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Category: Aeon

The Name of God is Woven Throughout the Torah

“This also explains the particular character of the Torah, which is designed to show the way to the worship of God under the specific conditions of this aeon. The present aeon is ruled by the evil inclination that stems from the power of Stern Judgment and that seduces man to idolatry, which had no place during the preceding period.

At present, the Torah aims to conquer the power of evil, and that is why it contains commandments and prohibitions, things permitted, things forbidden, the pure and the impure. Only a few souls, originating in the preceding aeon, return in order to preserve the world through the power of grace and to temper the destructive sternness of judgment.

Among them are Enoch, Abraham, and Moses. At present, even the perfectly righteous must enter into the bodies of animals; this is the secret reason for the special prescriptions relating to ritual slaughter.

The doctrine of the passage of the souls into the bodies of animals appears here for the first time in kabbalistic literature; it may reflect a direct contact with Cathar ideas (as suggested on p. 238) and serve to support the argument for the Provençal origin of the Temunah.

But among the Cathars as also in India this doctrine led to vegetarianism whereas here, on the contrary, it led to a more meticulous observance of the prescriptions concerning the consumption of meat; the slaughtering of an animal and the eating of its flesh are related to the elevation of the soul confined there from an animal to a human existence.

A distinct concept of hell, which would compete with the notion of the transmigration of souls, seems to be outside the purview of our author. For the rest, the book deals with this doctrine only with great reserve, in spite of its almost unlimited validity; the old commentary, printed together with the editions of the text, was to be much less discreet.

The author even knew that in the present aeon the letters of the Torah had refused to assemble themselves into the particular combinations that would compose the form in which it was to be given to Israel at Sinai.

They saw the law of Stern Judgment and how this shemittah is entangled and ensnared in evil, and they did not wish to descend into the filth upon which the palace of this aeon was erected. But “God arranged with them that the great and glorious name would be combined with them and would be contained in the Torah.”243

Apparently this signifies more than the direct mention of the name of God in the Torah. Rather, the name of God is contained everywhere in the Torah, in a mystical mode; as ibn Gikatilla put it: “It is woven into” the Torah.

All the laws and mysteries of this aeon are inscribed in secret language in this Torah, which embraces all ten sefiroth, and all this is indicated by the particular form of the letters. “No angel can understand them, but only God Himself, who explained them to Moses and communicated to him their entire mystery” (fol. 30a).

On the basis of these instructions, Moses wrote the Torah in his own language, organizing it, however, in a mystical spirit that conformed to these secret causalities. The present aeon must obey this law of Stern Judgment and the Torah that corresponds to it, and only at its end will all things return to their original state.

The author proceeds from the assumption that there also exists within the shemittah an internal cyclical system. The human race, born from the one Adam, developed into millions of individuals. After the redemption, which will take place in the sixth millenium, humanity will perish in the same rhythm in which it began. “In the manner in which everything came, everything passes away.” “The doors to the street are shut” (Eccles. 12:4), and everything returns home to its origin, even the angels of the Merkabah corresponding to this aeon, the heavenly spheres, and the stars.”

Gershom Scholem, Origins of the Kabbalah, 1962, pp. 468-9.

Fallen Spirits

“The same symbolism occurs in the Bahir, but without any antinomian overtones. The souls finally return home to the “house of the father,” whence the king’s son had taken them in order to bring them to his bride. This is reminiscent of the interpretation suggested by many earlier researchers for the gnostic “Hymn of the Soul,” an interpretation that evinces a tendency similar to that with which kabbalists—whether they were historically correct or not— read the symbolism of their sources. In fact, the “house of the father” appears there in a similar context.

The further exposition of this theme in sections 126-127 is rather curious. Once again reinterpreting a talmudic dictum, this text explains that the Messiah can come only when all the souls “in the body of the man” are exhausted and have ended their migration.

“Only then may the ‘new [souls]’ come out, and only then is the son of David allowed to be born. How is that? Because his soul comes forth new among the others.”

The soul of the Messiah is therefore not subject to migration. Here the kabbalistic doctrine evinces a characteristic note of its own. We are not dealing with a reminiscence from earlier doctrines of reincarnation such as are known to us in certain Judéo-Christian doctrines concerning the true prophet, as in the Pseudo-Clementines, which also exercised considerable influence upon corresponding idea among Shiite sects in Islam. There the soul of Adam, the true prophet, traverses the aeon, this world, in many shapes until it finally finds repose in the appearance of the Messiah.

Later on, the kabbalists themselves developed this idea independently, in their assumed chain of reincarnations— Adam-David-Messiah; this doctrine, however, is not known before the end of the thirteenth century. Could this thesis of the Bahir have come into being in the Orient, perhaps even in conscious opposition to certain current ideas? Did it develop completely independent of them? It is difficult to answer these questions.

The German Hasidim know nothing at all of the transmigration of souls and the ideas associated with it, as is shown by the detailed work of Eleazar of Worms on the soul, Hokhmath ha-Nefesh. According to the pessimistic view of the Cathars, all the souls in this world are nothing but fallen spirits. Here, too, there is a distinct contrast to the doctrine of the Bahir, which considers the descent of “new” souls, at any rate, as possible and determined by the good deeds of Israel.”

