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Category: Reflection

Mirrors Reflect the Soul

” … We can now understand why it was a maxim both in ancient India and ancient Greece not to look at one’s reflection in water, and why the Greeks regarded it as an omen of death if a man dreamed of seeing himself so reflected. They feared that the water-spirits would drag the person’s reflection or soul under water, leaving him soulless to perish. This was probably the origin of the classical story of the beautiful Narcissus, who languished and died through seeing his reflection in the water.

Further, we can now explain the widespread custom of covering up mirrors or turning them to the wall after a death has taken place in the house. It is feared that the soul, projected out of the person in the shape of his reflection in the mirror, may be carried off by the ghost of the departed, which is commonly supposed to linger about the house till the burial. The custom is thus exactly parallel to the Aru custom of not sleeping in a house after a death for fear that the soul, projected out of the body in a dream, may meet the ghost and be carried off by it.

The reason why sick people should not see themselves in a mirror, and why the mirror in a sick-room is therefore covered up, is also plain; in time of sickness, when the soul might take flight so easily, it is particularly dangerous to project it out of the body by means of the reflection in a mirror. The rule is therefore precisely parallel to the rule observed by some peoples of not allowing sick people to sleep; for in sleep the soul is projected out of the body, and there is always a risk that it may not return.”

James George Frazer, The Golden Bough: A Study in Magic and Religion, 1922, The Soul as a Shadow and Reflection, np.

The Zohar and Reflection.

“The author of the Zohar put on, when writing this work, several layers of disguise, hiding his own personality, time, and language. He created an artificial language, an Aramaic that is not found in the same way anywhere else, innovating a vocabulary and grammatical forms. He attributed the work to ancient sages, and created a narrative that occurs in a distant place at another time …

“The radical mythological descriptions of the divine powers, the unhesitating use of detailed erotic language, and the visionary character of many sections–these are unequaled in Jewish literature, and place the Zohar among the most daring and radical works of religious literature and mysticism in any language.”

“…. the Zoharic worldview is based on the concept of reflection: everything is the reflection of everything else. The verses of scriptures reflect the emanation and structure of the divine world; as does the human body, in the anthropomorphic concept of the sefirot, and the human soul, which originates from the divine realm and in its various parts reflects the functions and dynamism of the sefirot.

“…The structure of the temple in Jerusalem and the ancient rituals practiced in it are a reflection of all other processes, in the universe, in man, and within the heavenly realms….Everything is a metaphor for everything else….All of this is presented as a secret message, a heavenly revelation to ancient sages, using conventional, authoritative methodologies.”

—-Joseph Dan, Kabbalah: A Very Short Introduction, 2006, pp. 32-4

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