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Tag: Esoterica

April 30, 2015

Ibn Wahshiyya in Historical Context

“The magic as displayed in Filāha coincides with the common Near Eastern patterns and is in this sense genuine: whether the exact procedures were used by the pagan population —either in the tenth century or earlier, if we agree with Fahd—is another question.

The Aramaic prayers would perhaps seem genuine, but when strongly Neoplatonic formulae occur in the invocations, one may doubt whether the peasants indeed used these prayers. It may be that the material is partly descriptive, describing the religious practices of the rural population, partly prescriptive, i.e. composed by the author, following pre-existing patterns, to invent new formulae.

It may strike many as surprising that there could have been rites like burnt offerings to Zuhal in the countryside, sqwād, of Iraq until the tenth century —if we accept a late date for the Nabatean corpus— but the evidence from Harrān makes this not unprecedented, and the magical procedures throughout history have always retained archaic religious material.

Likewise, the mere existence of Mandaeans shows the tolerance of Islam towards ultimately pagan religions. Had someone translated the Mandaean books into Arabic in the tenth century and circulated them outside the community, the texts would have been just as incongruent with the surrounding Islamic society as the books of the Nabatean corpus.

As the main texts of the Nabatean corpus purport to be translations of old manuscripts, the dating of the religious material in them, if it mirrors real procedures, is of course problematic. But in some cases, like when speaking about the lamentations over Tammūz, Ibn Wahshiyya speaks as himself, adding a translator’s note to the main text.

Thus, at least the pagan rites described in these passages were being performed in the early tenth century.

Although ignored by compilers of biographical dictionaries, Ibn Wahshiyya was much respected by those interested in magic, esoterica and the Nabatean or Sabian inheritance.

Not only was his main work, Filāha, excerpted by persons such as the author of the Arabic Picatrix (Ghāyat al-hakīm) ([pseudo]-al-Majrītī) and later writers of agricultural works —the latter, though, usually showed little interest for the religious and magical material in the work— but he was also profusely used by Maimonides in his Dalāla, from which source, together with Picatrix, the magic of the Nabateans and the Chaldaeans was transmitted into European languages.

Thus, through Ibn Wahshiyya, the magic of the Nabateans diffused throughout the civilized world, and Ibn Wahshiyya became an important link in the world history of magic and esoterica.”

Jaakko Hāmeem-Anttila, “Ibn Wahshiyya and Magic,” Anaquel de Estudios Árabes X, 1999, pp. 47-8.

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April 30, 2015

Ibn Wahshiyya and Black Magic

“Magic has a prominent role in the Nabatean corpus, especially in Filāha and Sumūm. Following the theme of the present conference, I would like to make some comments on the relation of Ibn Wahshiyya to magic.

First of all, it should be clear that there was no ban against such material in the early tenth century. Magic, and especially its practice, was not perhaps looked on benevolently by Ihe ‘ulamā’, but in the Shiite Iraq governed by the Būyids there was not much possibility for the Sunni ‘ulamā’ to react against those interested in magic, occult sciences and esoterica.

On the other hand, the open paganism and polytheism of much of Ihe material in Filāha and the other Nabatean books would make it necessary for the author to keep his distance from the material. In Ibn Wahshiyyas’ case this presented no great problem, since he purported only to translate, not to compose the material, and the open paganism of the text could always be labelled as merely vestiges of ancient paganism.

In fact, the translator often adds clearly and strongly monotheistic notes to the text (see esp. Filāha, pp. 405-406), thus safeguarding himself from any accusations of an over close identification with the polytheistic, Nabatean system.

Ibn Wahshiyya is also very careful, especially in Filāha, to keep his distance from black magic. In his toxicological work Sumūm, a more controversial book by its very nature, he is not so prudent. He also often refuses to speak of harmful uses of a plant (e.g. Filāha, p. 184, II. 6-7) and apologizes for speaking about poisons in Sumūm, fol. 5a. This recurrent motif shows that Ibn Wahshiyya was aware of the negative response his works might attract.

For Ibn Wahshiyya, magic is a real operative force in the universe. His world view is, generally speaking, Neoplatonic, and the cult he is describing is astral, which brings with it the idea of a correspondence between macrocosm and microcosm as well as other correspondences between different phenomena.

The thoroughly magical worldview of Ibn Wahshiyya is seen in the strong magical element in Filāha, a work dealing with agriculture. In this, Filāha resembles, and has perhaps been influenced by, similar Greek works, especially the book of Bōlos Dēmokritos, where magic, agriculture and folklore are found side by side—On the other hand, one should not forget the sober and often experimental attitude of Ibn Wahshiyya towards agriculture in general: he is not an obscurantist trading with talismans and amulets, but a learned and perspicacious observer.

The Nabatean books make a clear difference between black and white magic; the former harmed people, the latter protected them. In Filāha, lbn Wahshiyya constantly avoids black magic (see e.g. pp. 383-384), although he does refer, in the words of the purported authors of the Aramaic original, to passages in the original sources which belonged to black magic (e.g. p. 477, by Sughrīth). The same prudence may also be seen in his other texts, although he does give some examples of black magic, especially in Sumūm.

In Filāha, the supposed Aramaic author claims ignorance of magic (p. 147: wa- ‘ilmu s-sihri ‘ilmun lam a ‘rid lahu wa-lā uhibbu an atakallama bimā lā ‘ilma lī bihi). In Sumūm, black magic is somewhat more prominent. Some of the poisons described in the work belong to the sphere of black magic more than to toxicology. One of these magical operations is the grotesque recipe for creating an animal, whose sight kills. Much abbreviated the recipe goes as follows:

One takes a young, monocoloured cow, sprinkles it with human blood, has sexual intercourse with it and inserts a special dough into its vagina. Finally one anoints its vagina with ox blood. The cow is kept in a dark stall and fed with a spec¡al diet. When it gives birth, the born monster, which is described in detail, is sprinkled with another powder. Seven days after its birth, it is ready to kill by sight when it smells a wad of cotton soaked with wine and becomes upset.

The creation of a calf, although in not so colourful a fashion, is well known from early Jewish mysticism. In Filāha, p. 1318, there is also a mention of ‘Ankabūthā, the chief magician, creating an anthropoid which reminds one of the Golem tradition in Kabbalistic literature.”

Jaakko Hāmeem-Anttila, “Ibn Wahshiyya and Magic,” Anaquel de Estudios Árabes X, 1999, pp. 43-4.

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December 2, 2014

The Mystical Radicalism of Isaac

“It corresponds to the sefirah of the divine Mercy, or tifereth. The lowest sefirah, on the other hand, contains, by virtue of its correspondence to the action of divine judgment in the world, the Oral Torah, which is black fire burning upon an underlayer of white fire. “But the form of the letters is without vowels and is only potentially engraved in this black fire, which is like ink [on white parchment].” In the white fire itself the forms of the letter still do not actually appear, and where they do so we are already (in the symbolism of the black fire) in the domain of the Oral Torah.

“ … And thus the Written Torah cannot adopt corporeal form, except through the power of the Oral Torah; that is, that the former cannot be truly understood without the latter, just as the mode of divine Mercy can only be grasped and perceived through the mode of Judgment. And the figures of color, gawwanim, of black, which are those of Judgment, rise up and spread out over the configurations of white, which are those of Mercy, like the light of the coal. For the power of the colored configuration of the flames prevails until the light of the coal can no longer be perceived at all because of the excess of flames covering it.”

The simile of the coal and its flames is the same as that employed by Isaac so often in his commentary on Yesirah. The mystical Written Torah is still hidden, as it were, under the invisible form of the white light represented by the parchment of the Torah scroll and is in no way perceptible to the ordinary eye.

It is only when the mystical lights, in the play of flames, sometimes veer away from one another that they offer a momentary glimpse of the white light or the sphere of divine Mercy. At such moments, “many a prophet” can “snatch, by means of the ‘crown of royalty,’ [the last sefirah, accessible to their contemplation] something of this mystical splendor, each according to the spiritual degree of which he is worthy.” But this can be no more than a momentary intuition.

A truly lasting contemplation of this hidden form of the white light is as inconceivable as that of the sun by a terrestrial eye. Only Moses, the master of all the prophets, could attain a continuous contemplation of this “luminous mirror” and by virtue of his prophetic rank enter into spiritual communication with it.

The language of this symbolism is identical to that found in other of Isaac’s fragments. Hidden behind mystical symbols, we find a conception according to which there simply is no Written Torah within reach of the ordinary mortal.

Everything we call by that name has already passed through the mediation of the Oral Torah. The Torah apprehensible to man is not the hidden form in the white light but precisely the obscure light that already had adopted definite forms and determinations and that thereby designates the quality of divine Sternness, the quality of Judgment.

The Torah scroll itself symbolizes that. The ink and the parchment form a unity. But the element rendered visible by the ink is the blackness, the “obscure mirror” of the Oral Torah; the true secret of the Written Torah, which embraces everything, is contained in the signs, still not visible, of the white parchment.

In a word, there is only an Oral Torah, and the concept of a Written Torah has its place, in the final analysis, in the mystical domain, the sphere accessible only to the prophets. Therefore, here, at the very beginning of the historical appearance of the Kabbalah in the West, we have a thesis whose mystical radicalism can hardly be surpassed and was in fact not surpassed in the entire history of the Kabbalah.

It proves, more than anything else we know of him, that Isaac was a genuine esotericist. Isaac’s fragment fell into oblivion, but his thesis was taken up and elaborated more than once in the history of the Kabbalah, at times in much less veiled language.”

Gershom Scholem, Origins of the Kabbalah, pp. 288-9.

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December 2, 2014

Finally, Here is the True Kabbalah

“The transition from the usual meaning of the word Kabbalah to the esoteric nuance was easily made. We find the first sign of it in Yehudah ben Barzilai. Speaking of the creation of the Holy Spirit, which is the Shekhinah, he says: “The sages did not deal with it at length, in order that men would not come to form ideas concerning ‘what is above,’ etc. and that is why they were accustomed to transmitting this thing in whispers and in secret, as a tradition to their pupils and to the sages.”

The ordinary expression “to transmit something as Kabbalah [orally]” here acquires through the addition of the adverbs “in whispers and in secret” the quality of an esoteric tradition. Somewhat similar is the use of the term in an Arabic text of 1223 that counters Maimonides in its assertion that where the Kabbalah of the sages of Israel is mentioned the reference is to the baraithoth of the Hekhaloth literature as the true interpretation of Ma’aseh Merkabah (A. Harkavy, in his appendix Hadashim gam Yeshanim to the Hebrew translation of Graetz’s Geschichte 5:47).

But contrary to Harkavy’s view, this passage in no way proves that the term Kabbalah in its novel, technical sense was known in the Orient in 1223. That, precisely, is Kabbalah, in the sense of the Provençal school. But Eleazar of Worms also cites traditions of this kind—for example, with respect to the names of the angels—as “Kabbalah.” Besides, still other expressions were used in Isaac’s circle. In a letter sent to Gerona, Isaac himself speaks in this sense of hokhmah, wisdom or science, without adding the adjective penimith, “esoteric,” although this often occurs in other places.

In the twelfth century, the expression of sefarim penimiyyim appears in France for writings considered there as esoteric literature, such as Seder ‘Eliyahu Zutta.

In the liturgical manual Sefer ha-Manhig, composed in 1204 by Abraham ben Nathan ha-Yarhi of Lunel, who in his youth had studied with the Rabad, the “Greater Hekhaloth” are twice designated by this term.”

Gershom Scholem, Origins of the Kabbalah, pp. 261-3.

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November 30, 2014

Conversing with Moses and Metatron

“From a somewhat earlier period, around 1200, comes the Hebrew protocol, recorded in Rouen, of the appearance of a prophet of the same type, R. Shemuel ha-Nabi, who conversed, in the presence of witnesses, with Moses and the angel Metatron as well as with the tosafist masters Rabbenu Tam and R. Elias of Paris, and who communicated mystical revelations dealing with talmudic matters.

Similar revelations concerning talmudic and halakhic questions likewise occurred in the Languedoc, in the neighborhood of the Rabad and the same generation. Even if we regard as metaphorical rather than strictly mystical the expressions employed by Rabad (see pp. 205-6) with regard to the manifestation of the Holy Spirit in his school, the occurrence of such revelations is conclusively proven by the curious case of Jacob of Marvège (today in the Department of Lozère), who flourished around 1200.

He sought the answers to halakhic problems through “dream questions,” she’eloth halom, that is, through a visionary procedure. Alongside figures of this kind there also appeared pure mystics whose illuminations were of an inward kind that resulted, when the occasion warranted it, in esoteric doctrines.

How did these revelations come about? Did they appear spontaneously, without preparation, to mystically inclined souls, or were they the result of specific acts and rituals that required a certain preparation? Is it possible that a theurgic element also played a role? There is no unequivocal answer to these questions. We do, however, possess certain testimonies suggesting that in this Provençal circle such revelations were linked, at least in part, to a specific ritual and that they were even tied to a particular day.”

Gershom Scholem, Origins of the Kabbalah, pp. 239-40.

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September 26, 2014

Marsilio Ficino and Christian Kabbalah

“Christian kabbalah can be traced to the “school of Marsilio Ficino in Florence, in the second half of the fifteenth century.”

“Ficino is best known for his translations of Plato’s writings from Greek to Latin, but of much importance was his translation to Latin of the corpus of esoteric, mysterious old treatises known as the Hermetica. These works, probably originating from Egypt in late antiquity, are attributed to a mysterious ancient philosopher, Hermes Trismegistus (The Thrice-Great Hermes), and they deal with magic, astrology, and esoteric theology.”

Ficino and his followers considered magic as “an ancient scientific doctrine, the source of all religious and natural truth.”

Dan mentions Count Giovani Pico dela Mirandola, a “great thinker, young scholar and theologian, who died at age thirty-three in 1496.”

He also observes that Pico’s interest in Hebrew was facilitated by the Latin translations of the Jewish Christian convert, Flavius Methredates.”

Pico’s most famous work, the Nine Hundred Theses, proclaims that Christianity’s truth is best demonstrated by the disciplines of magic and kabbalah.” In Pico’s work, magic and kabbalah are often indistinguishable. He interpreted kabbalistic texts as “ancient esoteric lore, conserved by Jews, at the heart of which was the Christian message.”

–Joseph Dan, Kabbalah: A Very Short Introduction, pg. 62-3.

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