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Tag: Mahâbhârata

The Unearthly Lotuses of Life

” … The quest of the plant, flower, or fruit of life is referred to in many folk tales.

In the Mahabharata, Bhima, the Indian Gilgamesh or Hercules, journeys to north-eastern Celestial regions to find the lake of the god Kuvera (Kubera), on which grow the “most beautiful and unearthly lotuses,” which restore health and give strength to the weary.

As Gilgamesh meets with Pir-napishtim, who relates the story of the Deluge which destroyed the “elder race,” Bhima meets with Hanuman, who informs him regarding the Ages of the Universe and the races which were periodically destroyed by deluges.

When Bhima reaches the lotus lake he fights with demons. To heal his wounds and recover strength he plunges into the lake. “As he drank of the waters, like unto nectar, his energy and strength were again fully restored.”

Hercules similarly sets out to search for the golden apples which grow in

” … those Hesperian gardens famed of old,

Fortunate fields, and groves and flowery vales.”

As Bhima slew Yakshas which guarded the lotuses, Hercules slew Ladon, the guardian of the apples. Other heroes kill treasure-protecting dragons of various kinds.

There is a remarkable resemblance between the Babylonian account of Gilgamesh’s journey through the mountain tunnel to the garden and seashore, and the Indian story of the demigod Hanuman passing through the long cavern to the shoreland palace of the female ascetic, when he was engaged searching for Sita, the wife of Rama, who had been carried away by Ravana, the demon king of Ceylon.

In the version of the latter narrative which is given in the Mahabharata, Hanuman says:

“I bring thee good news, O Rama; for Janaka’s daughter hath been seen by me. Having searched the southern region with all its hills, forests, and mines for some time, we became very weary. At length we beheld a great cavern. And having beheld it, we entered that cavern which extended over many yojanas. It was dark and deep, and overgrown with trees and infested by worms.

And having gone a great way through it, we came upon sunshine and beheld a beautiful palace. It was the abode of the Daitya (sea demon) Maya. And there we beheld a female ascetic named Parbhvati engaged in ascetic austerities. And she gave us food and drink of various kinds. And having refreshed ourselves therewith and regained our strength, we proceeded along the way shown by her. At last we came out of the cavern and beheld the briny sea, and on its shores, the Sahya, the Malaya, and the great Dardura mountains.

And ascending the mountains of Malaya, we beheld before us the vast ocean (or, “the abode of Varuna”). And beholding it, we felt sorely grieved in mind…. We despaired of returning with our lives…. We then sat together, resolved to die there of starvation.”

Hanuman and his friends, having had, so far, experiences similar to those of Gilgamesh, next discovered the eagle giant which had burned its wings when endeavouring to soar to the sun. This great bird, which resembles the Etana eagle, expressed the opinion that Sita was in Lanka (Ceylon), whither she must have been carried by Ravana. But no one dared to cross the dangerous ocean.

Hanuman at length, however, obtained the assistance of Vayu, the wind god, his divine father, and leapt over the sea, slaying monsters as he went. He discovered where the fair lady was concealed by the king of demons.”

Donald A. Mackenzie, Myths of Babylonia and Assyria, 1915.

Revolting Unmoral Rites

“There is another phase, however, to the character of the mother goddess which explains the references to the desertion and slaying of Tammuz by Ishtar. “She is,” says Jastrow, “the goddess of the human instinct, or passion which accompanies human love. Gilgamesh … reproaches her with abandoning the objects of her passion after a brief period of union.” At Ishtar’s temple “public maidens accepted temporary partners, assigned to them by Ishtar.”

The worship of all mother goddesses in ancient times was accompanied by revolting unmoral rites which are referred to in condemnatory terms in various passages in the Old Testament, especially in connection with the worship of Ashtoreth, who was identical with Ishtar and the Egyptian Hathor.

Ishtar in the process of time overshadowed all the other female deities of Babylonia, as did Isis in Egypt. Her name, indeed, which is Semitic, became in the plural, Ishtar·te, a designation for goddesses in general. But although she was referred to as the daughter of the sky, Anu, or the daughter of the moon, Sin or Nannar, she still retained traces of her ancient character.

Originally she was a great mother goddess, who was worshipped by those who believed that life and the universe had a female origin in contrast to those who believed in the theory of male origin. Ishtar is identical with Nina, the fish goddess, a creature who gave her name to the Sumerian city of Nina and the Assyrian city of Nineveh.

Other forms of the Creatrix included Mama, or Mami, or Ama, “mother,” Aruru, Bau, Gula, and Zerpanitum. These were all “Preservers” and healers. At the same time they were “Destroyers,” like Nin-sun and the Queen of Hades, Eresh-ki-gal or Allatu.

They were accompanied by shadowy male forms ere they became wives of strongly individualized gods, or by child gods, their sons, who might be regarded as “brothers” or “husbands of their mothers,” to use the paradoxical Egyptian term.

Similarly Great Father deities had vaguely defined wives. The “Semitic” Baal, “the lord,” was accompanied by a female reflection of himself–Beltu, “the lady.” Shamash, the sun god, had for wife the shadowy Aa.

As has been shown, Ishtar is referred to in a Tammuz hymn as the mother of the child god of fertility. In an Egyptian hymn the sky goddess Nut, “the mother” of Osiris, is stated to have “built up life from her own body.” Sri or Lakshmi, the Indian goddess, who became the wife of Vishnu, as the mother goddess Saraswati, a tribal deity, became the wife of Brahma, was, according to a Purana commentator, “the mother of the world … eternal and undecaying.”

The gods, on the other hand, might die annually: the goddesses alone were immortal. Indra was supposed to perish of old age, but his wife, Indrani, remained ever young. There were fourteen Indras in every “day of Brahma”, a reference apparently to the ancient conception of Indra among the Great Mother-worshipping sections of the Aryo-Indians.

In the Mahabharata the god Shiva, as Mahadeva, commands Indra on “one of the peaks of Himavat,” where they met, to lift up a stone and join the Indras who had been before him. “And Indra on removing that stone beheld a cave on the breast of that king of mountains in which were four others resembling himself.”

Indra exclaimed in his grief, “Shall I be even like these?” These five Indras, like the “Seven Sleepers,” awaited the time when they would be called forth. They were ultimately reborn as the five Pandava warriors.”

Donald A. Mackenzie, Myths of Babylonia and Assyria, 1915.

Lilith

“Some of the supernatural beings resemble our elves and fairies and the Indian Rakshasas. Occasionally they appear in comely human guise; at other times they are vaguely monstrous. The best known of this class is Lilith, who, according to Hebrew tradition, preserved in the Talmud, was the demon lover of Adam. She has been immortalized by Dante Gabriel Rossetti:

Of Adam’s first wife Lilith, it is told

(The witch he loved before the gift of Eve)

That, ere the snake’s, her sweet tongue could deceive,

And her enchanted hair was the first gold.

And still she sits, young while the earth is old,

And, subtly of herself contemplative,

Draws men to watch the bright web she can weave,

heart and body and life are in its hold.

The rose and poppy are her flowers; for where

Is he not found, O Lilith, whom shed scent

And soft shed kisses and soft sleep shall snare?

Lo! as that youth’s eyes burned at thine, so went

Thy spell through him, and left his straight neck bent

And round his heart one strangling golden hair.

Lilith is the Babylonian Lilithu, a feminine form of Lilu, the Sumerian Lila. She resembles Surpanakha of the Ramayana, who made love to Rama and Lakshmana, and the sister of the demon Hidimva, who became enamoured of Bhima, one of the heroes of the Mahabharata, and the various fairy lovers of Europe who lured men to eternal imprisonment inside mountains, or vanished for ever when they were completely under their influence, leaving them demented.

The elfin Lilu similarly wooed young women, like the Germanic Laurin of the “Wonderful Rose Garden,” who carried away the fair lady Kunhild to his underground dwelling amidst the Tyrolese mountains, or left them haunting the place of their meetings, searching for him in vain:

A savage place! as holy and enchanted

As ere beneath the waning moon was haunted

By woman wailing for her demon lover…

His flashing eyes, his floating hair!

Weave a circle round him thrice,

And close your eyes with holy dread,

For he on honey dew hath fed

And drunk the milk of Paradise.

Coleridge’s Kubla Khan.

Another materializing spirit of this class was Ardat Lili, who appears to have wedded human beings like the swan maidens, the mermaids, and Nereids of the European folk tales, and the goddess Ganga, who for a time was the wife of King Shantanu of the Mahabharata.

The Labartu, to whom we have referred, was a female who haunted mountains and marshes; like the fairies and hags of Europe, she stole or afflicted children, who accordingly had to wear charms round their necks for protection. Seven of these supernatural beings were reputed to be daughters of Anu, the sky god.

The Alu, a storm deity, was also a spirit which caused nightmare. It endeavoured to smother sleepers like the Scandinavian hag Mara, and similarly deprived them of power to move. In Babylonia this evil spirit might also cause sleeplessness or death by hovering near a bed. In shape it might be as horrible and repulsive as the Egyptian ghosts which caused children to die from fright or by sucking out the breath of life.”

Donald A. Mackenzie, Myths of Babylonia and Assyria, 1915.

Comparative Mythology

” … Of special interest in this connection are the resemblances between some of the Indian and Babylonian myths. The writer has drawn upon that “great storehouse” of ancient legends, the voluminous Indian epic, the Mahabharata, and it is shown that there are undoubted links between the Garuda eagle myths and those of the Sumerian Zu bird and the Etana eagle, while similar stories remain attached to the memories of “Sargon of Akkad” and the Indian hero Karna, and of Semiramis (who was Queen Sammu-ramat of Assyria) and Shakuntala.

The Indian god Varuna and the Sumerian Ea are also found to have much in common, and it seems undoubted that the Manu fish and flood myth is a direct Babylonian inheritance, like the Yuga (Ages of the Universe) doctrine and the system of calculation associated with it. It is of interest to note, too, that a portion of the Gilgamesh epic survives in the Ramayana story of the monkey god Hanuman’s search for the lost princess Sita; other relics of similar character suggest that both the Gilgamesh and Hanuman narratives are derived in part from a very ancient myth.

Gilgamesh also figures in Indian mythology as Yama, the first man, who explored the way to the Paradise called “The Land of Ancestors”, and over which he subsequently presided as a god. Other Babylonian myths link with those found in Egypt, Greece, Scandinavia, Iceland, and the British Isles and Ireland. The Sargon myth, for instance, resembles closely the myth of Scyld (Sceaf), the patriarch, in the Beowulf epic, and both appear to be variations of the Tammuz-Adonis story. Tammuz also resembles in one of his phases the Celtic hero Diarmid, who was slain by the “green boar” of the Earth Mother, as was Adonis by the boar form of Ares, the Greek war god.”

Donald A. Mackenzie, Myths of Babylonia and Assyria, 1915.

Role of Chastity in Fertility Rites

“But the poems selected by Professor von Schroeder for discussion offer us a further, and more curious, parallel with the Grail romances.

In Section VIII. of the work referred to the author discusses the story of Rishyaçriñga, as the Mahâbhârata names the hero; here we find a young Brahmin brought up by his father, Vibhândaka, in a lonely forest hermitage 3 absolutely ignorant of the outside world, and even of the very existence of beings other than his father and himself. He has never seen a woman, and does not know that such a creature exists.

A drought falls upon a neighbouring kingdom, and the inhabitants are reduced to great straits for lack of food. The King, seeking to know by what means the sufferings of his people may be relieved, learns that so long as Rishyaçriñga continues chaste so long will the drought endure.

An old woman, who has a fair daughter of irregular life, undertakes the seduction of the hero. The King has a ship, or raft (both versions are given), fitted out with all possible luxury, and an apparent Hermit’s cell erected upon it.

The old woman, her daughter and companions, embark; and the river carries them to a point not far from the young Brahmin’s hermitage.

Taking advantage of the absence of his father, the girl visits Rishyaçriñga in his forest cell, giving him to understand that she is a Hermit, like himself, which the boy, in his innocence, believes. He is so fascinated by her appearance and caresses that, on her leaving him, he, deep in thought of the lovely visitor, forgets, for the first time, his religious duties.

On his father’s return he innocently relates what has happened, and the father warns him that fiends in this fair disguise strive to tempt hermits to their undoing. The next time the father is absent the temptress, watching her opportunity, returns, and persuades the boy to accompany her to her ‘Hermitage’ which she assures him, is far more beautiful than his own.

So soon as Rishyaçriñga is safely on board the ship sails, the lad is carried to the capital of the rainless land, the King gives him his daughter as wife, and so soon as the marriage is consummated the spell is broken, and rain falls in abundance.

Professor von Schroeder points out that there is little doubt that, in certain earlier versions of the tale, the King’s daughter herself played the rôle of temptress.

There is no doubt that a ceremonial ‘marriage’ very frequently formed a part of the ‘Fertility’ ritual, and was supposed to be specially efficacious in bringing about the effect desired 1.

The practice subsists in Indian ritual to this hour, and the surviving traces in European Folk-custom have been noted in full by Mannhardt in his exhaustive work on Wald und Feld-Kulte; its existence in Classic times is well known, and it is certainly one of the living Folk-customs for which a well-attested chain of descent can be cited.

Professor von Schroeder remarks that the efficacy of the rite appears to be enhanced by the previous strict observance of the rule of chastity by the officiant 2.

What, however, is of more immediate interest for our purpose is the fact that the Rishyaçriñga story does, in effect, possess certain curious points of contact with the Grail tradition.”

Jessie L. Weston, From Ritual to Romance, 1920. Pp. 27-9.

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