Samizdat

"Samizdat: Publishing the Forbidden."

Category: Gods

Gane: Neo-Babylonian Monsters, Demons & Dragons From a Narrow Slice of Time & Space

A number of scholars have already correlated Mesopotamian iconography with cuneiform texts to identify and illuminate composite beings over a wide range of periods in terms of their historical development, association with deities, and impact on humans within ancient systems of religion and mythology.

The present research draws heavily on their work, but uniquely focuses on basically synchronic, tightly controlled, comprehensive analysis of the iconographic repertoire of hybrid beings in a narrow slice of time and space.

Mesopotamian composite beings have been the focus of several formative works. One of the most influential scholars in the field has been Frans A. M. Wiggermann.

This is Figure 2, K2987B+ and K9968+, from Professor F.A.M. Wiggermann, Mesopotamian Protective Spirits: The Ritual Texts, 1992, pp. 195-7.

This is Figure 2, K2987B+ and K9968+, from Professor F.A.M. Wiggermann, Mesopotamian Protective Spirits: The Ritual Texts, 1992, pp. 195-7.

In his Mesopotamian Protective Spirits: The Ritual Texts (1992), he examines the identities and histories of those Mesopotamian supernatural creatures mentioned in the Neo-Assyrian texts K 2987B+ and KAR 298.

Regarding this partial representation of all Mesopotamian hybrids, Wiggermann summarizes:

“The texts treated are rituals for the defence of the house against epidemic diseases, represented as an army of demonic intruders. The gates, rooms, and corners of the house are occupied by prophylactic figures of clay or wood, that the texts describe in detail.”

(Frans A. M. Wiggermann, Mesopotamian Protective Spirits: The Ritual Texts (CM 1; Groningen: Styx & PP, 1992), p. xii. (This is a second edition of Wiggermann’s dissertation, originally published as Babylonian Prophylactic Figures: The Ritual Texts [Amsterdam: Free University Press, 1986].)

As he points out, these figures described in the texts have been discovered in archaeological excavations, providing a significant link between text and material remains.

Although Wiggermann’s monograph is difficult to navigate (due to the nature of its organization), it has been the backbone of much of my research.

An excerpt from the introduction to F.A.M. Wiggermann's Mesopotamian Protective Spirits: The Ritual Texts, 1992, p. xi.

An excerpt from the introduction to F.A.M. Wiggermann’s Mesopotamian Protective Spirits: The Ritual Texts, 1992, p. xi.

An important systematic treatment of composite creatures by Wiggermann is his 1997 Reallexikon der Assyriologie (RlA) article titled “Mischwesen. A. Philologisch. Mesopotamien.”

(Frans A. M. Wiggermann, “Mischwesen. A. Philologisch. Mesopotamien,” Reallexikon der Assyriologie (RlA) 8:222-246.)

Here he provides numerous textual, philological, and archaeological examples of most of the known Mesopotamian creatures, and clarifies terms for categories.

Modern scholarship identifies distinct categories of subdivine (but superhuman) creatures. Those that walk on all fours, like quadruped natural animals, are identified as monsters while those that walk on two legs, like humans, are designated as demons.

Dragons, which belong to a separate class, are hybrid creatures that are essentially snakes.

(Cf. Joan G. Westenholz, ed., Dragons, Monsters, and Fabulous Beasts (Jerusalem: Bible Lands Museum, 2004), p. 11.)

According to Wiggermann, monsters are neither gods nor demons.

(Wiggermann, “Mischwesen. A,” RlA 8:231.)

Although their names are occasionally written with the divine determinative, they usually do not wear the horned crown of divinity.

They are not included in god-lists, not found in the list of “evil spirits” (utukkū lemnūti), and not mentioned in medical texts as demons of diseases.”

(Cf. Chikako E. Watanabe, Animal Symbolism in Mesopotamia: A Contextual Approach (WOO 1; Vienna: Institut für Orientalistik der Universität Wien, 2002), p. 39.)

Constance Ellen Gane, Composite Beings in Neo-Babylonian Art, Doctoral Dissertation, University of California at Berkeley, 2012, pp. 2-3.

Kvanvig: The Maqlû Ritual Against Witchcraft

“The gods of the night play a particular prominent role in the ritual against witchcraft, Maqlû.

The ilū mušīti are here invoked in the opening sentence. In the same sequence the maccarātu ša mūši are invoked: “may the three watches of the night dispel her (the sorceress’) evil enchantments” (Maqlû I, 30. Cf. T. Abusch and D. Schwemer, Das Abwehrzauber-Ritual Maqlû (Verbrennung), in Texte aus der Umwelt des Alten Testaments, A. Krüger, ed., 2008: pp. 136-86.)

Excerpt from the entry on Nusku, Jeremy Black and Anthony Green, Gods, Demons and Symbols of Ancient Mesopotamia, 1992, p. 145.

