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Tag: The Syrian Goddess

What was the Third Image?

” … In this shrine are placed the statues, one of which is Hera, the other Zeus, though they call him by another name. Both of these are golden, both are sitting; Hera is supported by lions, Zeus is sitting on bulls. The effigy of Zeus recalls Zeus in all its details—his head, his robes, his throne; nor even if you wished it could you take him for another deity. 43

Hera, however, as you look at her will recall to you a variety of forms. Speaking generally she is undoubtedly Hera, but she has something of the attributes of Athene, and of Aphrodite, and of Selene, and of Rhea, and of Artemis, and of Nemesis, and of The Fates.

In one of her hands she holds a sceptre, in the other a distaff; on her head she bears rays and a tower and she has a girdle wherewith they adorn none but Aphrodite of the sky. 44 And without she is gilt with gold, and gems of great price adorn her, some white, some sea-green, others wine-dark, others flashing like fire. Besides these there are many onyxes from Sardinia and the jacinth and emeralds, the offerings of the Egyptians and of the Indians, Ethiopians, Medes, Armenians, and Babylonians.

But the greatest wonder of all I will proceed to tell: she bears a gem on her head called a Lychnis; it takes its name from its attribute. From this stone flashes a great light in the night-time, so that the whole temple gleams brightly as by the light of myriads of candles, but in the day-time the brightness grows faint; the gem has the likeness of a bright fire. There is also another marvel in this image: if you stand over against it, it looks you in the face, and as you pass it the gaze still follows you, and if another approaching from a different quarter looks at it, he is similarly affected.

Between the two there stands another image of gold, no part of it resembling the others. This possesses no special form of its own, but recalls the characteristics of other gods. The Assyrians themselves speak of it as a symbol, but they have assigned to it no definite name. They have nothing to tell us about its origin, nor its form: some refer it to Dionysus; others to Deukalion; others to Semiramis; for its summit is crowned by a golden pigeon, 45 and this is why they allege that it is the effigy of Semiramis. It is taken down to the sea twice in every year to bring up the water of which I have spoken. 46

In the body of the temple, as you enter, there stands on the left hand side, a throne for the Sun god; but there is no image upon it, for the effigies of the Sun and Moon are not exhibited. I have learnt, however, the reasons of this practice. They say that religion does not forbid making effigies of the other deities, for the outward form of these deities is known to all; but the Sun and Moon are plain for all to see, and all men behold them. What boots it, therefore, to make effigies of those deities who offer themselves for all to gaze on?”

Herbert A. Strong and John Garstang, trans., The Syrian Goddess, by Lucian, 1913, pp. 70-4.

Sacred Castration

” … And even to the present day this brazen statue is seen standing in the temple, the work of Hermocles of Rhodes. Its form is that of a woman, but the garments are those of a man. 36 It is said, too, that his most intimate friends, as a proof of their sympathy, castrated themselves like him, and chose the same manner of life. Others there are who bring gods into the story and affirm that Combabus was beloved by Hera; and that it was she who inspired many with the idea of castrating themselves, so that her lover should not be the only one to lament the loss of his virility.

Meantime the custom once adopted remains even to-day, and many persons every year castrate themselves and lose their virile powers: whether it be out of sympathy with Combabus, or to find favour with Hera. They certainly castrate themselves, and then cease to wear man’s garb; they don women’s raiment and perform women’s tasks. 37

I have heard the origin of this ascribed to Combabus as well, for the following event occurred to him. A certain foreign woman who had joined a sacred assembly, beholding a human form of extreme beauty and dressed in man’s attire, became violently enamoured of him: after discovering that he was unsexed, she took away her life.

Combabus accordingly in despair at his incapacity for love, donned woman’s attire, that no woman in future might be deceived in the same way. This is the reason of the female attire of the Galli.”

Herbert A. Strong and John Garstang, trans., The Syrian Goddess, by Lucian, 1913, pp. 65-6.

Phallic Features of the Dionysus Cult

” … There is, however, another sacred story which I had from the lips of a wise man—that the goddess was Rhea, and the shrine the work of Attes. Now this Attes was by nation a Lydian, and he first taught the sacred mysteries of Rhea. 30 The ritual of the Phrygians and the Lydians and the Samothracians was entirely learnt from Attes.

For when Rhea deprived him of his powers, he put off his manly garb and assumed the appearance of a woman and her dress, 31 and roaming over the whole earth he performed his mysterious rites, narrating his sufferings and chanting the praises of Rhea.

In the course of his wanderings he passed also into Syria. Now, when the men from beyond Euphrates would neither receive him nor his mysteries, 32 he reared a temple to himself on this very spot. The tokens of this fact are as follows: She is drawn by lions, she holds a drum in her hand and carries a tower on her head, just as the Lydians make Rhea to do. 33 He also affirmed that the Galli who are in the temple in no case castrate themselves in honour of Juno, but of Rhea, and this in imitation of Attes. All this seems to me more specious than true, for I have heard a different and more credible reason given for their castration.

I approve of the remarks about the temple made by those who in the main accept the theories of the Greeks: according to these the goddess is Hera, but the work was carried out by Dionysus, 34 the son of Semele: Dionysus visited Syria on his journey to Aethiopia.

There are in the temple many tokens that Dionysus was its actual founder: for instance, barbaric raiment, Indian precious stones, and elephants’ tusks brought by Dionysus from the Aethiopians. Further, a pair of phalli of great size are seen standing in the vestibule, bearing the inscription, “I, Dionysus, dedicated these phalli to Hera my stepmother.” This proof satisfies me.

And I will describe another curiosity to be found in this temple, a sacred symbol of Dionysus. The Greeks erect phalli in honour of Dionysus, and on these they carry, singular to say, mannikins made of wood, with enormous pudenda; they call these puppets. There is this further curiosity in the temple: as you enter, on the right hand, a small brazen statue meets your eye of a man in a sitting posture, with parts of monstrous size.

These are the legends concerning the founders of the temple.”

Herbert A. Strong and John Garstang, trans., The Syrian Goddess, by Lucian, 1913, pp. 55-8.

Deukalion and the Deluge

” … The people, then, allege that it was Deukalion or Sisythus who founded the temple; I mean the Deukalion in whose time the great flood occurred.

I have heard the story about Deukalion as the Greeks narrate it from the Greeks themselves. The story runs as follows: The present race of men was not the first to be created. The first generation perished to a man; the present is a second creation.

This generation became a vast multitude, owing to Deukalion. Of the men of the original creation they tell this tale: they were rebellious, and wilful, and performed unholy deeds, disregarding the sanctity of oaths and hospitality, and behaving cruelly to suppliants; and it was for these misdeeds that the great destruction fell upon them.

Straightway the earth discharged a vast volume of water, and the rivers of heaven came down in streams and the sea mounted high. Thus everything became water, and all men perished; Deukalion alone was saved for another generation, on the score of his wisdom and piety.

The manner of his salvation was as follows: He placed his children and his wives in an ark of vast size, and he himself also entered in. Now, when he had embarked, there came to him wild boars and horses, and generations of lions and serpents, and all the other beasts which roam the earth, all in couples. He welcomed them all. Nor did they harm him; and friendship remained amongst them as Zeus himself ordained. These, one and all, floated in this ark as long as the flood remained. This is the legend of Deukalion as told by the Greeks.” 22

Herbert A. Strong and John Garstang, trans., The Syrian Goddess, by Lucian, 1913, pp. 50-1.

A Human Head Carried on a River of Blood

” … The first men on earth to receive knowledge of the gods, and to build temples and shrines and to summon meetings for religious observances are said to have been the Egyptians. 5 They were the first, too, to take cognizance of holy names, and to repeat sacred traditions. Not long after them the Assyrians heard from the Egyptians their doctrines as to the gods, and they reared temples and shrines: in these they placed statues and images.

Originally the temples of the Egyptians possessed no images. And there exist in Syria temples of a date not much later than those of Egypt, many of which I have seen myself, for instance, the temple of Hercules in Tyre. 6 This is not the Hercules of Greek legend; but a Tyrian hero of much greater antiquity than he.

There is likewise in Phœnicia a temple of great size owned by the Sidonians. They call it the temple of Astarte. 7 I hold this Astarte to be no other than the moon-goddess. But according to the story of one of the priests this temple is sacred to Europa, the sister of Cadmus. She was the daughter of Agenor, and on her disappearance from Earth the Phœnicians honoured her with a temple and told a sacred legend about her; how that Zeus was enamoured of her for her beauty, and changing his form into that of a bull carried her off into Crete. 8 This legend I heard from other Phœnicians as well; and the coinage current among the Sidonians bears upon it the effigy of Europa sitting upon a bull, none other than Zeus. 9 Thus they do not agree that the temple in question is sacred to Europa.

The Phœnicians have also another sacred custom, derived from Egypt, not from Assyria: it came, they say, from Heliopolis into Phœnicia. I never witnessed this myself, but it is important, and of great antiquity.

I saw too at Byblos a large temple, 10 sacred to the Byblian Aphrodite 11: this is the scene of the secret rites of Adonis: I mastered these. They assert that the legend about Adonis and the wild boar is true, 12 and that the facts occurred in their country, and in memory of this calamity they beat their breasts and wail every year, and perform their secret ritual amid signs of mourning through the whole countryside.

When they have finished their mourning and wailing, they sacrifice in the first place to Adonis, as to one who has departed this life: after this they allege that he is alive again, and exhibit his effigy to the sky. They proceed to shave their heads, 13 too, like the Egyptians on the loss of their Apis. The women who refuse to be shaved have to submit to the following penalty, viz., to stand for the space of an entire day in readiness to expose their persons for hire. The place of hire is open to none but foreigners, and out of the proceeds of the traffic of these women a sacrifice to Aphrodite is paid. 14

Some of the inhabitants of Byblos maintain that the Egyptian Osiris is buried in their town, and that the public mourning and secret rites are performed in memory not of Adonis, but of Osiris. 15 I will tell you why this story seems worthy of credence. A human head comes every year from Egypt to Byblos, 16 floating on its seven days’ journey thence: the winds, by some divine instinct, waft it on its way: it never varies from its course but goes straight to Byblos. The whole occurrence is miraculous. It occurs every year, and it came to pass while I was myself in Byblos, and I saw the head in that city.

There is, too, another marvellous portent in the region of the Byblians. A river, flowing from Mount Libanus, discharges itself into the sea: this river bears the name of Adonis. 17 Every year regularly it is tinged with blood, and loses its proper colour before it falls into the sea: it dyes the sea, to a large space, red: 18 and thus announces their time of mourning to the Byblians.

Their story is that during these days Adonis is wounded, and that the river’s nature is changed by the blood which flows into its waters; and that it takes its name from this blood. Such is the legend vulgarly accepted: but a man of Byblos, who seemed to me to be telling the truth, told me another reason for this marvellous change.

He spoke as follows: “This river, my friend and guest, passes through the Libanus: now this Libanus abounds in red earth. The violent winds which blow regularly on those days bring down into the river a quantity of earth resembling vermilion. It is this earth that turns the river to red. And thus the change in the river’s colour is due, not to blood as they affirm, but to the nature of the soil.” 19

This was the story of the Byblian. But even assuming that he spoke the truth, yet there certainly seems to me something supernatural in the regular coincidence of the wind and the colouring of the river.”

Herbert A. Strong and John Garstang, trans., The Syrian Goddess, by Lucian, 1913, pp. 42-8.

The New Mystery

” … Lucian has heard of Christianity, but seems to have regarded it as an ordinary Oriental cult. He refers to it twice; the first passage is in the memoirs of Alexander, in which the false prophet is alleged to have proclaimed: “If any atheist, Christian, or Epicurean has come to spy out the sacred rites, let him flee”; and in the same tract (§ 25) he couples Christians and atheists.

The second passage is in the treatise on the death of Peregrinus the impostor, who, according to Lucian, was a renegade from Christianity and indeed had occupied an important post among that community. The translation is Sir Richard Jebb’s.

“He had thoroughly learnt,” says Lucian, “the wondrous philosophy of the Christians, having consorted in Palestine with their priests and scribes. What would you expect? He speedily showed that they were mere children in his hands: he was their prophet, the chief of their religious fraternity (θιασιάρχης), the convener of their meetings (συναγωγεύς) —in short, everything to them. Some of their books he interpreted and elucidated; many of them he wrote himself. They regarded him as a god, made him their law-giver, and adopted him as their champion (προστάτην ἐπεγράφοντο).”

Concerning their tenets he says, “They still reverence that great one (τὸν μέγαν ἐκεῖνον), the man who was crucified in Palestine because he brought this new mystery into the world. The poor creatures have persuaded themselves that they will be altogether immortal and live for ever; wherefore they despise death and in many cases give themselves to it voluntarily.

Then their first Law-giver (i.e., Christ) persuaded them that they were all brethren, when they should have taken the step of renouncing all the Hellenic gods, and worshipping that crucified one, their sophist, and living after his laws.

So they despise all things alike (i.e., all dangers and sufferings) and hold their goods in common: though they have received such traditions without any certain warrant. If then an artful impostor comes among them, an adroit man of the world, he very soon enriches himself by making these simple folk his dupes.”

Herbert A. Strong and John Garstang, trans., The Syrian Goddess, by Lucian, 1913, pp. 35-7.

Persistence of the Cult of the Great Mother

“But the Great Mother lived on, being the goddess of the land. Her cult, modified, in some cases profoundly, by time and changed political circumstances, was found surviving at the dawn of Greek history in several places in the interior. Prominent among these sites is Pessinus in Phrygia, a sacred city, with which the legend of Kybele and Attis is chiefly associated.

Other districts developed remarkable and even abnormal tendencies in myth and worship. At Comana, in the Taurus, where the Assyrian armies were resisted to the last, and the ancient martial spirit still survives, she became, like Isthar, a goddess of war, identified by the Romans with Bellona: 50 In Syria, again, a different temper and climate emphasized the sensuous tendency of human passions.

In all these cases, however, there survived some uniformity of ceremonial and custom. At each shrine numerous priests, called Galli, numbering at Comana as many as 5,000, took part in the worship. Women dedicated their persons as an honourable custom, which in some cases was not even optional, to the service of the goddess. The great festivals were celebrated at regular seasons with revelry, music, and dancing, as they had been of old, coupled with customs which tended to become, in the course of time, more and more orgiastic.

These are, however, matters of common knowledge and may be studied in the classical writings. Lucian himself adds considerably to our understanding of these institutions; indeed his tract has been long one of the standard sources of information, supplying details which have been applied, perhaps too freely, to the character of the general cult.

Religion in the East is a real part of life, not tending so much as in the West to become stereotyped or conventionalized, but changing with changes of conditions, adapted to the circumstances and needs of the community. 51 So, wherever the goddess was worshipped there would be variety of detail. It is, however, remarkable in this case, that throughout the Hittite period, though wedded and in a sense subordinate to a dominant male deity, and subsequently down to the age at which Lucian wrote, she maintained, none the less, her individuality and comprehensive character.

Thus, while Lucian is concerned in his treatise with the cult of an apparently local goddess of northern Syria, we recognize her as a localised aspect of the Mother-goddess, whose worship in remoter times had already been spread wide, and so explain at once the points of clear resemblance in character and in worship to other nature-goddesses of Syria and Asia Minor.”

Herbert A. Strong and John Garstang, trans., The Syrian Goddess, by Lucian, 1913, pp. 17-20.

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