Samizdat

"Samizdat: Publishing the Forbidden."

Tag: Idris

Selz: Patriarchs and Sages

“A central figure in the discussion about the alleged Mesopotamian model for the antediluvian patriarchs soon became Enoch, who lived for 365 (364) years and of whom we read in Genesis 5:24: “Enoch walked with God then he was no more, because God took him away.”

The verb lāqah in this context has received numerous comments. Biblical sources offer three interpretations:

a) The liberation of a dead person from the power of the underworld;

b) A final removal from earth (cf. Elijah); or

c) An act of temporal transference, as in dream visions.

Giovanni Lanfranco (1582-1647 CE), Elie nourri par le corbeau, 1624-5 CE. Oil on canvas, held at the Musée des Beaux-Arts de Marseille, Accession number BA 451, photographed by Rvalette.  This faithful photographic reproduction of an original two-dimensional work of art is in the public domain where the copyright term is the author’s life plus 100 years or less.

Giovanni Lanfranco (1582-1647 CE), Elie nourri par le corbeau, 1624-5 CE. Oil on canvas, held at the Musée des Beaux-Arts de Marseille, Accession number BA 451, photographed by Rvalette.
This faithful photographic reproduction of an original two-dimensional work of art is in the public domain where the copyright term is the author’s life plus 100 years or less.

The name Enoch has found several interpretations: It has been argued that J derived the name from hānaq, “to dedicate” and “to train” which comes close to an interpretation of “the sage” (cf. also Arabic Idris!), and it may well be that the two values attributed to Enoch in Genesis are a “babilistic” interpretation of “a man dedicated to and trained by God.”

In the light of Genesis 4:17 the name was also thought to convey the meaning of “founder,” referring to the eponymous city Enoch. This Enoch is possibly entering the rank of those patriarchs who, according to biblical tradition, were perceived as a sort of cultural heroes.

Gerard Hoet (1648-1733 CE), Illustrators of the Figures de la Bible, P. de Hondt, The Hague, 1728 CE. God took Enoch, as in Genesis 5:24: "And Enoch walked with God: and he was not; for God took him." (KJV) illustration from the 1728 Figures de la Bible; illustrated by Gerard Hoet (1648–1733) and others, and published by P. de Hondt in The Hague; image courtesy Bizzell Bible Collection, University of Oklahoma Libraries. This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 70 years or less. https://commons.wikimedia.org/wiki/File:Figures_God_took_Enoch.jpg

Gerard Hoet (1648-1733 CE), Illustrators of the Figures de la Bible, P. de Hondt, The Hague, 1728 CE.
God took Enoch, as in Genesis 5:24: “And Enoch walked with God: and he was not; for God took him.” (KJV) illustration from the 1728 Figures de la Bible; illustrated by Gerard Hoet (1648–1733) and others, and published by P. de Hondt in The Hague; image courtesy Bizzell Bible Collection, University of Oklahoma Libraries.
This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author’s life plus 70 years or less.
https://commons.wikimedia.org/wiki/File:Figures_God_took_Enoch.jpg

(Westermann, Genesis, pp. 443-45 suggests that Enoch may refer to the foundation of a city or sanctuary. Westermann writes: “In Israel wurde die Erinnerung daran bewahrt, daß der Städtebau zum dem gehört, was vor und außerhalb der Geschichte Israels geschah. Die Gründung der ersten Stadt gehört der Urgeschichte an” (p. 444).

("In Israel, the memory was preserved because of urban development, 
what happened before and outside of history. 
The founding of the first city belongs to prehistory.")

Discussing Genesis 4:17 most exegetes remark that it seems unlikely that Kain, the tiller, condemmed to a nomadic life, could be renowned as the founder of a city. In an attempt to harmonize the alleged discrepancies, they even assume that the said founder was originally Enoch (cf. e.g. Westermann, Genesis, p. 443).

With the publication of a Seleucid text from Uruk, W 20030,7 the comparison between Berossos, the Old Testament, and the Sumerian King List reached a new level:

Seleucid text, Uruk, W 20030,7.  Excerpt from Selz, Of Heroes and Sages, 2011, p. 793.