Excerpt from the entry on Nusku, Jeremy Black and Anthony Green, Gods, Demons and Symbols of Ancient Mesopotamia, 1992, p. 145.

In Bīt Mēseri the invocation of the apkallus clearly takes place in the daytime. This ritual is followed by a nightly invocation to Nusku:

Nusku, king of the night, who illuminates darkness!

You are present in the night and behold humans.”

(Bīt Mēseri, rev. III, 3, Weiher, Spätbabylonische Texte, 49 and 52.)

Nusku is invoked that he may “appo[int] a watcher of health and life (for me)!” (III, 8). The text continues: “Let the protective spirit and the god who preserves health stand b[y my head(?)].”

Thus “the watcher of health and life” is not identified, other than to show that he belongs together with the two other divine figures protecting the ill man during the night.

The mentioning of the protective spirit, šēdu, together with an unnamed god may indicate that this god is the supplicant’s personal god, since this juxtaposition is quite common. (Cf. Black & Green, Gods, Demons and Symbols, 148).

Excerpt from the entry on personal gods, Jeremy Black and Anthony Green, Gods, Demons and Symbols of Ancient Mesopotamia, p. 148.

Excerpt from the entry on personal gods, Jeremy Black and Anthony Green, Gods, Demons and Symbols of Ancient Mesopotamia, 1992, p. 148.

As we will see below the apkallus played an important role in the ritual of breathing life into the statues of the gods. This ritual lasted during the day and the night as well. The apkallus belonged to the day part of the ritual.

In the night the statue was carried to the river bank and offerings were made to the nine great gods; then to the gods of the craftsmen who had made the statue; then to planets, fixed stars and celestial constellations. (Cf. Reiner, Astral Magic, 138-42.)

The stars and the planets were to irradiate the statue. In the Late Babylonian version of the ritual the appeal to the stellar powers is described in detail, naming the different groups; this part of the ritual is lacking in the earlier Assyrian version, which demonstrates a development toward astral religion in Late Babylonian times.

When the apkallus had the role of the watchers of the cosmos and human life during the day, the same role was assigned to the stars during the night.”

Helge Kvanvig, Primeval History: Babylonian, Biblical, and Enochic: An Intertextual Reading, Brill, 2011, pp. 135-6.

Gods, Goddesses, Demons

” … In the early stages of Sumerian culture, the gods and goddesses who formed groups were indistinguishable from demons. They were vaguely defined, and had changing shapes. When attempts were made to depict them they were represented in many varying forms. Some were winged bulls or lions with human heads; others had even more remarkable composite forms. The “dragon of Babylon”, for instance, which was portrayed on walls of temples, had a serpent’s head, a body covered with scales, the fore legs of a lion, hind legs of an eagle, and a long wriggling serpentine tail. Ea had several monster forms. The following description of one of these is repulsive enough:–

The head is the head of a serpent,

From his nostrils mucus trickles,

His mouth is beslavered with water;

The ears are like those of a basilisk,

His horns are twisted into three curls,

He wears a veil in his head band,

The body is a suh-fish full of stars,

The base of his feet are claws,

The sole of his foot has no heel,

His name is Sassu-wunnu,

A sea monster, a form of Ea.

R.C. Thompson’s Translation.

Even after the gods were given beneficent attributes to reflect the growth of culture, and were humanized, they still retained many of their savage characteristics. Bel Enlil and his fierce son, Nergal, were destroyers of mankind; the storm god desolated the land; the sky god deluged it with rain; the sea raged furiously, ever hungering for human victims; the burning sun struck down its victims; and the floods played havoc with the dykes and houses of human beings.

In Egypt the sun god Ra was similarly a “producer of calamity,” the composite monster god Sokar was “the lord of fear”. Osiris in prehistoric times had been “a dangerous god,” and some of the Pharaohs sought protection against him in the charms inscribed in their tombs.

The Indian Shiva, “the Destroyer”, in the old religious poems has also primitive attributes of like character.

The Sumerian gods never lost their connection with the early spirit groups. These continued to be represented by their attendants, who executed a deity’s stern and vengeful decrees. In one of the Babylonian charms the demons are referred to as “the spleen of the gods”–the symbols of their wrathful emotions and vengeful desires.

Bel Enlil, the air and earth god, was served by the demons of disease, “the beloved sons of Bel,” which issued from the Underworld to attack mankind. Nergal, the sulky and ill-tempered lord of death and destruction, who never lost his demoniac character, swept over the land, followed by the spirits of pestilence, sunstroke, weariness, and destruction.

Anu, the sky god, had “spawned” at creation the demons of cold and rain and darkness. Even Ea and his consort, Damkina, were served by groups of devils and giants, which preyed upon mankind in bleak and desolate places when night fell. In the ocean home of Ea were bred the “seven evil spirits” of tempest–the gaping dragon, the leopard which preyed upon children, the great Beast, the terrible serpent, &c.

In Indian mythology Indra was similarly followed by the stormy Maruts, and fierce Rudra by the tempestuous Rudras.

In Teutonic mythology Odin is the “Wild Huntsman in the Raging Host.”

In Greek mythology the ocean furies attend upon fickle Poseidon.

Other examples of this kind could be multiplied.”

Donald A. Mackenzie, Myths of Babylonia and Assyria, 1915.

A Human Head Carried on a River of Blood

” … The first men on earth to receive knowledge of the gods, and to build temples and shrines and to summon meetings for religious observances are said to have been the Egyptians. 5 They were the first, too, to take cognizance of holy names, and to repeat sacred traditions. Not long after them the Assyrians heard from the Egyptians their doctrines as to the gods, and they reared temples and shrines: in these they placed statues and images.

Originally the temples of the Egyptians possessed no images. And there exist in Syria temples of a date not much later than those of Egypt, many of which I have seen myself, for instance, the temple of Hercules in Tyre. 6 This is not the Hercules of Greek legend; but a Tyrian hero of much greater antiquity than he.

There is likewise in Phœnicia a temple of great size owned by the Sidonians. They call it the temple of Astarte. 7 I hold this Astarte to be no other than the moon-goddess. But according to the story of one of the priests this temple is sacred to Europa, the sister of Cadmus. She was the daughter of Agenor, and on her disappearance from Earth the Phœnicians honoured her with a temple and told a sacred legend about her; how that Zeus was enamoured of her for her beauty, and changing his form into that of a bull carried her off into Crete. 8 This legend I heard from other Phœnicians as well; and the coinage current among the Sidonians bears upon it the effigy of Europa sitting upon a bull, none other than Zeus. 9 Thus they do not agree that the temple in question is sacred to Europa.

The Phœnicians have also another sacred custom, derived from Egypt, not from Assyria: it came, they say, from Heliopolis into Phœnicia. I never witnessed this myself, but it is important, and of great antiquity.

I saw too at Byblos a large temple, 10 sacred to the Byblian Aphrodite 11: this is the scene of the secret rites of Adonis: I mastered these. They assert that the legend about Adonis and the wild boar is true, 12 and that the facts occurred in their country, and in memory of this calamity they beat their breasts and wail every year, and perform their secret ritual amid signs of mourning through the whole countryside.

When they have finished their mourning and wailing, they sacrifice in the first place to Adonis, as to one who has departed this life: after this they allege that he is alive again, and exhibit his effigy to the sky. They proceed to shave their heads, 13 too, like the Egyptians on the loss of their Apis. The women who refuse to be shaved have to submit to the following penalty, viz., to stand for the space of an entire day in readiness to expose their persons for hire. The place of hire is open to none but foreigners, and out of the proceeds of the traffic of these women a sacrifice to Aphrodite is paid. 14

Some of the inhabitants of Byblos maintain that the Egyptian Osiris is buried in their town, and that the public mourning and secret rites are performed in memory not of Adonis, but of Osiris. 15 I will tell you why this story seems worthy of credence. A human head comes every year from Egypt to Byblos, 16 floating on its seven days’ journey thence: the winds, by some divine instinct, waft it on its way: it never varies from its course but goes straight to Byblos. The whole occurrence is miraculous. It occurs every year, and it came to pass while I was myself in Byblos, and I saw the head in that city.

There is, too, another marvellous portent in the region of the Byblians. A river, flowing from Mount Libanus, discharges itself into the sea: this river bears the name of Adonis. 17 Every year regularly it is tinged with blood, and loses its proper colour before it falls into the sea: it dyes the sea, to a large space, red: 18 and thus announces their time of mourning to the Byblians.

Their story is that during these days Adonis is wounded, and that the river’s nature is changed by the blood which flows into its waters; and that it takes its name from this blood. Such is the legend vulgarly accepted: but a man of Byblos, who seemed to me to be telling the truth, told me another reason for this marvellous change.

He spoke as follows: “This river, my friend and guest, passes through the Libanus: now this Libanus abounds in red earth. The violent winds which blow regularly on those days bring down into the river a quantity of earth resembling vermilion. It is this earth that turns the river to red. And thus the change in the river’s colour is due, not to blood as they affirm, but to the nature of the soil.” 19

This was the story of the Byblian. But even assuming that he spoke the truth, yet there certainly seems to me something supernatural in the regular coincidence of the wind and the colouring of the river.”

Herbert A. Strong and John Garstang, trans., The Syrian Goddess, by Lucian, 1913, pp. 42-8.

Resurrection

“It is perfectly obvious that Sir W. Ridgeway’s theory, reduced to abstract terms, would result in the conclusion that all religion is based upon the cult of the Dead, and that men originally knew no gods but their grandfathers, a theory from which as a student of religion I absolutely and entirely dissent. I can understand that such Dead Ancestors can be looked upon as Protectors, or as Benefactors, but I see no ground for supposing that they have ever been regarded as Creators, yet it is precisely as vehicle for the most lofty teaching as to the Cosmic relations existing between God and Man, that these Vegetation cults were employed.

