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Tag: Eschatology

An Excerpt from The Fall of the Angels

“How did the story about the fall of the angels relate to biblical tradition? Why is it only hinted at there, and not incorporated into the canon in more complete form? Two general points may be offered in response to these questions.

First, the story presupposes, rather than lies behind, the Hebrew Bible and, thus, is to be regarded as a development, indeed interpretation, of what later came to be recognized as canonical. Second, the communities which produced the story did so by transforming the biblical tradition through the dual filters of apocalyptic dualism and their own social contexts.

These points have to be taken into account when considering how it was that “the day of the Lord” of the exilic and post-exilic prophets could be absorbed into the notion of a final apocalyptic battle in later early Jewish literature. Was this shift from prophetic to apocalyptic eschatology the result of an attempt to reject the foreign domination by Hellenistic rulers—such as the Ptolemies in Egypt and the Seleucids in Syria—in the wake of Alexander the Great’s conquests?

Or was this growing dualism a reflection of the breach between urban and rural culture? Or, by contrast, did the apocalyptic religious tradition re-present knowledge gleaned from the “foreign” sciences of its day as divine revelation, doing so long before the Greeks came on the scene?

There were yet other stories in the Ancient Near East that had been told long time and retold in the Greek world. Those stories were adapted to the current social situation and to the clash of civilizations. (sic).

The famous passage from Genesis 6:1-4 played a central role in the development of apocalyptic traditions. The biblical tradition itself is ambiguous; it conveys a story about ancient “heroes”, on the one hand, and the “sons of the gods”, on the other. What these figures have to do with the destruction brought about through the Great Flood in the following narrative (Genesis 6:5ff.) constitutes the first question to be examined in this volume.

The contribution by Ronald Hendel does so by exploring possible parallels to the biblical story in the Ancient Near East. One of the most significant traditions to throw light on the biblical account is shown to be the Atrahasis Epic. If read alongside this epic, the ruptures and ambiguities within the Genesis narrative, which involves the insertion of a polytheistic conflict between deities into a monotheistic narrative about God and creation, do not appear so conspicuous or unexpected.

This is further illustrated by the common motif that has the lower world flooded by the heavenly world in order to prevent the superhuman inhabitants of the lower world from becoming too powerful. The attempt by the gods above to destroy the younger and smaller ones reaches a truce in the form of a treaty or alliance. This is how Genesis chapters 6-9 may be comprehended as a complete narrative and, in addition, came to include the passage in 6:1-4.

A tradition about a revolt in a heavenly palace is preserved in the Babylonian Atrahasis Epic, also known through the Baal-Cycle from Ugarit and the Hethitic Kumarbi Epic, has also influenced Greek mythology which tells of the conflict between Zeus, on the one hand, and his tyrannical murderer-father and the Titans his helpers, on the other. In this volume, Jan Bremmer argues impressively that the “Titans” of the story are actually not destroyed. The fear of their possible return persists and remains an irrepressible potential and threat.

How astronomic observation, the interpretation of stars as deities living in a distant world, and scientific knowledge are coalesced into the traditional image of God is shown by Matthias Albani in his analysis of Isaiah 14.

The Fall of the Rebel Angels is an oil-on-panel by Flemish renaissance artist Pieter Bruegel the Elder, painted in 1562. It is currently held and exhibited at the Royal Museums of Fine Arts of Belgium in Brussels. Bruegel's depiction of this subject is taken from a passage from the Book of Revelation (12, 2-9) and reveals the artist's profound debt to Hieronymous Bosch, especially in the grotesque figures of the fallen angels, shown as half-human, half-animal monsters.  Together with Dulle Griet and The Triumph of Death, which have similar dimensions, it was probably painted for the same collector and destined to become part of a series.

The Fall of the Rebel Angels is an oil-on-panel by Flemish renaissance artist Pieter Bruegel the Elder, painted in 1562. It is currently held and exhibited at the Royal Museums of Fine Arts of Belgium in Brussels.
Bruegel’s depiction of this subject is taken from a passage from the Book of Revelation (12, 2-9) and reveals the artist’s profound debt to Hieronymous Bosch, especially in the grotesque figures of the fallen angels, shown as half-human, half-animal monsters.
Together with Dulle Griet and The Triumph of Death, which have similar dimensions, it was probably painted for the same collector and destined to become part of a series.

For Albani, the myth of the morning star that rises at night only to be driven away and dissolved by the light of the sun is discernible in a story about the power of God who, though rivaled by the smaller stars, is never surpassed by them.

The fact that the Isaiah account may be dated to the exilic period—and so is similar to expulsion of the throne pretender mentioned in Ezekiel 28—strengthens the likelihood that it functioned as a story of consolation. The image of the rise and fall of Helel was later translated into “Lucifer” in Latin tradition. The interpretation is depicted in Figure No. 2.

No direct line can be drawn from the Isaiah narrative to the Enochic apocalyptic literature and its Gnostic adaptation. The apocalyptic and cosmological dualisms of the latter fundamentally changed the religious tradition into something cosmic, super-historical, and superhuman.”

Christoph Auffarth & Loren T. Stuckenbruck, eds., “The Centre for Power for Evil: Its Origins and Development,” in The Fall of the Angels, Brill, 2004.


“Occasionally even the mystical illumination produced by the effluence of the divine power from one sefirah to another is designated as sod ha-‘ibbur. In general, the kabbalists of Gerona restricted the transmigration of souls, on the basis of Job 33:29, to three rebirths following the first entry of the soul into the human body, though they admitted the existence of exceptional cases.

An important detail has been transmitted from the school of Nahmanides. In the famous disputation with the ex-Jew Paulus Christiani, the monk invokes the well-known aggadah according to which the Messiah was born at the hour of the destruction of the Temple.

To this Nahmanides replied: “Either this aggadah is not true, or else it has another explanation according to the mysteries of the sages.” Although the wording of this reply clearly points to kabbalistic teaching, it has not been understood until now.

Nahmanides does indeed give a plausible—literal and exoteric—explanation of the aggadah, to the effect that the Messiah was currently biding his time in the terrestrial paradise, but his true opinion can be gleaned from the questions of his disciple Shesheth des Mercadell concerning metempsychosis, where this aggadah figures as a proof text for this doctrine.

What the aggadah means to say is, therefore, that since the destruction of the Temple the soul of the Messiah is in the process of ‘ibbur. On this point, Nahmanides and his school depart from the older idea of the Bahir section 126, according to which the soul of the Messiah does not inhabit a human body before.

On the other hand, this text already exhibits the transition to the doctrine, first attested shortly after Nahmanides, to the effect that the name of Adam is an abbreviation (ADaM) of the three forms of existence of this soul in Adam, David, and the Messiah.

This would imply that the Messiah has to pass through various stages of incarnation so that his essence “always lives among us” in one form or another. The idea that also arose shortly after Nahmanides and according to which “soul sparks” can fly off from a central soul and thus pass simultaneously through many bodies is not yet attested in Gerona.

This doctrine was also used in the school of Solomon ibn Adreth in order to eliminate the difficulty that would arise at the resurrection of the dead for the different bodies through which one single soul had passed. The different bodies of the resurrected would be inhabited by sparks of the same soul, thus providing a solution to the problem.

According to Azriel there also exist souls of such exalted rank that they do not return to the world of bodies, but remain in the “world of life” and thus do not participate at all, or only in a purely spiritual sense, in the resurrection.

In this manner the kabbalists seem to move, at least as regards a privileged category of superior souls, in the direction of a denial of bodily resurrection—precisely the view for which the radical Maimonideans were so bitterly rebuked. It should be added, however, that this idea appears only in strictly esoteric contexts describing the eschatological progress of the souls after their departure from the terrestrial world and was never formulated in a dogmatic manner.”

Gershom Scholem, Origins of the Kabbalah, pp. 459-60.

The First Sefirah is Passed Over in Silence

“After the resurrection, the righteous and the average realize a new progress in their spiritual and moral perfection, one that takes them beyond everything they attained in their lives. By this adherence to the seven divine middoth, all will share perpetually in the gift of prophecy.

From a brief allusion of ibn Sahula (f. 34a), we can infer that on several occasions Isaac expressed his views on eschatological matters, in the context of which he may also have discussed the preparation for redemption by means of the purification of souls during their transmigrations.

In the extant texts, however, there is no clear statement on this subject, though on one occasion Isaac quotes a relevant passage from the Bahir, section 105.

Isaac of Acre states that in his commentary on Yesirah Isaac the Blind made a hidden allusion to the distinction between the migration of souls (gilgul) and the impregnation of souls (ibbur) as being two different things, but I have not been able to locate this allusion.

It should be clear from the foregoing that Isaac the Blind already had at his disposal a complete system of kabbalistic symbolism, partly inherited from tradition and partly elaborated by himself which he applied to a great variety of biblical and rabbinic subjects.

His epistle to Gerona, which has survived, offers a brief explanation of the last psalm, apparently in response to a question. The psalmist’s tenfold invitation to praise God is interpreted as an allusion to the ten sefiroth, though the first sefirah is passed over in silence, and Isaac counts downward beginning with hokhmah.

His mystical allusions in this epistle scarcely differ from the instructions he gives for the mystical kawwanoth at prayer; there too, he briefly describes the process by which the mystic first traverses the world of the sefiroth from below upward during the profession of the divine unity, the Shema’ Yisrael, and then, in his meditation on the word ‘ehad, “one!” completes and closes the circle of his kawwanah, from above downward.”

Gershom Scholem, Origins of the Kabbalah, pp. 308-9.

The Secret Signature of the Letters

“Isaac’s picture of the universe rests, therefore, on the idea that the different realms of Creation, each according to its rank in the hierarchy of things, are in communication with the roots of all being as given in the world of the sefiroth.

The limited powers proceed from the unlimited powers, and the secret signature of the letters acts in everything, but nowhere more clearly than in man. But to the current that flows downward there corresponds another, upward movement.

When Isaac says in his commentary on Yesirah (end of chapter 3) that “all things return to the root of their true being,” he means, in this context, that a thing can act only in that which is related to its principle.

But his disciples already understood expressions of this kind in the sense of a return of all things to God. “Everything issues from the first Cause, and everything returns to the first Cause.”

Such a return can have both an ontological and an eschatological aspect. Even before the end of all things all being seeks to return, in accordance with its nature, to its origin, in the spirit of the ancient philosophical thesis of the appetitus naturalis, which the Neoplatonists above all rendered popular in the Middle Ages.

But also, the eschatological nuance of a “restoration of all things to their original being,” hashabath kol ha-debharim le-haw-wayatham, is not absent among Isaac’s pupils, who probably derived it from him.”

Gershom Scholem, Origins of the Kabbalah, pp. 299-300.

Eschatological Elevation of the Soul After Death

“The Bahir’s idea of the sefiroth appears in Isaac’s writings in a fully crystallized form. In his commentary on the Yesirah 4:3, the verse 1 Chronicles 29:11 is used for the first time as a biblical reference for the names and the sequence of the seven lower sefiroth, especially the first five among them: “Yours, Lord, are the greatness (gedullah), might (geburah), splendor (tif’ereth), triumph (nesah), and majesty (hod)—yes all (kol) that is in heaven and on earth; to You, Lord, belong kingship (mamlakhah) and preeminence above all.”

From here come the designations not yet used in the Bahir, of gedullah for hesed, tif’ereth for ‘emeth, and hod. Isaac himself for the most part uses the names hesed and pahad (as in the Bahir) instead of gedullah and geburah. The name tif’ereth, however, is already familiar to him.

Whereas the word kol, occurring in the aforementioned verse, already served in the Bahir as an epithet designating the “Righteous,” Isaac uses for this sefirah the noun “Righteous” and the epithet “Foundation of the world.” For the last sefirah, on the other hand, he employs almost exclusively an epithet still not familiar to the Bahir, although it is undoubtedly alluded to there.

This epithet is ‘atarah, a synonym for kether, which designates the lowest of the ten “crowns.” Like the Bahir, he names the first three sefiroth kether or mahshabah, hokhmah and binah.

In his commentary on Yesirah, Isaac mentions many of these sefiroth in the framework of fixed schemata, but this does not always enable us to comprehend the sequence of the sefiroth within them. What is strange is that in point of fact the structure of the sefiroth beyond the supreme three only interests him in detail when it is a question of prayer mysticism, or the interpretation of certain ritual commandments. They have their importance as stages of the contemplative ascent or of the eschatological elevation of the soul, after death, to even higher spheres.

But never are any coherent thoughts presented concerning their function and structure. This is particularly the case for the potencies of tif’ereth, yesod and ‘atarah, which play an especially important role in the evolution of the doctrine of the sefiroth. In contrast to this lack of interest in detail, one discerns in Isaac a more pronounced interest in the totality of the spiritual potencies expressed in language and, in a more general manner, in spiritual entities.

Having said that, the terminological differences between concepts like sefiroth, middoth, letters (of the alphabet) and hawwayoth (literally: essences) are by no means always clear, and their interpretation is often fraught with difficulties.

However, these difficulties are closely related to what is truly new in Isaac’s Kabbalah. Indeed, from the historical point of view their interest lies in the combination of the world of ideas of the Bahir and the entirely new elements that erupt, inspired by gnostic ideas, into the oldest form of the Kabbalah as represented by the Bahir.

This combination reflects speculative interests whose origin is no longer essentially determined by Gnosticism but rather by Neoplatonism and a language mysticism generated by the latter. Isaac is visibly struggling with new thoughts for which he is as yet unable to find clear and definitive expression. The awkwardness of his new terminology militates against the supposition that this lack of clarity, which often makes it so difficult to penetrate his meaning, is intentional.

His new terminology seems to be derived from philosophy, although we cannot identify its philosophical sources in the Hebrew tradition. The special importance of Isaac’s commentary on the Yesirah lies in the attempt to read into the old texts the new, speculative thoughts of a contemplative mystic. But we are no less surprised by the boldness with which he presents far-reaching ideas in his other cosmological fragments and in his remarks concerning the mystical theory of sacrifice. The particular manner in which Isaac applies his ideas to the task of man, to the connection between the terrestrial and the celestial worlds, and to eschatological matters merits closer consideration.

The path of the mystic, described by Isaac at the beginning of his commentary on the Yesirah, is (as Isaac of Acre already recognized in his paraphrase of several of these passages in his own commentary) that of systematically uncovering the divine—by means of reflective contemplation and within the innermost depths of such contemplation. Isaac postulates three stages in the mystery of the deity and its unfolding in creation and revelation.”

Gershom Scholem, Origins of the Kabbalah, pp. 263-5.

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