Gershom Scholem, Origins of the Kabbalah, pp. 190-1.

Procuring Dreams and Visions

Since dreams and visions in which the future might be revealed to the sleeper were greatly desired, the Egyptian magician set himself to procure such for his clients by various devices, such as drawing magical pictures and reciting magical words.

The following are examples of spells for procuring a vision and dreams, taken from British Museum Papyrus, No. 122, lines 64 ff. and 359 ff, (see Catalogue of Greek Papyri, vol. i. p. 118).

“To obtain a vision from [the god] Bes. Make a drawing of Besa, as shewn below, on your left hand, and envelope your hand in a strip of black cloth that has been consecrated to Isis (?) and lie down to sleep without speaking a word, even in answer to a question.”

“Wind the remainder of the cloth round your neck. The ink with which you write must be composed of the blood of a cow, the blood of a white dove, fresh (?) frankincense, myrrh, black writing-ink, cinnabar, mulberry juice, rain-water, and the juice of wormwood and vetch.”

“With this write your petition before the setting sun, [saying], “Send the truthful seer out of the holy shrine, I beseech thee, Lampsuer, Sumarta, Baribas, Dardalam, Iorlex: O Lord send the sacred deity Anuth, Anuth, Salbana, Chambré, Breïth, now, now, quickly, quickly. Come in this very night.'” (A sketch of the god Besa is given at the end of the papyrus. See the description of the “Metternichstele” above, p. 147 ff).

“To procure dreams: Take a clean linen bag and write upon it the names given below. Fold it up and make it into a lamp-wick, and set it alight, pouring pure oil over it.”

“The word to be written is this: ‘Armiuth, Lailamchoüch, Arsenophrephren, Phtha, Archentechtha.’”

“Then in the evening, when you are going to bed, which you must do without touching food [or, pure from all defilement], do thus.”

“Approach the lamp and repeat seven times the formula given below: then extinguish it and lie down to sleep. The formula is this: ‘Sachmu . . . epaëma Ligotereënch: the Aeon, the Thunderer, Thou that hast swallowed the snake and dost exhaust the moon, and dost raise up the orb of the sun in his season, Chthetho is thy name; I require, O lords of the gods, Seth, Chreps, give me the information that I desire.’”

E.A. Wallis Budge, Egyptian Magic, London, 1901. Pp. 215-7.

Abrasax, the Invincible Name of Power

“The last class of documents undoubtedly contains a very large proportion of the magical ideas, beliefs, formulæ, etc., which were current in Egypt from the time of the Ptolemies to the end of the Roman Period, but from about B.C. 150 to A.D. 200 the papyri exhibit traces of the influence of Greek, Hebrew, and Syrian philosophers and magicians, and from a passage like the following (see Goodwin, Fragment of a Græco-Egyptian Work upon Magic, p. 7) we may get a proof of this:—

“I call thee, the headless one, that didst create earth and heaven, that didst create night and day, thee the creator of light and darkness. Thou art Osoronnophris, whom no man hath seen at any time; thou art Iabas, thou art Iapôs, thou hast distinguished the just and the unjust, thou didst make female and male, thou didst produce seeds and fruits, thou didst make men to love one another and to hate one another.”

“I am Moses thy prophet, to whom thou didst commit thy mysteries, the ceremonies of Israel; thou didst produce the moist and the dry and all manner of food.”

“Listen to me: I am an angel of Phapro Osoronnophris; this is thy true name, handed down to the prophets of Israel. Listen to me. (Here follow a number of names of which Reibet, Athelebersthe, Blatha, Abeu, Ebenphi, are examples) . . .”

In this passage the name Osoronnophris is clearly a corruption of the old Egyptian names of the great god of the dead “Ausar Unnefer,” and Phapro seems to represent the Egyptian Per-âa (literally, “great house”) or “Pharaoh,” with the article pa “the” prefixed.

It is interesting to note that Moses is mentioned, a fact which seems to indicate Jewish influence.

In another magical formula we read, (Goodwin, op. cit., p. 21) “I call upon thee that didst create the earth and bones, and all flesh and all spirit, that didst establish the sea and that shakest the heavens, that didst divide the light from the darkness, the great regulative mind, that disposest everything, eye of the world, spirit of spirits, god of gods, the lord of spirits, the immoveable Aeon, IAOOUÊI, hear my voice.”

“I call upon thee, the ruler of the gods, high-thundering Zeus, Zeus, king, Adonai, lord, Iaoouêe. I am he that invokes thee in the Syrian tongue, the great god, Zaalaêr, Iphphou, do thou not disregard the Hebrew appellation Ablanathanalb, Abrasilôa.”

“For I am Silthakhôoukh, Lailam, Blasalôth, Iaô, Ieô, Nebouth, Sabiothar, Bôth, Arbathiaô, Iaoth, Sabaôth, Patoure, Zagourê, Baroukh Adonai, Elôai, Iabraam, Barbarauô, Nau, Siph,” etc.

The spell ends with the statement that it “loosens chains, blinds, brings dreams, creates favour; it may be used in common for whatever purpose you will.”

In the above we notice at once the use of the seven vowels which form “a name wherein be contained all Names, and all Lights, and all Powers” (see Kenyon, Greek Papyri in the British Museum, London, 1893, p. 63). The seven vowels have, of course, reference to the three vowels “Iaô” (for Iaoouêi we should probably read Iaô ouêi) which were intended to represent one of the Hebrew names for Almighty God, “Jâh.”

The names “Adonai, Elôai,” are also derived through the Hebrew from the Bible, and Sabaôth is another well-known Hebrew word meaning “hosts”; some of the remaining names could be explained, if space permitted, by Hebrew and Syriac words.

On papyri and amulets the vowels are written in magical combinations in such a manner as to form triangles and other shapes; with them are often found the names of the seven archangels of God; the following are examples:–

 (British Museum, Gnostic gem, No. G. 33). (Kenyon, Greek Papyri, p. 123). (Ibid., p. 123. These names read Michael, Raphael, Gabriel, Souriel, Zaziel, Badakiel, and Suliel).


(British Museum, Gnostic gem, No. G. 33).
(Kenyon, Greek Papyri, p. 123).
(Ibid., p. 123. These names read Michael, Raphael, Gabriel, Souriel, Zaziel, Badakiel, and Suliel)

In combination with a number of signs which owe their origin to the Gnostics the seven vowels were sometimes engraved upon plaques, or written upon papyri, with the view of giving the possessor power over gods or demons or his fellow creatures.

The example printed below is found on a papyrus in the British Museum and accompanies a spell written for the purpose of overcoming the malice of enemies, and for giving security against alarms and nocturnal visions. (Kenyon, op. cit., P. 121).

Amulet inscribed with signs and letters of magical power for overcoming the malice of enemies. (From Brit. Mus., Greek Papyrus, Nu. CXXIV.--4th or 5th century.) (Kenyon, Greek Papyri, p. 123).

Amulet inscribed with signs and letters of magical power for overcoming the malice of enemies. (From Brit. Mus., Greek Papyrus, Nu. CXXIV.–4th or 5th century.) (Kenyon, Greek Papyri, p. 123).

But of all the names found upon Gnostic gems two, i.e., Khnoubis (or Khnoumis), and Abrasax (or Abraxas), are of the most frequent occurrence. The first is usually represented as a huge serpent having the head of a lion surrounded by seven or twelve rays.

Over the seven rays, one on the point of each, are the seven vowels of the Greek alphabet, which some suppose to refer to the seven heavens; and on the back of the amulet, on which the figure of Khnoumis occurs, is usually found the sign of the triple S and bar.

Khnoumis is, of course, a form of the ancient Egyptian god Khnemu, or “Fashioner” of man and beast, the god to whom many of the attributes of the Creator of the universe were ascribed.

Khnemu is, however, often depicted with the head of a ram, and in the later times, as the “beautiful ram of Râ,” he has four heads; in the Egyptian monuments he has at times the head of a hawk, but never that of a lion.

The god Abrasax is represented in a form which has a human body, the bead of a hawk or cock, and legs terminating in serpents; in one hand he holds a knife or dagger, and in the other a shield upon which is inscribed the great name ΙΑΩ {Greek IAW}, or JÂH.

Considerable difference of opinion exists as to the meaning and derivation of the name Abrasax, but there is no doubt that the god who bore it was a form of the Sun-god, and that he was intended to represent some aspect of the Creator of the world.

The name was believed to possess magical powers of the highest class, and Basileides, (he of Alexandria, who lived about A.D. 120. He was a disciple of Menander, and declared that he had received the esoteric doctrine of Saint Peter from Glaucias, a disciple of the Apostle) who gave it currency in the second century, seems to have regarded it as an invincible name.

It is probable, however, that its exact meaning was lost at an early date, and that it soon degenerated into a mere magical symbol, for it is often found inscribed on amulets side by side with scenes and figures with which, seemingly, it cannot have any connexion whatever.

Judging from certain Gnostic gems in the British Museum, Abrasax is to be identified with the polytheistic figure that stands in the upper part of the Metternich stele depicted on p. 153 and below.

Metternich Stele.

Metternich Stele.

This figure has two bodies, one being that of a man, and the other that of a bird; from these extend four wings, and from each of his knees projects a serpent.

He has two pairs of hands and arms; one pair is extended along the wings, each hand holding the symbols of “life,” “stability,” and “power,” and two knives and two serpents; the other pair is pendent, the right hand grasping the sign of life, and the other a sceptre.

His face is grotesque, and probably represents that of Bes, or the sun as an old man; on his head is a pylon-shaped object with figures of various animals, and above it a pair of horns which support eight knives and the figure of a god with raised hands and arms, which typifies “millions of years.”

The god stands upon an oval wherein are depicted figures of various “typhonic” animals, and from each side of his crown proceed several symbols of fire.

Whether in the Gnostic system Abraxas absorbed all the names and attributes of this god of many forms cannot be said with certainty.”

E.A. Wallis Budge, Egyptian Magic, London, 1901. P. 177-80.

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