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Tag: Alexandria

May 29, 2016

Eco: The Egyptian Alphabet, 2

ngcs.staatsbibliothek-berlin.de

Stephan Michelspacher, Cabala, Spiegel der Kunst und Natur in Alchymia, (Cabala, the Mirror of Art and Nature in Alchemy), Augsburg, 1615. Also hosted courtesy of the Bayerische Staats Bibliothek. This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author’s life plus 100 years or less. 

“Now we can understand what Horapollo sought to reveal. He wished to preserve and transmit a semiotic tradition whose key was, by now, entirely lost. He still managed to grasp certain features at either the phonetic or the ideographic level, yet much of his information was confused or scrambled in the course of transmission.

Often he gives, as the canonical solution, a reading elaborated only by a certain group of scribes during a certain, limited period.

Yoyotte (1955: 87) shows that when Horapollo asserts that Egyptians depicted the father with the ideogram for the scarab beetle, he almost certainly had in mind that, in the Late Period, certain scribes had begun to substitute the scarab for the usual sign for t to represent the sound it (“father”), since, according to a private cryptography developed during the eighteenth dynasty, a scarab stood for t in the name Atum.

Horapollo opened his text by saying that the Egyptians represented eternity with the images of the sun and the moon. Contemporary Egyptologists debate whether, in this explanation, he was thinking of two ideograms used in the Late Period which could be read phonetically as, respectively, r’nb (“all the days”) and r tr.wì (“night and day” that is, “always”); or whether Horapollo was thinking instead of Alexandrine bas reliefs where the two ideograms, appearing together, already signify “eternity” (in which case they would not be an Egyptian symbol, but one derived from Asian, even Hebraic sources).

In other places, Horapollo seems to have misunderstood the voices of tradition. He says, for instance, that the sign to indicate a word is depicted by a tongue and a blood shot eye. There exists a verbal root mdw (“to speak”) in whose ideogram there appears a club, as well as the word dd (“to say”) in whose ideogram appears a snake.

It is possible that either Horapollo or his source has erroneously taken either the club or the snake or both as representing a tongue. He then says that the course of the sun during the winter solstice is represented by two feet stopped together.

In fact, Egyptologists only know a sign representing two legs in motion, which supports the sense “movement” when accompanying signs meaning “to stop,” “to cease activity” or “to interrupt a voyage.” The idea that two stopped feet stand for the course of the sun seems merely to be a whim of Horapollo.

Horapollo says that Egypt is denoted by a burning thurible with a heart over it. Egyptologists have discovered in a royal epithet two signs that indicate a burning heart, but these two signs seem never to have been used to denote Egypt.

It does emerge, however, that (for a Father of the church such as Cyril of Alexandria) a brazier surmounted by a heart expressed anger (cf. Van der Walle and Vergot 1943).

This last detail may be an important clue. The second part of Hieroglyphica is probably the work of the Greek translator, Philippos. It is in this part that a number of clear references appear to the late Hellenistic tradition of the Phisiologus and other bestiaries, herbariums and lapidaries that derive from it.

This is a tradition whose roots lie not only in ancient Egypt, but in the ancient traditions throughout Asia, as well as in the Greek and Latin world.

We can look for this in the case of the stork. When the Hieroglyphica reaches the stork, it recites:

“How [do you represent] he who loves the father.

If they wish to denote he who loves the father, they depict a stork. In fact, this beast, nourished by its parents, never separates itself from them, but remains with them until their old age, repaying them with piety and deference.”

In fact, in the Egyptian alphabet, there is an animal like a stork which, for phonetic reasons, stands for “son.” Yet in I, 85, Horapollo gives this same gloss for the hoopoe. This is, at least, an indication that the text has been assembled syncretistically from a variety of sources.

The hoopoe is also mentioned in the Phisiologus, as well as in a number of classical authors, such as Aristophanes and Aristotle, and patristic authors such as St. Basil. But let us concentrate for a moment on the stork.

The Hieroglyphica was certainly one of the sources for the Emblemata of Andrea Alciati in 1531. Thus, it is not surprising to find here a reference to the stork, who, as the text explains, nourishes its offspring by bringing them pleasing gifts, while bearing on its shoulders the worn-out bodies of its parents, offering them food from its own mouth.

The image that accompanies this description in the 1531 edition is of a bird which flies bearing another on its back. In subsequent editions, such as the one from 1621, for this is substituted the image of a bird that flies with a worm in its beak for its offspring, waiting open-mouthed in the nest.”

Umberto Eco, The Search for the Perfect Language, translated by James Fentress, Blackwell. Oxford, 1995, pp. 149-51.

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May 30, 2015

Epigenes and Berosus

“Like Aristarchus, Berosus was interested in sundials. His dial is said to have been semicircular, hollowed out of a square block, and cut under to correspond to the polar altitude. The Babylonian was also interested in astrology, for Vitruvius (Vitruvius, The Ten Books on Architecture, 9.8.1) declares that Berosus founded an astrological school in Cos, and a remark by Pliny (Natural History, 7.160) confirms that he had a knowledge of technical astrology. According to Pliny, Epigenes held that a man could not live as long as 112 years, but Berosus claimed that a man could not live more than 116.

We have here an allusion to the astrological doctrine that the number of years in a human life can never exceed the maximal possible number of degrees which is necessary for one quarter of the ecliptic to rise.

As Neugebauer has shown, Epigenes’s remark applies to the latitude of Alexandria, but Berosus is speaking of Babylon. It is just, I think, to regard Berosus as an astrologer who brought his doctrines to Cos, but there is no sign that he helped to advance the study of astronomy amongst the Greeks.

He belongs rather to the genethlialogists at Babylon, whom, Strabo reports, the geniune astronomers did not admit to their number. Yet there may still be some truth in the statement of Josephus that Berosus introduced astronomical doctrines of the Chaldaeans to the Greeks, as well as their philosophical doctrines; just as there is perhaps a sound basis for the remark of Moses of Chorene that Ptolemy II Philadelphus (in whose empire Cos lay) incited Berosus to translate Chaldaean records into Greek.

By Georgios Synkellos also the same Ptolemy, who reigned from 283 to 247 B.C., is said to have had Chaldaean works collected for his library and to have had them translated.

If Berosus was not the bringer of Chaldaean astronomical knowledge to Aristarchus, then a possible intermediary is Epigenes. This scholar, who came from Byzantium, is almost certainly a near contemporary of Aristarchus and Berosus, though various views about his date have been held.

His views are twice mentioned next to those of Berosus, once on the antiquity of Babylonian astronomical records and once on the greatest length of human life. His remark that a man could not live more than 112 years applies to the latitude of Alexandria, and shows that Epigenes had worked there.

From Seneca we learn also that he and Apollonius of Myndus had studied amongst the Chaldaeans, in Babylon itself presumably, as Epigenes’s reference to astronomical cuneiform texts–observationes siderum coctilibus laterculis inscriptas–suggests.

His statement that the astronomical records went back 720 years, not 480, looks like an attempt to correct Berosus. When we add that Epigenes believed that children could be born in the seventh month, a view also held by Strata, Aristarchus’s teacher; and find that Epigenes was, like Strata, interested in comets, the case for dating him early in the third century looks strong, if not conclusive.

But it is pointless to speculate about any ties he may have had with Aristarchus.”

George Huxley, Aristarchus of Samos and Graeco-Babylonian Astronomy, Greek, Roman and Byzantine Studies, Duke University, Vol 5, No 2 (1964), pp. 127-9.

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December 21, 2014

Mithra and Attis Syncretism: Death and Resurrection Classic Rituals of the Adonis Cult

” … Fortunately, however, so far as our present research is concerned, we have more than probability to rely upon; not only did these Nature Cults with which we are dealing express themselves in Mystery terms, but as regards these special Mysteries we possess clear and definite information, and we know, moreover, that in the Western world they were, of all the Mystery faiths, the most widely spread, and the most influential.

As Sir J. G. Frazer has before now pointed out, there are parallel and over-lapping forms of this cult, the name of the god, and certain details of the ritual, may differ in different countries, but whether he hails from Babylon, Phrygia, or Phoenicia, whether he be called Tammuz, Attis, or Adonis, the main lines of the story are fixed, and invariable.

Always he is young and beautiful, always the beloved of a great goddess; always he is the victim of a tragic and untimely death, a death which entails bitter loss and misfortune upon a mourning world, and which, for the salvation of that world, is followed by a resurrection.

Death and Resurrection, mourning and rejoicing, present themselves in sharp antithesis in each and all of the forms.

We know the god best as Adonis, for it was under that name that, though not originally Greek, he became known to the Greek world, was adopted by them with ardour, carried by them to Alexandria, where his feast assumed the character of a State solemnity; under that name his story has been enshrined in Art, and as Adonis he is loved and lamented to this day. The Adonis ritual may be held to be the classic form of the cult.

But in Rome, the centre of Western civilization, it was otherwise: there it was the Phrygian god who was in possession; the dominating position held by the cult of Attis and the Magna Mater, and the profound influence exercised by that cult over better known, but subsequently introduced, forms of worship, have not, so far, been sufficiently realized.

The first of the Oriental cults to gain a footing in the Imperial city, the worship of the Magna Mater of Pessinonte was, for a time, rigidly confined within the limits of her sanctuary.

The orgiastic ritual of the priests of Kybele made at first little appeal to the more disciplined temperament of the Roman population. By degrees, however, it won its way, and by the reign of Claudius had become so popular that the emperor instituted public feasts in honour of Kybele and Attis, feasts which were celebrated at the Spring solstice, March 15th-27th. 1

As the public feast increased in popularity, so did the Mystery feast, of which the initiated alone were privileged to partake, acquire a symbolic significance: the foods partaken of became “un aliment de vie spirituelle, et doivent soutenir dans les épreuves de la vie l’initié.”

Philosophers boldly utilized the framework of the Attis cult as the vehicle for imparting their own doctrines, “Lorsque le Nèoplatonisme triomphera la fable Phrygienne deviendra le moule traditionnel dans lequel des exégètes subtils verseront hardiment leurs spéculations philosophiques sur les forces créatrices fécondantes, principes de toutes les formes matérielles, et sur la délivrance de l’âme divine plongée dans la corruption de ce monde terrestre.” 2

Certain of the Gnostic sects, both pre- and post-Christian, appear to have been enthusiastic participants in the Attis mysteries; 3 Hepding, in his Attis study, goes so far as to refer to Bishop Aberkios, to whose enigmatic epitaph our attention was directed in the last chapter, as “der Attis-Preister.” 4

Another element aided in the diffusion of the ritual. Of all the Oriental cults which journeyed Westward under the aegis of Rome none was so deeply rooted or so widely spread as the originally Persian cult of Mithra–the popular religion of the Roman legionary.

But between the cults of Mithra and of Attis there was a close and intimate alliance. In parts of Asia Minor the Persian god had early taken over features of the Phrygian deity. “Aussitôt que nous pouvons constater la présence du culte Persique en Italie nous le trouvons étroitement uni à celui de la Grande Mére de Pessinonte.” 1

The union between Mithra and the goddess Anâhita was held to be the equivalent of that subsisting between the two great Phrygian deities Attis-Kybele.”

Jessie L. Weston, From Ritual to Romance, 1920, pp. 136-8.

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November 9, 2014

Abrasax, the Invincible Name of Power

“The last class of documents undoubtedly contains a very large proportion of the magical ideas, beliefs, formulæ, etc., which were current in Egypt from the time of the Ptolemies to the end of the Roman Period, but from about B.C. 150 to A.D. 200 the papyri exhibit traces of the influence of Greek, Hebrew, and Syrian philosophers and magicians, and from a passage like the following (see Goodwin, Fragment of a Græco-Egyptian Work upon Magic, p. 7) we may get a proof of this:—

“I call thee, the headless one, that didst create earth and heaven, that didst create night and day, thee the creator of light and darkness. Thou art Osoronnophris, whom no man hath seen at any time; thou art Iabas, thou art Iapôs, thou hast distinguished the just and the unjust, thou didst make female and male, thou didst produce seeds and fruits, thou didst make men to love one another and to hate one another.”

“I am Moses thy prophet, to whom thou didst commit thy mysteries, the ceremonies of Israel; thou didst produce the moist and the dry and all manner of food.”

“Listen to me: I am an angel of Phapro Osoronnophris; this is thy true name, handed down to the prophets of Israel. Listen to me. (Here follow a number of names of which Reibet, Athelebersthe, Blatha, Abeu, Ebenphi, are examples) . . .”

In this passage the name Osoronnophris is clearly a corruption of the old Egyptian names of the great god of the dead “Ausar Unnefer,” and Phapro seems to represent the Egyptian Per-âa (literally, “great house”) or “Pharaoh,” with the article pa “the” prefixed.

It is interesting to note that Moses is mentioned, a fact which seems to indicate Jewish influence.

In another magical formula we read, (Goodwin, op. cit., p. 21) “I call upon thee that didst create the earth and bones, and all flesh and all spirit, that didst establish the sea and that shakest the heavens, that didst divide the light from the darkness, the great regulative mind, that disposest everything, eye of the world, spirit of spirits, god of gods, the lord of spirits, the immoveable Aeon, IAOOUÊI, hear my voice.”

“I call upon thee, the ruler of the gods, high-thundering Zeus, Zeus, king, Adonai, lord, Iaoouêe. I am he that invokes thee in the Syrian tongue, the great god, Zaalaêr, Iphphou, do thou not disregard the Hebrew appellation Ablanathanalb, Abrasilôa.”

“For I am Silthakhôoukh, Lailam, Blasalôth, Iaô, Ieô, Nebouth, Sabiothar, Bôth, Arbathiaô, Iaoth, Sabaôth, Patoure, Zagourê, Baroukh Adonai, Elôai, Iabraam, Barbarauô, Nau, Siph,” etc.

The spell ends with the statement that it “loosens chains, blinds, brings dreams, creates favour; it may be used in common for whatever purpose you will.”

In the above we notice at once the use of the seven vowels which form “a name wherein be contained all Names, and all Lights, and all Powers” (see Kenyon, Greek Papyri in the British Museum, London, 1893, p. 63). The seven vowels have, of course, reference to the three vowels “Iaô” (for Iaoouêi we should probably read Iaô ouêi) which were intended to represent one of the Hebrew names for Almighty God, “Jâh.”

The names “Adonai, Elôai,” are also derived through the Hebrew from the Bible, and Sabaôth is another well-known Hebrew word meaning “hosts”; some of the remaining names could be explained, if space permitted, by Hebrew and Syriac words.

On papyri and amulets the vowels are written in magical combinations in such a manner as to form triangles and other shapes; with them are often found the names of the seven archangels of God; the following are examples:–

(British Museum, Gnostic gem, No. G. 33). (Kenyon, Greek Papyri, p. 123). (Ibid., p. 123. These names read Michael, Raphael, Gabriel, Souriel, Zaziel, Badakiel, and Suliel).


(British Museum, Gnostic gem, No. G. 33).
(Kenyon, Greek Papyri, p. 123).
(Ibid., p. 123. These names read Michael, Raphael, Gabriel, Souriel, Zaziel, Badakiel, and Suliel)

In combination with a number of signs which owe their origin to the Gnostics the seven vowels were sometimes engraved upon plaques, or written upon papyri, with the view of giving the possessor power over gods or demons or his fellow creatures.

The example printed below is found on a papyrus in the British Museum and accompanies a spell written for the purpose of overcoming the malice of enemies, and for giving security against alarms and nocturnal visions. (Kenyon, op. cit., P. 121).

Amulet inscribed with signs and letters of magical power for overcoming the malice of enemies. (From Brit. Mus., Greek Papyrus, Nu. CXXIV.--4th or 5th century.) (Kenyon, Greek Papyri, p. 123).

Amulet inscribed with signs and letters of magical power for overcoming the malice of enemies. (From Brit. Mus., Greek Papyrus, Nu. CXXIV.–4th or 5th century.) (Kenyon, Greek Papyri, p. 123).

But of all the names found upon Gnostic gems two, i.e., Khnoubis (or Khnoumis), and Abrasax (or Abraxas), are of the most frequent occurrence. The first is usually represented as a huge serpent having the head of a lion surrounded by seven or twelve rays.

Over the seven rays, one on the point of each, are the seven vowels of the Greek alphabet, which some suppose to refer to the seven heavens; and on the back of the amulet, on which the figure of Khnoumis occurs, is usually found the sign of the triple S and bar.

Khnoumis is, of course, a form of the ancient Egyptian god Khnemu, or “Fashioner” of man and beast, the god to whom many of the attributes of the Creator of the universe were ascribed.

Khnemu is, however, often depicted with the head of a ram, and in the later times, as the “beautiful ram of Râ,” he has four heads; in the Egyptian monuments he has at times the head of a hawk, but never that of a lion.

The god Abrasax is represented in a form which has a human body, the bead of a hawk or cock, and legs terminating in serpents; in one hand he holds a knife or dagger, and in the other a shield upon which is inscribed the great name ΙΑΩ {Greek IAW}, or JÂH.

Considerable difference of opinion exists as to the meaning and derivation of the name Abrasax, but there is no doubt that the god who bore it was a form of the Sun-god, and that he was intended to represent some aspect of the Creator of the world.

The name was believed to possess magical powers of the highest class, and Basileides, (he of Alexandria, who lived about A.D. 120. He was a disciple of Menander, and declared that he had received the esoteric doctrine of Saint Peter from Glaucias, a disciple of the Apostle) who gave it currency in the second century, seems to have regarded it as an invincible name.

It is probable, however, that its exact meaning was lost at an early date, and that it soon degenerated into a mere magical symbol, for it is often found inscribed on amulets side by side with scenes and figures with which, seemingly, it cannot have any connexion whatever.

Judging from certain Gnostic gems in the British Museum, Abrasax is to be identified with the polytheistic figure that stands in the upper part of the Metternich stele depicted on p. 153 and below.

Metternich Stele.

Metternich Stele.

This figure has two bodies, one being that of a man, and the other that of a bird; from these extend four wings, and from each of his knees projects a serpent.

He has two pairs of hands and arms; one pair is extended along the wings, each hand holding the symbols of “life,” “stability,” and “power,” and two knives and two serpents; the other pair is pendent, the right hand grasping the sign of life, and the other a sceptre.

His face is grotesque, and probably represents that of Bes, or the sun as an old man; on his head is a pylon-shaped object with figures of various animals, and above it a pair of horns which support eight knives and the figure of a god with raised hands and arms, which typifies “millions of years.”

The god stands upon an oval wherein are depicted figures of various “typhonic” animals, and from each side of his crown proceed several symbols of fire.

Whether in the Gnostic system Abraxas absorbed all the names and attributes of this god of many forms cannot be said with certainty.”

E.A. Wallis Budge, Egyptian Magic, London, 1901. P. 177-80.

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November 7, 2014

Submarine of Alexander the Great

“The Arab historian Mas’ûdî has preserved (see Les Prairies d’Or, ed. B. de Meynard and Pavet de Courteille, Paris, 1861, tom. ii. p. 425 ff) a curious legend of the talismans which were employed by Alexander the Great to protect the city of Alexandria whilst it was being built, and as the legend is of Egyptian origin, and dates from a period not greatly removed from that in which the Metternich stele was made, it is worthy of mention.

When the foundations of the city had been laid, and the walls had begun to rise up, certain savage animals came up each night from the sea, and threw down everything which had been built during the day; watchmen were appointed to drive them away, but in spite of this each morning saw the work done during the previous day destroyed.

After much thought Alexander devised a plan whereby he might thwart the sea monsters, and he proceeded to carry it into effect.

He made a box ten cubits long and five cubits wide with sides made of sheets of glass fastened into frames by means of pitch, resin, etc.

Metternich Stele.

Metternich Stele.

In this box Alexander placed himself, together with two skilful draughtsmen, and having been closed it was towed out to sea by two vessels; and when weights of iron, lead, and stone had been attached to the under part of it, it began to sink, being guided to the place which Alexander wished it to reach by means of cords which were worked from the ships.

When the box touched the bottom of the sea, thanks to the clearness of the glass sides and the water of the sea, Alexander and his two companions were able to watch the various marine monsters which passed by, and he saw that although they had human bodies they had the heads of beasts; some had axes, some had saws, and some had hammers, and they all closely resembled workmen.

As they passed in front of the box Alexander and his two draughtsmen copied their forms upon paper with great exactness, and depicted their hideous countenances, and stature, and shape; this done, a signal was made, and the box was drawn up to the surface.

As soon as Alexander reached the land he ordered his stone and metal workers to make reproductions of the sea monsters according to the drawings which he and his friends had made, and when they were finished he caused them to be set up on pedestals along the sea-shore, and continued his work of building the city.

When the night came, the sea monsters appeared as usual, but as soon as they saw that figures of themselves had been put up on the shore they returned at once to the water and did not shew themselves again.

When, however, the city had been built and was inhabited, the sea monsters made their appearance again, and each morning a considerable number of people were found to be missing; to prevent this Alexander placed talismans upon the pillars which, according to Mas’ûdî, were there in his day.

Each pillar was in the shape of an arrow and was eighty cubits in height, and rested upon a plinth of brass; the talismans were placed at their bases, and were in the form of figures or statues of certain beings with suitable inscriptions, and as they were put in position after careful astronomical calculations had been made for the purpose we may assume that they produced the effect desired by the king.”

E.A. Wallis Budge, Egyptian Magic, London, 1901. Pp. 147-56

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September 14, 2014

THE LEGEND OF THE WANDERINGS OF ISIS

“The god Osiris, as we have seen in the chapter on the Egyptian Religion in the accompanying volume, lived and reigned at one time upon earth in the form of a man. His twin-brother Set was jealous of his popularity, and hated him to such a degree that he contrived a plan whereby he succeeded in putting Osiris to death.

Set then tried to usurp his brother’s kingdom and to make himself sole lord of Egypt, and, although no text states it distinctly, it is clear that he seized his brother’s wife, Isis, and shut her up in his house.

Isis was, however, under the protection of the god Thoth, and she escaped with her unborn child, and the following Legend describes the incidents that befell her, and the death and revivification of Horus.

It is cut in hieroglyphs upon a large stone stele which was made for Ankh-Psemthek, a prophet of Nebun in the reign of Nectanebus I, who reigned from 373 B.C. to 360 B.C. The stele was dug up in 1828 at Alexandria, and was given to Prince Metternich by Muhammad Ali Pasha; it is now commonly known as the “Metternich Stele.”

The Legend is narrated by the goddess herself, who says:

“I am Isis. I escaped from the dwelling wherein my brother Set placed me. Thoth, the great god, the Prince of Truth in heaven and on earth, said unto me:

“Come, O goddess Isis [hearken thou], it is a good thing to hearken, for he who is guided by another liveth. Hide thyself with thy child, and these things shall happen unto him. His body shall grow and flourish, and strength of every kind shall be in him. He shall sit upon his father’s throne, he shall avenge him, and he shall hold the exalted position of ‘Governor of the Two Lands.’”

I left the house of Set in the evening, and there accompanied me Seven Scorpions, that were to travel with me, and sting with their stings on my behalf. Two of them, Tefen and Befen, followed behind me, two of them, Mestet and Mestetef, went one on each side of me, and three, Petet, Thetet, and Maatet, prepared the way for me.

I charged them very carefully and adjured them to make no acquaintance with any one, to speak to none of the Red Fiends, to pay no heed to a servant (?), and to keep their gaze towards the ground so that they might show me the way.

And their leader brought me to Pa-Sui, the town of the Sacred Sandals, [These places were in the seventh nome of Lower Egypt (Metelites)] at the head of the district of the Papyrus Swamps. When I arrived at Teb I came to a quarter of the town where women dwelt.

And a certain woman of quality spied me as I was journeying along the road, and she shut her door in my face, for she was afraid because of the Seven Scorpions that were with me. Then they took counsel concerning her, and they shot out their poison on the tail of Tefen. As for me, a peasant woman called Taha opened her door, and I went into the house of this humble woman.

Then the scorpion Tefen crawled in under the door of the woman Usert [who had shut it in my face], and stung her son, and a fire broke out in it; there was no water to put it out, but the sky sent down rain, though it was not the time of rain. And the heart of Usert was sore within her, and she was very sad, for she knew not whether her son would live or die; and she went through the town shrieking for help, but none came out at the sound of her voice.

And I was sad for the child’s sake, and I wished the innocent one to live again. So I cried out to her, saying, Come to me! Come to me! There is life in my mouth. I am a woman well known in her town. I can destroy the devil of death by a spell which my father taught me. I am his daughter, his beloved one.

Then Isis laid her hands on the child and recited this spell:

“O poison of Tefent (sic), come forth, fall on the ground; go no further. O poison of Befent (sic), come forth, fall on the ground. I am Isis, the goddess, the mistress of words of power. I am a weaver of spells, I know how to utter words so that they take effect. Hearken to me, O every reptile that biteth (or stingeth), and fall on the ground. O poison of Mestet, go no further. O poison of Mestetef, rise not up in his body. O poison of Petet and Thetet, enter not his body. O poison of Maatet, fall on the ground.

Ascend not into heaven, I command you by the beloved of Ra, the egg of the goose which appeareth from the sycamore. My words indeed rule to the uttermost limit of the night. I speak to you, O scorpions. I am alone and in sorrow, and our names will stink throughout the nomes….

The child shall live! The poison shall die! For Ra liveth and the poison dieth. Horus shall be saved through his mother Isis, and he who is stricken shall likewise be saved.”

Meanwhile the fire in the house of Usert was extinguished, and heaven was content with the utterance of Isis. Then the lady Usert was filled with sorrow because she had shut her door in the face of Isis, and she brought to the house of the peasant woman gifts for the goddess, whom she had apparently not recognized.

The spells of the goddess produced, of course, the desired effect on the poison, and we may assume that the life of the child was restored to him. The second lot of gifts made to Isis represented his mother’s gratitude.

Exactly when and how Isis made her way to a hiding place cannot be said, but she reached it in safety, and her son Horus was born there.

The story of the death of Horus she tells in the following words:

“I am Isis. I conceived a child, Horus, and I brought him forth in a cluster of papyrus plants (or, bulrushes). I rejoiced exceedingly, for in him I saw one who would make answer for his father. I hid him, and I covered him up carefully, being afraid of that foul one [Set], and then I went to the town of Am, where the people gave thanks for me because they knew I could cause them trouble.

I passed the day in collecting food for the child, and when I returned and took Horus into my arms, I found him, Horus, the beautiful one of gold, the boy, the child, lifeless! He had bedewed the ground with the water of his eye and with the foam of his lips. His body was motionless, his heart did not beat, and his muscles were relaxed.”

Then Isis sent forth a bitter cry, and lamented loudly her misfortune, for now that Horus was dead she had none to protect her, or to take vengeance on Set. When the people heard her voice they went out to her, and they bewailed with her the greatness of her affliction. But though all lamented on her behalf there was none who could bring back Horus to life.

Then a “woman who was well known in her town, a lady who was the mistress of property in her own right,” went out to Isis, and consoled her, and assured her that the child should live through his mother.

And she said, “A scorpion hath stung him, the reptile Aunab hath wounded him.” Then Isis bent her face over the child to find out if he breathed, and she examined the wound, and found that there was poison in it, and then taking him in her arms, “she leaped about with him like a fish that is put upon hot coals,” uttering loud cries of lamentation.

During this outburst of grief the goddess Nephthys, her sister, arrived, and she too lamented and cried bitterly over her sister’s loss; with her came the Scorpion-goddess Serqet.

Nephthys at once advised Isis to cry out for help to Ra, for, said she, it is wholly impossible for the Boat of Ra to travel across the sky whilst Horus is lying dead.

Then Isis cried out, and made supplication to the Boat of Millions of Years, and the Sun-god stopped the Boat. Out of it came down Thoth, who was provided with powerful spells, and, going to Isis, he inquired concerning her trouble.

“What is it, what is it, O Isis, thou goddess of spells, whose mouth hath skill to utter them with supreme effect? Surely no evil thing hath befallen Horus, for the Boat of Ra hath him under its protection. I have come from the Boat of the Disk to heal Horus.”

Then Thoth told Isis not to fear, but to put away all anxiety from her heart, for he had come to heal her child, and he told her that Horus was fully protected because he was the Dweller in his disk, and the firstborn son of heaven, and the Great Dwarf, and the Mighty Ram, and the Great Hawk, and the Holy Beetle, and the Hidden Body, and the Governor of the Other World, and the Holy Benu Bird, and by the spells of Isis and the names of Osiris and the weeping of his mother and brethren, and by his own name and heart.

Turning towards the child Thoth began to recite his spells and said, “Wake up, Horus! Thy protection is established. Make thou happy the heart of thy mother Isis. The words of Horus bind up hearts and he comforteth him that is in affliction. Let your hearts rejoice, O ye dwellers in the heavens. Horus who avenged his father shall make the poison to retreat.

That which is in the mouth of Ra shall circulate, and the tongue of the Great God shall overcome [opposition]. The Boat of Ra standeth still and moveth not, and the Disk (i.e. the Sun-god) is in the place where it was yesterday to heal Horus for his mother Isis.

Come to earth, draw nigh, O Boat of Ra, O ye mariners of Ra; make the boat to move and convey food of the town of Sekhem (i.e. Letopolis) hither, to heal Horus for his mother Isis….

Come to earth, O poison! I am Thoth, the firstborn son, the son of Ra. Tem and the company of the gods have commanded me to heal Horus for his mother Isis.

O Horus, O Horus, thy Ka protecteth thee, and thy Image worketh protection for thee. The poison is as the daughter of its own flame; it is destroyed because it smote the strong son. Your temples are safe, for Horus liveth for his mother.”

Then the child Horus returned to life, to the great joy of his mother, and Thoth went back to the Boat of Millions of Years, which at once proceeded on its majestic course, and all the gods from one end of heaven to the other rejoiced.

Isis entreated either Ra or Thoth that Horus might be nursed and brought up by the goddesses of the town of Pe-Tep, or Buto, in the Delta, and at once Thoth committed the child to their care, and instructed them about his future.

Horus grew up in Buto under their protection, and in due course fought a duel with Set, and vanquished him, and so avenged the wrong done to his father by Set.”

–E. A. Wallis Budge, The Literature of the Ancient Egyptians, 1914, pp. 43-5.

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