The more closely one studies pre-Christian Theology, the more strongly one is impressed with the deeply, and daringly, spiritual character of its speculations, and the more doubtful it appears that such teaching can depend upon the unaided processes of human thought, or can have been evolved from such germs as we find among the supposedly ‘primitive’ peoples, such as e.g. the Australian tribes.

Are they really primitive? Or are we dealing, not with the primary elements of religion, but with the disjecta membra of a vanished civilization? Certain it is that so far as historical evidence goes our earliest records point to the recognition of a spiritual, not of a material, origin of the human race; the Sumerian and Babylonian Psalms were not composed by men who believed themselves the descendants of ‘witchetty grubs.’

The Folk practices and ceremonies studied in these pages, the Dances, the rough Dramas, the local and seasonal celebrations, do not represent the material out of which the Attis-Adonis cult was formed, but surviving fragments of a worship from which the higher significance has vanished.

Sir W. Ridgeway is confident that Osiris, Attis, Adonis, were all at one time human beings, whose tragic fate gripped hold of popular imagination, and led to their ultimate deification. The first-named cult stands on a somewhat different basis from the others, the beneficent activities of Osiris being more widely diffused, more universal in their operation. I should be inclined to regard the Egyptian deity primarily as a Culture Hero, rather than a Vegetation God.

With regard to Attis and Adonis, whatever their original character (and it seems to me highly improbable that there should have been two youths each beloved by a goddess, each victim of a similar untimely fate), long before we have any trace of them both have become so intimately identified with the processes of Nature that they have ceased to be men and become gods, and as such alone can we deal with them.

It is also permissible to point out that in the case of Tammuz, Esmun, and Adonis, the title is not a proper name, but a vague appellative, denoting an abstract rather than a concrete origin. Proof of this will be found later.

Sir W. Ridgeway overlooks the fact that it is not the tragic death of Attis-Adonis which is of importance for these cults, but their subsequent restoration to life, a feature which cannot be postulated of any ordinary mortal.

And how are we to regard Tammuz, the prototype of all these deities? Is there any possible ground for maintaining that he was ever a man? Prove it we cannot, as the records of his cult go back thousands of years before our era. Here, again, we have the same dominant feature; it is not merely the untimely death which is lamented, but the restoration to life which is celebrated.

Throughout the whole study the author fails to discriminate between the activities of the living, and the dead, king. The Dead king may, as I have said above, be regarded as the Benefactor, as the Protector, of his people, but it is the Living king upon whom their actual and continued prosperity depends.

The detail that the ruling sovereign is sometimes regarded as the re-incarnation of the original founder of the race strengthens this point–the king never dies–Le Roi est mort, Vive le Roi is very emphatically the motto of this Faith.

It is the insistence on Life, Life continuous, and ever-renewing, which is the abiding characteristic of these cults, a characteristic which differentiates them utterly and entirely from the ancestral worship with which Sir W. Ridgeway would fain connect them.”

Jessie L. Weston, From Ritual to Romance, 1920. Pp. 6-8.

The Naassene Fragment, on Attis

S. 4 Moreover, also, the Phrygians say that the Father of wholes 5 is Amygdalos 6

J. —no [ordinary] tree 7 (H. he says); but that He is that Amygdalos the Pre-existing, who having in Himself the Perfect Fruit, as it were, throbbing 8 and moving in [His] Depth, He tore asunder 9 His Womb, and gave birth to His own Son 10

C. —the Invisible, Unnameable, and Ineffable [One] of whom we tell. 1

S. For “amyxai” 2 is, as it were, “to break” and “cut open”; just as (H. he says) in the case of inflamed bodies and those which have some internal tumour, when physicians lance them, they speak of “amychas.” 3

Thus (H. he says) the Phrygians call him Amygdalos.

C. From whom proceeded and was born the Invisible—

“Through whom all things were made, and without whom nothing was made.” 4

(30) S. The Phrygians also say that that which is generated from Him is Syriktēs. 5

J. For that which is generated is Spirit in harmony. 6

C. For “God (H. he says) is Spirit.” 7

Wherefore He says:

“Neither in this mountain do the true worshippers worship, nor in Jerusalem, but in Spirit.” 8

For the worship of the perfect [men] (H. he says) is spiritual, not fleshly.

J. And “Spirit” (H. he says) is there where both Father and Son are named, generated there from Him 1 and the Father.

S. He 2 (H. he says) is the Many-named, Myriad-eyed, Incomprehensible, whom every nature desires, some one way, some another.

J. This (H. he says) is the Word 3 of God, which is:

“The Word of Announcement of the Great Power. Wherefore It shall be sealed, and hidden, and concealed, stored in the Habitation, where the Root of the Universals has its foundation—

“Of Æons, Powers, Intelligences, Gods, Angels, Spirits Delegate, Existing Non-existences, Generated Ingenerables, Comprehensible Incomprehensibles,—Years, Months, Days, Hours,—of [the] Boundless Point, from which the most minute begins to increase by parts. 4

“For (H. he says) the Point which is nothing and is composed of nothing, though partless, will become by means of its own Thought a Greatness 1 beyond our own comprehension.”

C. This [Point] (H. he says) is the Kingdom of the Heavens, the “grain of mustard seed,” 2 the partless point, the first existing for the body; which no one (H. he says) knows save the spiritual [men] alone.

J. This (H. he says) is what is said:

“They are neither words nor languages whereby their 3 sounds are heard.” 4

H. These things, [then,] which are said and done by all men, they thus interpret off-hand to their peculiar theory (νοῦν), pretending that they are all done with a spiritual meaning.

For which cause also they 5 say that the performers in the theatres—they, too, neither say nor do anything without Design. 6

S. For example (H. he says), when the people assemble in the theatres, and a man comes on the stage, clad in a robe different from all others, with lute 7 in hand on which he plays, and thus chants the Great Mysteries, not knowing what he says: 8

“Whether blest Child of Kronos, or of Zeus, or of Great Rhea,—

Hail, Attis, thou mournful song 9 of Rhea!

Assyrians call thee thrice-longed-for Adōnis;

all Egypt [calls thee] Osiris;

the Wisdom of Hellas [names thee] Mēn’s Heavenly Horn;

the Samothracians [call thee] august Adama;

the Hæmonians, Korybas;

the Phrygians [name thee] Papa sometimes,

at times again Dead, or God, 1 or Unfruitful,

or Aipolos, or Green Reaped 2 Wheat-ear,

or the Fruitful that Amygdalos brought forth,

Man, Piper . . . Attis!”

H. He [S.] says that this is the Attis of many forms of whom they [NN., in H.’s opinion] sing as follows:

S. “Of Attis will I sing, of Rhea’s [Belovèd];—

not with the boomings 3 of bells,

nor with the deep-toned 4 pipe of Idæan Kurētes;

but I will blend my song with Phoebus’ music of the lyre.

Evoï! Evan!—for [thou art] Pan, [thou] Bacchus [art], and Shepherd of bright stars!”

G.R.S. Mead, Thrice-Greatest HermesVol. 1, 1906, pp. 182-6.

From Hippolytus, Philosophumena; or, Refutation of all Heresies.

Transformations of the Afterlife

“But the use of the horoscope is much older than the time of Alexander the Great, for to a Greek horoscope (published for the first time by Kenyon, Catalogue of Greek Papyri vol. i. p. 132 ff) in the British Museum is attached “an introductory letter from some master of the art of astrology to his pupil, named Hermon, urging him to be very exact and careful in his application of the laws which the ancient Egyptians, with their laborious devotion to the art, had discovered and handed down to posterity.”

Thus we have good reason for assigning the birthplace of the horoscope to Egypt. In connexion with the horoscope must be mentioned the “sphere” or “table” of Democritus as a means of making predictions as to life and death.

In a magical papyrus (footnotes for page 230 are missing from my edition, not included at the end of the text)  we are told to “ascertain in what month the sick man took to his bed, and the name he received at his birth.”

“Calculate the [course of] the moon, and see how many periods of thirty days have elapsed; then note in the table the number of days left over, and if the number comes in the upper part of the table, he will live, but if in the lower part, he will die.”

Egyptian Horoscope TableBoth from the religious and profane literature of Egypt we learn that the gods and man in the future life were able at will to assume the form of any animal, or bird, or plant, or living thing, which they pleased, and one of the greatest delights to which a man looked forward was the possession of that power.

This is proved by the fact that no less than twelve (footnote missing)  of the chapters of the Book of the Dead are devoted to providing the deceased with the words of power, the recital of which was necessary to enable him to transform himself into a “hawk of gold,” a “divine hawk,” “the governor of the sovereign princes,” “the god who giveth light in the darkness,” a lotus, the god Ptah, a bennu bird (i.e., phœnix), a heron, a “living soul,” a swallow, the serpent Sata, and a crocodile; and another chapter (footnote missing)  enabled him to transform himself into “whatever form he pleaseth.”

Armed with this power he could live in the water in the form of a crocodile, in the form of a serpent he could glide over the rocks and ground, in the form of the birds mentioned above he could fly through the air, and soar up and perch himself upon the bow of the boat of Râ, in the form of the lotus he had mastery over the plants of the field, and in the form of Ptah he became “more powerful than the lord of time, and shall gain the mastery over millions of years.”

