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Tag: Dragon

Legends of Creation and Dragons

” … Both the source of the original form of the Legend of the Fight between Ea and Apsu, and Marduk and Tiâmat, and the period of its composition are unknown, but there is no doubt that in one form or another it persisted in Mesopotamia for thousands of years.

The apocryphal book of “Bel and the Dragon” shows that a form of the Legend was in existence among the Babylonian Jews long after the Captivity, and the narrative relating to it associates it with religious observances.

But there is no foundation whatsoever for the assertion which has so often been made that the Two Accounts of the Creation which are given in the early chapters in Genesis are derived from the Seven Tablets of Creation described in the preceding pages. It is true that there are many points of resemblance between the narratives in cuneiform and Hebrew, and these often illustrate each other, but the fundamental conceptions of the Babylonian and Hebrew accounts are essentially different.

In the former the earliest beings that existed were foul demons and devils, and the God of Creation only appears at a later period, but in the latter the conception of God is that of a Being Who existed in and from the beginning, Almighty and Alone, and the devils of chaos and evil are His servants.

The seal may illustrate a scene from the epic of creation in which the forces of chaos, led by Tiamat, are defeated by a god representing cosmic order, probably Ninurta.

The seal may illustrate a scene from the epic of creation in which the forces of chaos, led by Tiamat, are defeated by a god representing cosmic order, probably Ninurta.

Among the primitive Semitic peoples there were probably many versions of the story of the Creation; and the narrative told by the Seven Tablets is, no doubt, one of them in a comparatively modern form.

It is quite clear that the Account of the Creation given in the Seven Tablets is derived from very ancient sources, and a considerable amount of literary evidence is now available for reconstructing the history of the Legend.

Thus in the Sumerian Account the narrative of the exploits of the hero called ZIUSUDU 19  begins with a description of the Creation and then goes on to describe a Flood, and there is little doubt that certain passages in this text are the originals of the Babylonian version as given in the Seven Tablets.

In the Story of ZIUSUDU, however, there is no mention of any Dragon. And there is reason to think that the Legend of the Dragon had originally nothing whatever to do with the Creation, for the texts of fragments of two distinct Accounts 20 of the Creation describe a fight between a Dragon and some deity other than Marduk.

In other Accounts the Dragon bears a strong resemblance to the Leviathan of Psalm civ, 26; Job xli, 1. In the one text he is said to be 50 biru 21 in length, and 1 biru in thickness; his mouth was 6 cubits (about 9 feet) wide, and the circumference of his ears 12 cubits (18 feet).

He was slain by a god whose name is unknown, and the blood continued to flow from his body for three years, three months, one day and one night.

In the second text the Dragon is 60 biru long and his thickness is 30 biru; the diameter of each eye is half a biru, and his paws are 20 biru long.

Thus there is every reason for believing that the Legend as it is given in the Seven Tablets is the work of some editor, who added the Legend of the Creation to the Legend of the Dragon in much the same way as the editor of the Gilgamish Legends included an account of the Deluge in his narrative of the exploits of his hero.

All forms of the Legend of the Creation and of the Dragon were popular in Babylonia, and one of them achieved so much notoriety that the priest employed recited it as an incantation to charm away the toothache.

The literary form of the text of the Seven Tablets fulfils the requirements of Semitic poetry in general. The lines usually fall into couplets, the second line being the antiphon of the first, e.g.:–

“When in the height heaven was not named,
And the earth beneath did not yet bear a name.”

Thus we have:–

enuma elish || lâ nabû shamamu
shaplish ammatum || shuma lâ zakrat

E.A. Wallis Budge, The Babylonian Legends of the Creation and the Fight Between Bel and the Dragon, 1921.

Desecration of the Dead, Depredations of the Dead

” … Sometimes the bodies of the Sumerians were placed in sarcophagi of clay. The earlier type was of “bath-tub” shape, round and flat-bottomed, with a rounded lid, while the later was the “slipper-shaped coffin,” which was ornamented with charms. There is a close resemblance between the “bath-tub” coffins of Sumeria and the Egyptian pottery coffins of oval shape found in Third and Fourth Dynasty tombs in rock chambers near Nuerat. Certain designs on wooden coffins, and tombs as early as the First Dynasty, have direct analogies in Babylonia.

No great tombs were erected in Sumeria. The coffins were usually laid in brick vaults below dwellings, or below temples, or in trenches outside the city walls. On the “stele of victory,” which belongs to the period of Eannatum, patesi of Lagash, the dead bodies on the battlefield are piled up in pairs quite naked, and earth is being heaped over them; this is a specimen of mound burial.

According to Herodotus the Babylonians “buried their dead in honey, and had funeral lamentations like the Egyptians.” The custom of preserving the body in this manner does not appear to have been an ancient one, and may have resulted from cultural contact with the Nile valley during the late Assyrian period. So long as the bones were undisturbed, the spirit was supposed to be assured of rest in the Underworld. This archaic belief was widespread …

… In Babylonia the return of the spirits of the dead was greatly dreaded. Ishtar once uttered the terrible threat: “I will cause the dead to rise; they will then eat and live. The dead will be more numerous than the living.”

When a foreign country was invaded, it was a common custom to break open the tombs and scatter the bones they contained. Probably it was believed, when such acts of vandalism were committed, that the offended spirits would plague their kinsfolk.

Ghosts always haunted the homes they once lived in, and were as malignant as demons. It is significant to find in this connection that the bodies of enemies who were slain in battle were not given decent burial, but mutilated and left for birds and beasts of prey to devour.

The demons that plagued the dead might also attack the living. A fragmentary narrative, which used to be referred to as the Cuthean Legend of Creation, and has been shown by Mr. L.W. King to have no connection with the struggle between Merodach and the dragon, deals with a war waged by an ancient king against a horde of evil spirits, led by “the lord of heights, lord of the Anunaki (earth spirits).” Some of the supernatural warriors had bodies like birds; others had “raven faces,” and all had been “suckled by Tiamat.”

For three years the king sent out great armies to attack the demons, but “none returned alive.” Then he decided to go forth himself to save his country from destruction. So he prepared for the conflict, and took the precaution of performing elaborate and therefore costly religious rites so as to secure the cooperation of the gods.

His expedition was successful, for he routed the supernatural army. On his return home, he recorded his great victory on tablets which were placed in the shrine of Nergal at Cuthah.

This myth may be an echo of Nergal’s raid against Eresh-ki-gal. Or, being associated with Cuthah, it may have been composed to encourage burial in that city’s sacred cemetery, which had been cleared by the famous old king of the evil demons which tormented the dead and made seasonal attacks against the living.”

Donald A. Mackenzie, Myths of Babylonia and Assyria, 1915.

Gods, Goddesses, Demons

” … In the early stages of Sumerian culture, the gods and goddesses who formed groups were indistinguishable from demons. They were vaguely defined, and had changing shapes. When attempts were made to depict them they were represented in many varying forms. Some were winged bulls or lions with human heads; others had even more remarkable composite forms. The “dragon of Babylon”, for instance, which was portrayed on walls of temples, had a serpent’s head, a body covered with scales, the fore legs of a lion, hind legs of an eagle, and a long wriggling serpentine tail. Ea had several monster forms. The following description of one of these is repulsive enough:–

The head is the head of a serpent,

From his nostrils mucus trickles,

His mouth is beslavered with water;

The ears are like those of a basilisk,

His horns are twisted into three curls,

He wears a veil in his head band,

The body is a suh-fish full of stars,

The base of his feet are claws,

The sole of his foot has no heel,

His name is Sassu-wunnu,

A sea monster, a form of Ea.

R.C. Thompson’s Translation.

Even after the gods were given beneficent attributes to reflect the growth of culture, and were humanized, they still retained many of their savage characteristics. Bel Enlil and his fierce son, Nergal, were destroyers of mankind; the storm god desolated the land; the sky god deluged it with rain; the sea raged furiously, ever hungering for human victims; the burning sun struck down its victims; and the floods played havoc with the dykes and houses of human beings.

In Egypt the sun god Ra was similarly a “producer of calamity,” the composite monster god Sokar was “the lord of fear”. Osiris in prehistoric times had been “a dangerous god,” and some of the Pharaohs sought protection against him in the charms inscribed in their tombs.

The Indian Shiva, “the Destroyer”, in the old religious poems has also primitive attributes of like character.

The Sumerian gods never lost their connection with the early spirit groups. These continued to be represented by their attendants, who executed a deity’s stern and vengeful decrees. In one of the Babylonian charms the demons are referred to as “the spleen of the gods”–the symbols of their wrathful emotions and vengeful desires.

Bel Enlil, the air and earth god, was served by the demons of disease, “the beloved sons of Bel,” which issued from the Underworld to attack mankind. Nergal, the sulky and ill-tempered lord of death and destruction, who never lost his demoniac character, swept over the land, followed by the spirits of pestilence, sunstroke, weariness, and destruction.

Anu, the sky god, had “spawned” at creation the demons of cold and rain and darkness. Even Ea and his consort, Damkina, were served by groups of devils and giants, which preyed upon mankind in bleak and desolate places when night fell. In the ocean home of Ea were bred the “seven evil spirits” of tempest–the gaping dragon, the leopard which preyed upon children, the great Beast, the terrible serpent, &c.

In Indian mythology Indra was similarly followed by the stormy Maruts, and fierce Rudra by the tempestuous Rudras.

In Teutonic mythology Odin is the “Wild Huntsman in the Raging Host.”

In Greek mythology the ocean furies attend upon fickle Poseidon.

Other examples of this kind could be multiplied.”

Donald A. Mackenzie, Myths of Babylonia and Assyria, 1915.

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