Seleucid text, Uruk, W 20030,7. Published by J.J.A. van Dijk, “Die Tontafeln aus dem Resch-Heiligtum,” in Uruk-Wanka Vorberichte 18 (1962): pp. 43-52, from which this transcription is taken. Also on Samizdat, in Lenzi: The Uruk List of Kings and Sages.
Excerpt from Selz, Of Heroes and Sages, 2011, p. 793.

This document establishes an important link between Berossos’ account of the primeval kings and his story of the sage Oannes.

In this text the names of Mesopotamian rulers are accompanied by names of advisors, sages, the so-called apkallū which play an important role in Mesopotamian iconography and have been known, up until now, chiefly from the so-called Etiological Myth of the “Seven Sages” studied by Erica Reiner in 1961.

(E. Reiner, “The Etiological Myth of the ‘Seven Sages,’Orientalia 30 (1961): 1-11; eadem, Astral Magic in Babylonia (Transactions of the American Philosophical Society 85.4; Philadelphia: American Philosophical Society, 1995).

(See further S. Parpola, “Mesopotamian Astrology and Astronomy as Domains of the Mesopotamian ‘Wisdom,’” in Die Rolle der Astronomie in den Kulturen Mesopotamiens: Beiträge zum 3. Grazer Morgenländischen Symposium (ed. H. Galter and B. Scholz; Grazer Morgenländische Studien 3; Graz: RM Druck-und Verlagsgesellschaft, 1993), pp. 23-7.)

This list is certainly fictional, it is, however, based on scholarly traditions: the name of the well-known compiler of the standard version of the Gilgamesh Epic, dsîn-liq-unninnī, functions as an apkallu to Gilgamesh himself.

Further, a certain Kabtu-il-Marduk, perhaps referring to the author of the Erra Epic Kabti-ilāni-Marduk, is mentioned as a sage during the reign of Ibbi-Sîn (ca. 2028-2004 BCE), unlucky last king of the Ur III empire.”

Gebhard J. Selz, “Of Heroes and Sages–Considerations of the Early Mesopotamian Background of Some Enochic Traditions,” in Armin Lange, et alThe Dead Sea Scrolls in Context, v. 2, Brill, 2011, pp. 792-4.

Selz: Enoch Derives from 3d Millennium BCE Mesopotamia

” … [He who saw the deep, the] foundation of the country, who knew [the secrets], was wise in everything! …

he saw the secret and uncovered the hidden,

he brought back a message from the antediluvian age.”

From the introduction to the Gilgamesh Epic, A.R. George, The Babylonian Gilgamesh Epic: Introduction, Critical Edition and Cuneiform Texts (2 vols.; Oxford: Oxford University Press, 2003), 1:539.

“The general framework of the “Mesopotamian Background of the Enoch Figure” is quite well established.

Since the initial comparison of Berossos’ account of Mesopotamian antediluvian kings and heroes to the biblical patriarchs a vast literature has evolved that discusses the possible transfer and adaptation of such Mesopotamian topics as ascent to heaven, the flood story, primeval wisdom, dream-vision, divination and astronomy.

I argue in this paper that the respective traditions reach back to a third millennium “origin.”

Enoch, described in Genesis 5:22-25 as great-grandson of Adam, father of Methuselah and great-grand-father of Noah, lived 365 years and “he walked with God: and he was not, for God took him.”

William Blake, Enoch, lithograph, 1807 (four known copies). William Blake's only known lithograph illustrating Genesis 5:24,

William Blake, Enoch, lithograph, 1807 (four known copies).
William Blake’s only known lithograph illustrating Genesis 5:24, “Enoch walked with God; then was no more, because God took him away.”
This work is in the public domain in the United States, and those countries with a copyright term of life of the author plus 100 years or less.
https://en.wikipedia.org/wiki/Bereshit_(parsha)#/media/File:William_Blake_Enoch_Lithograph_1807.jpg

Enoch became a central figure in early Jewish mystical speculations; Enoch, or the Ethiopic Enoch, is one of the earliest non-biblical texts from the Second Temple period and, at least in part, was originally written in Aramaic as demonstrated by the fragments found among the Dead Sea Scrolls.

(See H.S. Kvanvig, Roots of Apocalyptic: The Mesopotamian Background of the Enoch Figure and the Son of Man (WMANT 61, Neukirchen-Vluyn: Neukirchner, 1988), p. 35: “Astronomy, cosmology, mythical geography, divination . . . are subjects which in a Jewish setting appear for the first time in the Enochic sources, at least in a so extensive form.”)

(J.C. VanderKam, An Introduction to Early Judaism (Grand Rapids: Eerdmans, 2001), pp. 88-94; see also J.J. Collins, The Apocalyptic Imagination: An Introduction to Jewish Apocalyptic Literature (New York: Crossroad, 1992), esp. the chapter on “The Early Enoch Literature,”pp. 43-84.)

(On 1 Enoch see J.T. Milik, The Books of Enoch: Aramaic Fragments of Qumrân Cave 4 (Oxford: Clarendon, 1976) and cf. the review by J.C. Greenfield and M.E. Stone, “The Books of Enoch and the Traditions of Enoch,” Numen 26 (1979): pp. 89-103.

A modern translation of the text is now published by G.W.E. Nickelsburg and J.C. VanderKam, Enoch: A New Translation (Minneapolis: Fortress, 2004).

For the religious-historical framework of the book see J.C. VanderKam and P. Flint, The Meaning of the Dead Sea Scrolls: Their Significance for Understanding the Bible, Judaism, Jesus, and Christianity (San Francisco: HarperSanFrancisco, 2002); cf. also VanderKam, Introduction.

William Blake, Jacob's Dream, c. 1805 AD. Currently held at the British Museum, London. Commissioned and acquired from William Blake by Thomas Butts. Also available at the William Blake Archive. This work is in the public domain in the United States, and those countries with a copyright term of life of the author plus 100 years or less. https://commons.wikimedia.org/wiki/File:Blake_jacobsladder.jpg

William Blake, Jacob’s Dream, c. 1805 CE. Currently held at the British Museum, London. Commissioned and acquired from William Blake by Thomas Butts.
Also available at the William Blake Archive.
This work is in the public domain in the United States, and those countries with a copyright term of life of the author plus 100 years or less.
https://commons.wikimedia.org/wiki/File:Blake_jacobsladder.jpg

A thorough study of the Enochic literature should, of course, also take into consideration the many references to Enoch in the so-called apocryphal literature. There are presently two recommendable translations: OTP and AOT.)

They prove that the Astronomical Enoch and the Book of the Watchers are among the earliest texts collected in Enoch.

Enoch belongs to the Old Slavonic biblical tradition—a tradition that is still very much alive in the popular religion of the Balkans.

(At the time when I finished this article I was not yet able to check The Old Testament Apocrypha in the Slavonic Tradition: Continuity and Diversity (ed. L. DiTommaso and C. Böttrich with the assistance of M. Swoboda; TSAJ 140; Tübingen: Mohr Siebeck, forthcoming 2011).

Indeed, as F. Badalanova Geller was able to demonstrate, there is an oral tradition still alive in contemporary Bulgaria, incorporating various pieces from the Jewish and apocryphal traditions, which has also considerable impact on orthodox iconography.

(F. Badalanova Geller, “Cultural Transfer and Text Transmission: The Case of the Enoch Apocryphic Tradition” (lecture delivered at the Conference “Multilingualism in Central Asia, Near and Middle East from Antiquity to Early Modern Times” at the Center for Studies in Asian Cultures and Social Anthropology at the Austrian Academy of Sciences, Vienna, 2 March 2010). I wish to express my gratitude to Dr. Badalanova Geller for fruitful discussions and additional references.)

She further calls the underlying (oral) stories “the Epic of Enoch,” arguing methodologically along the lines of V. Propp’s Morphology of the Folk Tale.

(V. Propp, Morphology of the Folk Tale (trans. L. Scott; 2nd ed.; Austin: University of Texas Press, 1968).

This “epic” was certainly also related to the tradition of the kabbalistic-rabbinic Enoch which, like other hermetic literature, describes Enoch as Metatron, featuring him as the “Great Scribe” (safra rabba: Tg. Yer.).

(Tg. Yer. to Genesis 5:24; see also b. Hag. 15a; see further A.A. Orlov, The Enoch-Metatron Tradition (TSAJ 107; Tübingen: Mohr Siebeck, 2005), pp. 50-9, esp. 51.)

It cannot be the purpose of this paper to take the entire Enochic tradition into consideration; the references to Enoch are manifold in the so-called apocryphal tradition.

(Concerning the book of Jubilees, Kvanvig, Roots, p. 146, writes e.g.: “Jubilees deals with a tradition about the origin of Babylonian science. This science was revealed to men in primordial time. The revelators were angels who descended from heaven and acted as sages among men. Enoch as the first sage is found in Pseudo-Eupolemus.”)

We only mention here that “the instructor” Enoch, Idris in Arabic, is attested in the Qur’an (19:56–57; 21:85–86) as a prophet, and that in Muslim lore, like in Judaism, he is also connected with the invention of astronomy.

We may further mention persisting traditions in Classical Antiquity, especially Claudius Aelianus, who mentions the miraculous birth of Gilgamesh.”

(Claudius Aelianus, De Natura Animalium 12.21: “At any rate an Eagle fostered a baby. And I want to tell the whole story, so that I may have evidence of my proposition. When Seuechoros was king of Babylon the Chaldeans foretold that the son born of his daughter would wrest the kingdom from his grandfather.

Frontispiece of Claudius Aelianus, dated 1556. Born circa 175 CE and died circa 235 CE, he was born at Praeneste. A Roman author and teacher of rhetoric, his two chief works are cherished for their quotations from earlier authors, whose works are lost to history. He wrote De Natura Animalium and Varia Historia, though significant fragments of other works, On Providence and Divine Manifestations, are also preserved in the early medieval encyclopedia, The Suda. http://www.summagallicana.it/lessico/e/Eliano%20o%20Claudio%20Eliano.htm

Frontispiece of Claudius Aelianus, dated 1556 CE. Born circa 175 CE and died circa 235 CE, he was born at Praeneste. A Roman author and teacher of rhetoric, his two chief works are cherished for their quotations from earlier authors, whose works are lost to history. He wrote De Natura Animalium and Varia Historia, though significant fragments of other works, On Providence and Divine Manifestations, are also preserved in the early medieval encyclopedia, The Suda.
http://www.summagallicana.it/lessico/e/Eliano%20o%20Claudio%20Eliano.htm

This made him afraid and (if I may be allowed the small jest) he played Acrisius to his daughter: he put the strictest of watches upon her. For all that, since fate was cleverer than the king of Babylon, the girl became a mother, being pregnant by some obscure man.

So the guards from fear of the king hurled the infant from the citadel, for that was where the aforesaid girl was imprisoned. Now an Eagle which saw with its piercing eye the child while still falling, before it was dashed on the earth, flew beneath it, flung its back under it, and conveyed it to some garden and set it down with the utmost care.

But when the keeper of the place saw the pretty baby he fell in love with it and nursed it; and it was called Gilgamos and became king of Babylon.”)

(Claudius Aelianus, On the Characteristics of Animals [trans. A.F. Schofield; 3 vols.; Cambridge: Harvard University Press, 1958-1959], 3:39–41). We may further note that in the subsequent text Aelianus explicitly refers to Achaemenes, the legendary founder of the first Persian dynasty, who is also said “to be raised by an eagle.”)

Gebhard J. Selz, “Of Heroes and Sages–Considerations of the Early Mesopotamian Background of Some Enochic Traditions,” in Armin Lange, et alThe Dead Sea Scrolls in Context, v. 2, Brill, 2011, pp. 779-781.

%d bloggers like this: