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Tag: The Zohar

On the Femininity of the Shekhinah

“The Book Bahir, the first work of the kabbalah, is the earliest source we have that might imagine the shekhinah as a feminine power … She is described as wife, bride, and daughter of the masculine power … The Zohar, and other kabbalistic works from the end of the thirteenth century and the beginning of the fourteenth, made the myth of the feminine shekhinah a central element in their descriptions of the divine world, made her the purpose of rituals and religious experiences, and established this as one of the most prominent components of the kabbalistic worldview.”

“Gershom Scholem regarded the concept of the feminine shekhinah in the Book Bahir as the appearance of a gnostic concept within the early kabbalah. It could be regarded as an ancient Jewish gnostic concept that surfaced in the kabbalah in the Middle Ages after being transmitted in secret for many centuries, or the result of the influence of Christian Gnosticism, which emphasized the role of feminine powers in the divine world.

“… The femininity of the shekhinah is the result of the influence of the intense Christian worship of the Madonna, the Mother of Christ, that peaked in the twelfth century.”

–Joseph Dan, Kabbalah: A Very Short Introduction, 2006, pp. 48.

The Zohar and Reflection.

“The author of the Zohar put on, when writing this work, several layers of disguise, hiding his own personality, time, and language. He created an artificial language, an Aramaic that is not found in the same way anywhere else, innovating a vocabulary and grammatical forms. He attributed the work to ancient sages, and created a narrative that occurs in a distant place at another time …

“The radical mythological descriptions of the divine powers, the unhesitating use of detailed erotic language, and the visionary character of many sections–these are unequaled in Jewish literature, and place the Zohar among the most daring and radical works of religious literature and mysticism in any language.”

“…. the Zoharic worldview is based on the concept of reflection: everything is the reflection of everything else. The verses of scriptures reflect the emanation and structure of the divine world; as does the human body, in the anthropomorphic concept of the sefirot, and the human soul, which originates from the divine realm and in its various parts reflects the functions and dynamism of the sefirot.

“…The structure of the temple in Jerusalem and the ancient rituals practiced in it are a reflection of all other processes, in the universe, in man, and within the heavenly realms….Everything is a metaphor for everything else….All of this is presented as a secret message, a heavenly revelation to ancient sages, using conventional, authoritative methodologies.”

—-Joseph Dan, Kabbalah: A Very Short Introduction, 2006, pp. 32-4

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