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The Absolute Book

“Superimposed on the notion of a God who speaks with men in order to command them to do something or to forbid them to do something was that of the Absolute Book, of a Sacred Scripture.

For Muslims, the Koran, (also called “The Book,” al-Kitab) is not merely a work of God, like men’s souls or the universe; it is one of the attributes of God, like His eternity or His rage.

In chapter XIII we read that the original text, the Mother of the Book, is deposited in Heaven.

Muhammed al-Gazali, the Algazel of the scholastics, declared: “The Koran is copied in a book, is pronounced with the tongue, is remembered in the heart and, even so, continues to persist in the center of God and is not altered by its passage through written pages and human understanding.”

George Sale observes that this uncreated Koran is nothing but its idea or Platonic archetype; it is likely that al-Gazali used the idea of archetypes, communicated to Islam by the Encyclopedia of the Brethren of Purity and by Avicenna, to justify the notion of the Mother of the Book.”

–Jorge Luis Borges, “On the Cult of Books.”

The Lost Writing of Jesus

“A teacher selects a pupil, but a book does not select its readers, who may be wicked or stupid; this Platonic mistrust persists in the words of Clement of Alexandria, a man of pagan culture: “The most prudent course is not to write but to learn and teach by word of mouth, because what is written remains” (Stromateis), and in the same treatise: “To write all things in a book is to put a sword in the hands of a child,” which derives from the Gospels: “Give not that which is holy unto the dogs, neither cast ye your pearls before swine, lest they trample them under their feet, and turn again and rend you.” That sentence is from Jesus, the greatest of oral teachers, who only once wrote a few words on the ground, and no man read what He had written.”

–Jorge Luis Borges, “On the Cult of Books.”

Prayers as Reflections of Intrinsic Harmonies.

“Rabbi Judah the Pious developed a unique conception of the Hebrew prayers, intensely mystical in character, which viewed the text of the traditional prayers as a reflection of a hidden, intrinsic numerical harmony that binds together the words and letters of the sacred texts and all phenomena of existence.”

–Joseph Dan, Kabbalah: A Very Short Introduction, 2006, pg. 19. 

Frank Herbert on Time.

“If he refused to move, he knew that he would remain caught in the timeless web, the eternal now where all events coexisted. This prospect enticed him. He saw Time as a convention shaped by the collective mind of all sentience. Time and space were categories imposed on the universe by his Mind. He had but to break free of the multiplicity where prescient visions lured him.”

–Frank Herbert, Children of Dune, pg. 182. 

Borges on the Demonic Origin of Nightmares.

“In all of these words there is an idea of demonic origin, the idea of a demon who causes the nightmare. I believe it does not derive simply from a superstition. I believe that there is–and I speak with complete honesty and sincerity–something true in this idea.”

 –Jorge Luis Borges, “Nightmares,” Seven Nights, 1984, pp. 28-9.

Borges on Nirvana.

“What does it mean to reach Nirvana? Simply that our acts no longer cast shadows.”

–Jorge Luis Borges, “Buddhism,” Seven Nights, 1984, pg. 60.

Borges on the doctrine of rebirth.

“In the West the idea has been propounded by various thinkers, above all by Pythagoras–who recognized the shield with which he had fought in the Trojan War, when he had another name.

In the tenth book of Plato’s Republic is the dream of Er, a soldier who watches the souls choose their fates before drinking in the river of Oblivion.

Agamemnon chooses to be an eagle, Orpheus a swan, and Odysseus–who once called himself Nobody–chooses to be the most modest, the most unknown of men.”

–Jorge Luis Borges, “Buddhism,” Seven Nights, 1984, pp. 55.