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Category: Europa

Rituals of Human Sacrifice and Moloch

” … Without being unduly rash we may surmise that the tribute of seven youths and seven maidens whom the Athenians were bound to send to Minos every eight years had some connexion with the renewal of the king’s power for another octennial cycle.

Traditions varied as to the fate which awaited the lads and damsels on their arrival in Crete; but the common view appears to have been that they were shut up in the labyrinth, there to be devoured by the Minotaur, or at least to be imprisoned for life.

Perhaps they were sacrificed by being roasted alive in a bronze image of a bull, or of a bull-headed man, in order to renew the strength of the king and of the sun, whom he personated. This at all events is suggested by the legend of Talos, a bronze man who clutched people to his breast and leaped with them into the fire, so that they were roasted alive. He is said to have been given by Zeus to Europa, or by Hephaestus to Minos, to guard the island of Crete, which he patrolled thrice daily. According to one account he was a bull, according to another he was the sun.

Probably he was identical with the Minotaur, and stripped of his mythical features was nothing but a bronze image of the sun represented as a man with a bull’s head. In order to renew the solar fires, human victims may have been sacrificed to the idol by being roasted in its hollow body or placed on its sloping hands and allowed to roll into a pit of fire. It was in the latter fashion that the Carthaginians sacrificed their offspring to Moloch.

The children were laid on the hands of a calf-headed image of bronze, from which they slid into a fiery oven, while the people danced to the music of flutes and timbrels to drown the shrieks of the burning victims. The resemblance which the Cretan traditions bear to the Carthaginian practice suggests that the worship associated with the names of Minos and the Minotaur may have been powerfully influenced by that of a Semitic Baal.

In the tradition of Phalaris, tyrant of Agrigentum, and his brazen bull we may have an echo of similar rites in Sicily, where the Carthaginian power struck deep roots.”

James George Frazer, The Golden Bough: A Study in Magic and Religion, 1922, The Killing of the Divine King, np.

A Human Head Carried on a River of Blood

” … The first men on earth to receive knowledge of the gods, and to build temples and shrines and to summon meetings for religious observances are said to have been the Egyptians. 5 They were the first, too, to take cognizance of holy names, and to repeat sacred traditions. Not long after them the Assyrians heard from the Egyptians their doctrines as to the gods, and they reared temples and shrines: in these they placed statues and images.

Originally the temples of the Egyptians possessed no images. And there exist in Syria temples of a date not much later than those of Egypt, many of which I have seen myself, for instance, the temple of Hercules in Tyre. 6 This is not the Hercules of Greek legend; but a Tyrian hero of much greater antiquity than he.

There is likewise in Phœnicia a temple of great size owned by the Sidonians. They call it the temple of Astarte. 7 I hold this Astarte to be no other than the moon-goddess. But according to the story of one of the priests this temple is sacred to Europa, the sister of Cadmus. She was the daughter of Agenor, and on her disappearance from Earth the Phœnicians honoured her with a temple and told a sacred legend about her; how that Zeus was enamoured of her for her beauty, and changing his form into that of a bull carried her off into Crete. 8 This legend I heard from other Phœnicians as well; and the coinage current among the Sidonians bears upon it the effigy of Europa sitting upon a bull, none other than Zeus. 9 Thus they do not agree that the temple in question is sacred to Europa.

The Phœnicians have also another sacred custom, derived from Egypt, not from Assyria: it came, they say, from Heliopolis into Phœnicia. I never witnessed this myself, but it is important, and of great antiquity.

I saw too at Byblos a large temple, 10 sacred to the Byblian Aphrodite 11: this is the scene of the secret rites of Adonis: I mastered these. They assert that the legend about Adonis and the wild boar is true, 12 and that the facts occurred in their country, and in memory of this calamity they beat their breasts and wail every year, and perform their secret ritual amid signs of mourning through the whole countryside.

When they have finished their mourning and wailing, they sacrifice in the first place to Adonis, as to one who has departed this life: after this they allege that he is alive again, and exhibit his effigy to the sky. They proceed to shave their heads, 13 too, like the Egyptians on the loss of their Apis. The women who refuse to be shaved have to submit to the following penalty, viz., to stand for the space of an entire day in readiness to expose their persons for hire. The place of hire is open to none but foreigners, and out of the proceeds of the traffic of these women a sacrifice to Aphrodite is paid. 14

Some of the inhabitants of Byblos maintain that the Egyptian Osiris is buried in their town, and that the public mourning and secret rites are performed in memory not of Adonis, but of Osiris. 15 I will tell you why this story seems worthy of credence. A human head comes every year from Egypt to Byblos, 16 floating on its seven days’ journey thence: the winds, by some divine instinct, waft it on its way: it never varies from its course but goes straight to Byblos. The whole occurrence is miraculous. It occurs every year, and it came to pass while I was myself in Byblos, and I saw the head in that city.

There is, too, another marvellous portent in the region of the Byblians. A river, flowing from Mount Libanus, discharges itself into the sea: this river bears the name of Adonis. 17 Every year regularly it is tinged with blood, and loses its proper colour before it falls into the sea: it dyes the sea, to a large space, red: 18 and thus announces their time of mourning to the Byblians.

Their story is that during these days Adonis is wounded, and that the river’s nature is changed by the blood which flows into its waters; and that it takes its name from this blood. Such is the legend vulgarly accepted: but a man of Byblos, who seemed to me to be telling the truth, told me another reason for this marvellous change.

He spoke as follows: “This river, my friend and guest, passes through the Libanus: now this Libanus abounds in red earth. The violent winds which blow regularly on those days bring down into the river a quantity of earth resembling vermilion. It is this earth that turns the river to red. And thus the change in the river’s colour is due, not to blood as they affirm, but to the nature of the soil.” 19

This was the story of the Byblian. But even assuming that he spoke the truth, yet there certainly seems to me something supernatural in the regular coincidence of the wind and the colouring of the river.”

Herbert A. Strong and John Garstang, trans., The Syrian Goddess, by Lucian, 1913, pp. 42-8.