The bennu bird, it will be remembered, was said to be the “soul of Râ,” and by assuming this form the deceased identified himself with Khepera, the great god of creation, and thus acquired the attributes of the soul of the Sun-god.

In the Elysian Fields he was able to assume any form and to swim and fly to any distance in any direction. It is noteworthy that no beast of the field or wild animal is mentioned as a type of his possible transformations into animals.”

E.A. Wallis Budge, Egyptian Magic, London, 1901. Pp. 229-32.

Le Rituel de l’Embaumement

“He believed that he would feed upon the celestial and imperishable food whereon the gods lived, but at the same time he spared no effort or expense to provide for his tomb being supplied at stated intervals throughout the year with perishable food in the shape of offerings of oxen, feathered fowl, cakes, bread, and the like.

He mummified his dead and swathed them in linen bandages, and then by the performance of magical ceremonies and by the recital of words of power sought to give back to their members the strength to eat, and drink, and talk, and think, and move at will.

Indeed, all the evidence now forthcoming seems to prove that he never succeeded in bringing himself to think that the gods could do without his help, or that the pictures or representations of the scenes which took place in the life, and death, and burial, and resurrection of Osiris, upon which he relied so implicitly, could possibly fail to be as efficacious as the actual power of the god himself.

The examination of mummies has shown us with tolerable clearness what methods were adopted in preparing bodies for bandaging and final ornamentation, and the means adopted for disposing of the more corruptible portions of the body are well known from classical and other writers.

But for an account of the manner in which the body was bandaged, and a list of the unguents and other materials employed in the process, and the words of power which were spoken as each bandage was laid in its place, we must have, recourse to a very interesting papyrus which has been edited and translated by M. Maspero under the title of Le Rituel de l’Embaumement. (In Mémoire sur quelques Papyrus du Louvre, Paris, 1875).

The first part of the papyrus, which probably gave instructions for the evisceration of the body, is wanting, and only the section which refers to the bandaging is at all perfect.

The text opens with an address to the deceased in which it is said, “The perfume of Arabia hath been brought to thee to make perfect thy smell through the scent of the god.”

“Here are brought to thee liquids which have come forth from Râ, to make perfect . . . thy smell in the Hall [of Judgment].

O sweet-smelling soul of the great god, thou dost contain such a sweet odour that thy face shall neither change nor perish. . . .

Thy members shall become young in Arabia, and thy soul shall appear over thy body in Ta-neter (i.e., the ‘divine land’).”

 After this the priest or mummifier was to take a vase of liquid which contained ten perfumes, and to smear therewith the body from head to foot twice, taking especial care to anoint the head thoroughly. He was then to say, “Osiris (i.e., the deceased), thou hast received the perfume which shall make thy members perfect.”

“Thou receivest the source [of life] and thou takest the form of the great Disk (i.e., Aten), which uniteth itself unto thee to give enduring form to thy members; thou shalt unite with Osiris in the great Hall.”

E.A. Wallis Budge, Egyptian Magic, London, 1901. P. 184-6.

On Mummification

MAGICAL CEREMONIES.
“IN the preceding pages we have seen how the Egyptians employed magical stones or amulets, and magical words, and magical pictures, and magical names, in the performance of deeds both good and evil; it remains to consider these magical ceremonies in which the skill of the magician-priest was exerted to its fullest extent, and with the highest objects, that is to say, to preserve the human body in a mummified condition, and to perform the symbolic acts which would restore its natural functions.

When we think of the sublime character of the life which the souls of the blessed dead were believed to lead in heaven with the gods, it is hard to understand why the Egyptians took such pains to preserve the physical body from decay.

No Egyptian who believed his Scriptures ever expected that his corruptible body would ascend into heaven and live with the gods, for they declare in no uncertain manner that it remains upon the earth whilst the soul dwells in heaven.

But that the preservation of the body was in some way or for some reason absolutely necessary is certain, for the art of mummification flourished for several thousands of years, and unless there was some good reason, besides the observance of conservative custom and traditional use, why it should do so, king and priest, gentle and simple, and rich and poor, would never have burdened their relatives and heirs with the expense of costly funeral ceremonies, and with the performance of rites which were of no avail.

At first sight, too, it seems strange to find the Egyptians studying carefully how best to provide the dead with a regular supply of sepulchral offerings, for when we come to think about it we notice that in arranging for the well-being of the dead nothing whatever was left to chance.

For example, a papyrus will contain several prayers and pictures with appropriate formulæ, the object of each of which is to give the deceased meat and drink; any one of these would have been enough for the purpose, but it was thought best in such an important matter to make assurance doubly sure, and if there was the least doubt about the efficacy of one Chapter one or more of the same class were added.

Similarly, the tendency of the natural body after death being to decay, the greatest care was taken in mummifying its various members, lest perchance any one of them should be neglected accidentally, and should, either by the omission of the words of power that ought to have been said over it, or through the lax performance of some ceremony, decay and perish.

