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Tag: Maruts

Gods, Goddesses, Demons

” … In the early stages of Sumerian culture, the gods and goddesses who formed groups were indistinguishable from demons. They were vaguely defined, and had changing shapes. When attempts were made to depict them they were represented in many varying forms. Some were winged bulls or lions with human heads; others had even more remarkable composite forms. The “dragon of Babylon”, for instance, which was portrayed on walls of temples, had a serpent’s head, a body covered with scales, the fore legs of a lion, hind legs of an eagle, and a long wriggling serpentine tail. Ea had several monster forms. The following description of one of these is repulsive enough:–

The head is the head of a serpent,

From his nostrils mucus trickles,

His mouth is beslavered with water;

The ears are like those of a basilisk,

His horns are twisted into three curls,

He wears a veil in his head band,

The body is a suh-fish full of stars,

The base of his feet are claws,

The sole of his foot has no heel,

His name is Sassu-wunnu,

A sea monster, a form of Ea.

R.C. Thompson’s Translation.

Even after the gods were given beneficent attributes to reflect the growth of culture, and were humanized, they still retained many of their savage characteristics. Bel Enlil and his fierce son, Nergal, were destroyers of mankind; the storm god desolated the land; the sky god deluged it with rain; the sea raged furiously, ever hungering for human victims; the burning sun struck down its victims; and the floods played havoc with the dykes and houses of human beings.

In Egypt the sun god Ra was similarly a “producer of calamity,” the composite monster god Sokar was “the lord of fear”. Osiris in prehistoric times had been “a dangerous god,” and some of the Pharaohs sought protection against him in the charms inscribed in their tombs.

The Indian Shiva, “the Destroyer”, in the old religious poems has also primitive attributes of like character.

The Sumerian gods never lost their connection with the early spirit groups. These continued to be represented by their attendants, who executed a deity’s stern and vengeful decrees. In one of the Babylonian charms the demons are referred to as “the spleen of the gods”–the symbols of their wrathful emotions and vengeful desires.

Bel Enlil, the air and earth god, was served by the demons of disease, “the beloved sons of Bel,” which issued from the Underworld to attack mankind. Nergal, the sulky and ill-tempered lord of death and destruction, who never lost his demoniac character, swept over the land, followed by the spirits of pestilence, sunstroke, weariness, and destruction.

Anu, the sky god, had “spawned” at creation the demons of cold and rain and darkness. Even Ea and his consort, Damkina, were served by groups of devils and giants, which preyed upon mankind in bleak and desolate places when night fell. In the ocean home of Ea were bred the “seven evil spirits” of tempest–the gaping dragon, the leopard which preyed upon children, the great Beast, the terrible serpent, &c.

In Indian mythology Indra was similarly followed by the stormy Maruts, and fierce Rudra by the tempestuous Rudras.

In Teutonic mythology Odin is the “Wild Huntsman in the Raging Host.”

In Greek mythology the ocean furies attend upon fickle Poseidon.

Other examples of this kind could be multiplied.”

Donald A. Mackenzie, Myths of Babylonia and Assyria, 1915.

November is the Month of the Dead

“Professor von Schroeder points out that their father was the god Rudra, later known as Çiva, the god of departed souls, and of fruitfulness, i.e., a Chthonian deity, and suggests that the Maruts represent the “in Wind und Sturm dahinjagende Seelenschar.” 1

He points out that the belief in a troop of departed souls is an integral part of Aryan tradition, and classifies such belief under four main headings.

1. Under the form of a spectral Hunt, the Wild Huntsman well known in European Folk-lore. He equates this with Dionysus Zagreus, and the Hunt of Artemis-Hekate.

2. That of a spectral Army, the souls of warriors slain in fight. The Northern Einherier belong to this class, and the many traditions of spectral combats, and ghostly battles, heard, but not seen.

3. The conception of a host of women in a condition of ecstatic exaltation bordering on madness, who appear girdled with snakes, or hissing like snakes, tear living animals to pieces, and devour the flesh. The classic examples here are the Greek Maenads, and the Indian Senâs, who accompany Rudra.

4. The conception of a train of theriomorphic, phallic, demons of fertility, with their companion group of fair women. Such are the Satyrs and Nymphs of Greek, the Gandharvas and Apsaras of Indian, Mythology.

To these four main groups may be added the belief among Germanic peoples, also among the Letts, in a troop of Child Souls.

These four groups, in more or less modified forms, appear closely connected with the dominant Spirit of Vegetation, by whatever name that spirit may be known.

According to von Schroeder there was, among the Aryan peoples generally, a tendency to regard the dead as assuming the character of daimons of fertility. This view the learned Professor considers to be at the root of the annual celebrations in honour of the Departed, the ‘Feast of Souls,’ which characterized the commencement of the winter season, and is retained in the Catholic conception of November as the month of the Dead. 1

In any case we may safely conclude that the Maruts, represented as armed youths, were worshipped as deities of fruitfulness; that their dances were of a ceremonial character; and that they were, by nature and origin, closely connected with spirits of fertility of a lower order, such as the Gandharvas.

It also appears probable that, if the Dramas of which traces have been preserved in the Rig-Veda, were, as scholars are now of opinion, once actually represented, the mythological conception of the Maruts must have found its embodiment in youths, most probably of the priestly caste, who played their rôle, and actually danced the ceremonial Sword Dance.”

Jessie L. Weston, From Ritual to Romance, 1920, pp. 80-1.

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