezes like the northern wind hags and witches.”

Donald A. Mackenzie, Myths of Babylonia and Assyria, 1915.

Apuleius on Queen Isis.

“I am she that is the naturall mother of all things, mistresse and governesse of all the Elements, the initiall progeny of worlds, chiefe of powers divine, Queene of heaven! the principall of the Gods celestiall, the light of the goddesses: at my will the planets of the ayre, the wholesome winds of the Seas, and the silences of hell be diposed; my name, my divinity is adored throughout all the world in divers manners, in variable customes and in many names, for the Phrygians call me the mother of the Gods: the Athenians, Minerva: the Cyprians, Venus: the Candians, Diana: the Sicilians Proserpina: the Eleusians, Ceres: some Juno, other Bellona, other Hecate: and principally the Aethiopians which dwell in the Orient, and the Aegyptians which are excellent in all kind of ancient doctrine, and by their proper ceremonies accustome to worship mee, doe call mee Queene Isis.”

–Lucius Apuleius (“Africanus”), The Golden Asse, or The Metamorphoses, William Adlington, trans., 1566 & 1639), pg. 86. Excerpt from the 1639 edition.

A somewhat different version is excerpted in Robert Graves, The White Goddess, 1971, pp. 72-3.

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