The Egyptian declared that he was immortal, and believed that he would enjoy eternal life in a spiritual body; yet he attempted by the performance of magical ceremonies and the recital of words of power to make his corruptible body to endure for ever.”

E.A. Wallis Budge, Egyptian Magic, London, 1901. P. 182-4.

The Names of Apep

“But among the beings whom the deceased wished to avoid in the underworld were the beings who “lay snares, and who work the nets, and who are fishers,” and who would draw him into their nets.

It seems as if it were absolutely necessary that he should fall in with these beings and their nets, for a whole chapter of the Book of the Dead was written with the view of enabling him to escape from them unharmed; the god their leader is called “the god whose face is behind him,” and “the god who hath gained the mastery over his heart.”

To escape from the net which was worked by “the fishers who lay snares with their nets and who go round about in the chambers of the waters,” the deceased had to know the names of the net, and of the ropes, and of the pole, and of the hooks, and of each and every part of it; without this knowledge nothing could save him from calamity.

We unfortunately understand very few of the allusions to mythological events which are contained in the names of the various parts of the machinery which work the net, but it is quite certain that they have reference to certain events in the lives of the gods who are mentioned, and that these were well known to the writers and readers of religious texts.

From the above descriptions of the means whereby the deceased made his way through the gates and the halls of the underworld and escaped from the fowler and his net, it will be readily understood that the knowledge of the name alone was, in some cases, sufficient to help him out of his difficulties; but in others it was necessary to have the name which was possessed of magical power inscribed upon some object, amulet or otherwise.

Moreover, some gods and devils were thought to have the power to assume different forms, and as each form carried with it its own name, to have absolute power over a god of many forms it was necessary to know all his names.

Thus in the “Book of Overthrowing Âpep” (Papyrus of Nesi-Amsu, col. xxiii. 1. 6. (Archæologia, vol. LII)) we are told not only to make a wax figure of the monster, but also to write his name upon it, so that when the figure is destroyed by being burnt in the fire his name also may be destroyed; this is a striking example of the belief that the name was an integral part of the economy of a living creature.

But Âpep possessed many forms and therefore many names, and unless he could be invoked by these names he still had the power to do evil; the above-mentioned book (ibid., col. xxxii. 1. 13 f) therefore supplies us with a list of his names, among which occur the following:—

“Tutu (i.e., “Doubly evil one”), Hau-hra (i.e., “Backward Face”), Hemhemti (i.e., “Roarer”), Qetu (i.e., “Evil-doer”), Âmam (i.e., “Devourer”), Saatet-ta (i.e., “Darkener of earth”), Iubani, Khermuti, Unti, Karauememti, Khesef-hra, Sekhem-hra, Khak-ab, Nâi, Uai, Beteshu, Kharebutu “the fourfold fiend,” etc.

All these names represent, as may be seen from the few of which translations are given, various aspects of Âpep, the devil of thunder, lightning, cloud, rain, mist, storm, and the like, and the anxiety to personify these so that the personifications might be attacked by means of magical ceremonies and words of power seems positively childish.”

E.A. Wallis Budge, Egyptian Magic, London, 1901. P. 170-2.

The Legend of Ra and Isis

This version of the Legend of Ra and Isis is from the classic by E.A. Wallis Budge, Egyptian Book of the Dead, the Papyrus of Ani, 1895. pg. xc-xci.

I have edited the version with paragraph breaks to ease readability, and inserted sparing editorial notes. Care has been taken to preserve Budge’s precise translation, using capital G’s for the word “God” and lowercase g’s for the words “gods” and “goddesses.”

Source text can be found at the following URL:

http://www.sacred-texts.com/

“Now Isis was a woman who possessed words of power; her heart was wearied with the millions of men, and she chose the millions of the gods, but she esteemed more highly the millions of the khu’s. And she meditated in her heart, saying “Cannot I by means of the sacred name of God make myself mistress of the earth and become a goddess like unto “Ra in heaven and upon earth?”

The Legend continues,

“Now, behold, each day Ra entered at the head of his holy mariners and established himself upon the throne of the two horizons. The holy one had grown old, he dribbled at the mouth, his spittle fell upon the dirt, and his slobbering dropped upon the ground.”

“And Isis kneaded it with earth in her hand, and formed thereof a sacred serpent in the form of a spear; she set it not upright before her face, but let it lie upon the ground in the path whereby the great god went forth, according to his heart’s desire, into his double kingdom.

(So Isis set him up to be ambushed by her serpent, which included the spittle of Ra.)

“Now the holy god arose, and the gods who followed him as though he were Pharaoh went with him; and he came forth according to his daily wont; and the sacred serpent bit him.”

After Ra was bit:

“The flame of life departed from him, and he who dwelt among the cedars (Budge inserts a ? here) was overcome.

Budge continues:

“The holy god opened his mouth, and the cry of his majesty reached unto heaven. His company of gods said, “What hath happened?” and his gods exclaimed, “What is it?”

But Ra could not answer, for his jaws trembled and all his members quaked; the poison spread quickly through his flesh just as the Nile invadeth all his land.”

“When the great god had stablished his heart, he cried unto those who were in his train, saying, “Come unto me, O ye who have come into being from my body, ye gods who have come forth from me, make ye known unto Khepera that a dire calamity had fallen upon me.”

Ra continues,

“My heart perceiveth it, but my eyes see it not; my hand hath not caused it, nor do I know who had done this unto me. Never have I felt such pain, neither can sickness cause more woe than this.”

“I am a prince, the son of a prince, a sacred essence which hath proceeded from God. (Note: Budge has a capital G God, not god).

“I am a great one, the son of a great one, and my father planned my name; I have multitudes of names and multitudes of forms, and my existence is in every god.”

“I have been proclaimed by the heralds Tmu (Atum) and Horus, and my father and my mother uttered my name; but it hath been hidden within me by him that begat me, who would not that the words of power of any seer should have dominion over me.”

“I came forth to look upon that which I had made, I was passing through the world that I created, when lo! something stung me, but what I know not.”

“Is it fire? Is it water? My heart is on fire, my flesh quaketh, and trembling hath seized all my limbs.”

“Let there be brought unto me the children of the gods with healing words and with lips that know, and with power which reacheth unto heaven.”

“The children of every god came unto him in tears, Isis came with her healing words and with her mouth full of the breath of life, with her enchantments which destroy sickness, and with her words of power which make the dead to live.”

“And she spake, saying, “What hath come to pass, O holy father? What hath happened? A serpent hath bitten thee, and a thing which though hast created hath lifted up his head against thee.”

“Verily it shall be cast forth by my healing words of power, and I will drive it away from before the sight of thy sunbeams.”

Ra replied,

“The holy god opened his mouth and said, “I was passing along my path, and I was going through the two regions of my lands according to my heart’s desire, to see that which I had created, when lo! I was bitten by a serpent which I saw not. Is it fire? Is it water? I am colder than water, I am hotter than fire. All my flesh sweateth, I quake, my eye hath no strength, I cannot see the sky, and the sweat rusheth to my face even as in the time of summer.”

“Then said Isis unto Ra, “O tell me thy name, holy father, for whosoever shall be delivered by thy name shall live.”

[And Ra said], “I have made the heavens and the earth, I have ordered the mountains, I have created all that is above them, I have made the water, I have made to come into being the great and wide sea, I have made the “Bull of his mother,” from who spring the delights of love.”

Ra continues:

“I have made the heavens, I have stretched out the two horizons like a curtain, and I have placed the soul of the gods within them.”

“I am he who, if he openeth his eyes, doth make the light, and, if he closeth them, darkness cometh into being. At his command the Nile riseth, and the gods know not his name.”

“I have made the hours, I have created the days, I bring forward the festivals of the year, I create the Nile-flood. I make the fire of life, and I provide food in the houses. I am Khepera in the morning. I am Ra at noon, and I am Tmu (Atum) at evening.”

“Meanwhile the poison was not taken away from his body, but it pierced deeper, and the great god could no longer walk.

“Then said Isis unto Ra, “What thou has said is not thy name. O tell it unto me, and the poison shall depart; for he shall live whose name shall be revealed.”

Now the poison burned like fire, and it was fiercer than the flame and the furnace, and the majesty of god said, “I consent that Isis shall search into me, and that my name shall pass from me into her.”

“Then the god hid himself from the gods, and his place in the boat of millions of years was empty.

“And when the time arrived for the heart of Ra to come forth, Isis spake unto her son Horus, saying, “The god hath bound himself by an oath to deliver up his two eyes” (i.e., the sun and the moon).

“Thus was the name of the great god taken from him, and Isis, the lady of enchantments, said, “Depart, poison, go forth from Ra. O eye of Horus, go forth from the god, and shine outside his mouth. It is I who work, it is I who make to fall down upon the earth the vanquished poison; for the name of the great god hath been taken away from him.”

“May Ra live!”

“These are the words of Isis, the great goddess, the queen of the gods, who knew Ra by his own name.”

Budge concludes: “Thus we see that even to the great god Ra were attributed all the weakness and frailty of mortal man; and that “gods” and “goddesses” were classed with beasts and reptiles, which could die and perish.”

“As a result, it seems that the word “God” should be reserved to express the name of the Creator of the Universe, and that neteru, usually rendered “gods,” should be translated by some other word, but what that word should be is almost impossible to say.”

Legend of Ra and Isis from E.A. Wallis Budge, Egyptian Book of the Dead, the Papyrus of Ani, 1895. pg. xc-xci.

http://www.sacred-texts.com/

%d bloggers like this: