"Samizdat: Publishing forbidden literature."

Tag: Rhea

Human Sacrifice

“The goddesses of classic mythology had similar reputations. Aphrodite (Venus) had many divine and mortal lovers. She links closely with Astarte and Ashtoreth (Ishtar), and reference has already been made to her relations with Adonis (Tammuz). These love deities were all as cruel as they were wayward. When Ishtar wooed the Babylonian hero, Gilgamesh, he spurned her advances, as has been indicated, saying:

On Tammuz, the spouse of thy youth,

Thou didst lay affliction every year.

Thou didst love the brilliant Allalu bird

But thou didst smite him and break his wing;

He stands in the woods and cries “O my wing.”

He likewise charged her with deceiving the lion and the horse, making reference to obscure myths:

Thou didst also love a shepherd of the flock,

Who continually poured out for thee the libation,

And daily slaughtered kids for thee;

But thou didst smite him and didst change him into a leopard,

So that his own sheep boy hunted him,

And his own hounds tore him to pieces.

These goddesses were ever prone to afflict human beings who might offend them or of whom they wearied. Demeter (Ceres) changed Ascalaphus into an owl and Stellio into a lizard. Rhea (Ops) resembled

The tow’red Cybele,

Mother of a hundred gods,

the wanton who loved Attis (Adonis). Artemis (Diana) slew her lover Orion, changed Actaeon into a stag, which was torn to pieces by his own dogs, and caused numerous deaths by sending a boar to ravage the fields of Oeneus, king of Calydon.

Human sacrifices were frequently offered to the bloodthirsty “mothers.” The most famous victim of Artemis was the daughter of Agamemnon, “divinely tall and most divinely fair.” Agamemnon had slain a sacred stag, and the goddess punished him by sending a calm when the war fleet was about to sail for Troy, with the result that his daughter had to be sacrificed.

Artemis thus sold breezes like the northern wind hags and witches.”

Donald A. Mackenzie, Myths of Babylonia and Assyria, 1915.

What was the Third Image?

” … In this shrine are placed the statues, one of which is Hera, the other Zeus, though they call him by another name. Both of these are golden, both are sitting; Hera is supported by lions, Zeus is sitting on bulls. The effigy of Zeus recalls Zeus in all its details—his head, his robes, his throne; nor even if you wished it could you take him for another deity. 43

Hera, however, as you look at her will recall to you a variety of forms. Speaking generally she is undoubtedly Hera, but she has something of the attributes of Athene, and of Aphrodite, and of Selene, and of Rhea, and of Artemis, and of Nemesis, and of The Fates.

In one of her hands she holds a sceptre, in the other a distaff; on her head she bears rays and a tower and she has a girdle wherewith they adorn none but Aphrodite of the sky. 44 And without she is gilt with gold, and gems of great price adorn her, some white, some sea-green, others wine-dark, others flashing like fire. Besides these there are many onyxes from Sardinia and the jacinth and emeralds, the offerings of the Egyptians and of the Indians, Ethiopians, Medes, Armenians, and Babylonians.

But the greatest wonder of all I will proceed to tell: she bears a gem on her head called a Lychnis; it takes its name from its attribute. From this stone flashes a great light in the night-time, so that the whole temple gleams brightly as by the light of myriads of candles, but in the day-time the brightness grows faint; the gem has the likeness of a bright fire. There is also another marvel in this image: if you stand over against it, it looks you in the face, and as you pass it the gaze still follows you, and if another approaching from a different quarter looks at it, he is similarly affected.

Between the two there stands another image of gold, no part of it resembling the others. This possesses no special form of its own, but recalls the characteristics of other gods. The Assyrians themselves speak of it as a symbol, but they have assigned to it no definite name. They have nothing to tell us about its origin, nor its form: some refer it to Dionysus; others to Deukalion; others to Semiramis; for its summit is crowned by a golden pigeon, 45 and this is why they allege that it is the effigy of Semiramis. It is taken down to the sea twice in every year to bring up the water of which I have spoken. 46

In the body of the temple, as you enter, there stands on the left hand side, a throne for the Sun god; but there is no image upon it, for the effigies of the Sun and Moon are not exhibited. I have learnt, however, the reasons of this practice. They say that religion does not forbid making effigies of the other deities, for the outward form of these deities is known to all; but the Sun and Moon are plain for all to see, and all men behold them. What boots it, therefore, to make effigies of those deities who offer themselves for all to gaze on?”

Herbert A. Strong and John Garstang, trans., The Syrian Goddess, by Lucian, 1913, pp. 70-4.

Phallic Features of the Dionysus Cult

” … There is, however, another sacred story which I had from the lips of a wise man—that the goddess was Rhea, and the shrine the work of Attes. Now this Attes was by nation a Lydian, and he first taught the sacred mysteries of Rhea. 30 The ritual of the Phrygians and the Lydians and the Samothracians was entirely learnt from Attes.

For when Rhea deprived him of his powers, he put off his manly garb and assumed the appearance of a woman and her dress, 31 and roaming over the whole earth he performed his mysterious rites, narrating his sufferings and chanting the praises of Rhea.

In the course of his wanderings he passed also into Syria. Now, when the men from beyond Euphrates would neither receive him nor his mysteries, 32 he reared a temple to himself on this very spot. The tokens of this fact are as follows: She is drawn by lions, she holds a drum in her hand and carries a tower on her head, just as the Lydians make Rhea to do. 33 He also affirmed that the Galli who are in the temple in no case castrate themselves in honour of Juno, but of Rhea, and this in imitation of Attes. All this seems to me more specious than true, for I have heard a different and more credible reason given for their castration.

I approve of the remarks about the temple made by those who in the main accept the theories of the Greeks: according to these the goddess is Hera, but the work was carried out by Dionysus, 34 the son of Semele: Dionysus visited Syria on his journey to Aethiopia.

There are in the temple many tokens that Dionysus was its actual founder: for instance, barbaric raiment, Indian precious stones, and elephants’ tusks brought by Dionysus from the Aethiopians. Further, a pair of phalli of great size are seen standing in the vestibule, bearing the inscription, “I, Dionysus, dedicated these phalli to Hera my stepmother.” This proof satisfies me.

And I will describe another curiosity to be found in this temple, a sacred symbol of Dionysus. The Greeks erect phalli in honour of Dionysus, and on these they carry, singular to say, mannikins made of wood, with enormous pudenda; they call these puppets. There is this further curiosity in the temple: as you enter, on the right hand, a small brazen statue meets your eye of a man in a sitting posture, with parts of monstrous size.

These are the legends concerning the founders of the temple.”

Herbert A. Strong and John Garstang, trans., The Syrian Goddess, by Lucian, 1913, pp. 55-8.

Naassene Fragment Continued

” … (4) S. Now every nature (H. he says) yearns after Soul—one in one way and another in another.

For Soul is cause of all in Genesis. All things that are sustained and grow (H. he says) need Soul. Indeed, no sustenance (H. he says) or growth is possible without the presence of Soul.

Nay, even stones (H. he says) are ensouled; 1 for they have the power of increase [or growth]; and growth could not take place without sustenance; for it is by addition that things which increase grow; and addition is the sustenance of that which is sustained. 2

(5) Now the Assyrians call this [Mystery] Adōnis (or Endymiōn). And whenever it is called Adōnis (H. he says), it is Aphroditē who is in love with and desires Soul so-called.

H. And Aphroditē is Genesis according to them. 3

But when Persephonē (that is, Korē) is in love with Adōnis, Soul becomes subject to Death, separated from Aphrodite (that is, from Genesis).

But if Selēnē is impassioned of Endymiōn, and is in love with [formal] beauty, 1 it is the Nature of the higher [spaces 2] (H. he says) which desires Soul.

(6 3) But if (H. he says) the Mother of the Gods emasculate Attis—she, too, regarding him as the object of her love—it is the Blessed Nature Above of the supercosmic and æonian [spaces] which calls back the masculine power of Soul to herself. 4

H. For Man, he says, is male-female. According, then, to this theory of theirs, the intercourse between man and woman is exhibited as most mischievous, and is forbidden according to their teaching.

J. For Attis (H. he says) is emasculated—that is, [Soul is separated] from the earthy parts of the creation [tending] downwards, and ascends in quest of the Æonian Essence Above—

C. —where (H. he says) is “neither male nor female,” 1 but a new creature, a new man, who is male-female.

H. What they call “Above” I will explain when I come to the proper place. And they say that this theory is supported not simply by [the myth] of Rhea, but also, to put it briefly, by universal creation.

Nay, they make out that this is [even] what was said by the Word (Logos): 2

C. “For the invisible 3 things of Him [God]—namely, His Eternal 4 Power and Godhead—are clearly seen from the creation of the world, being understood by His things that are made; so that they [men] are without excuse. Because that, though knowing God, they glorified Him not as God, nor did they give [Him] thanks, but their non-understanding heart was made foolish. 5

“Professing themselves to be wise, they convicted themselves of folly, and changed the Glory of the Incorruptible God into the likeness of an image of corruptible man, and of birds, and of four-footed beasts, and creeping things. 1 . . . 2

“Wherefore also God gave them up to passions of dishonour; for both their females did change their natural use to that which is against nature—

H. And what the natural use is, according to them, we will say later on.

C. —“and likewise also their males, leaving the natural use of the female, burned in their lust for one another, males with males working unseemliness 3

H. And “unseemliness,” according to them, is the First and Blessed Formless Essence, the Cause of all forms for things enformed. 4

C. —“and receiving in themselves the recompense of their Error which was meet.”

H. For in these words which Paul spake is contained, they say, the whole of their hidden and ineffable Mystery of the Blessed Bliss.

For what is promised by the [rite of the] bath 5 is nothing else, according to them, than the introduction into Unfading Bliss of him who, according to them, is washed with Living Water, and anointed with the Chrism that no tongue can declare.” 6

 G.R.S.Mead, Thrice-Greatest HermesVol. 1, 1906, pp. 151-4.

From Hippolytus, Philosophumena; or, Refutation of all Heresies.

%d bloggers like this: