1763 BCE | Samizdat

October 5, 2015

Selz: No Connection Between the Biblical Patriarchs and the Babylonian Antediluvian Kings

“After an increasing wealth of Mesopotamian cuneiform tablets was excavated and translated in the middle of the nineteenth century, critical evaluation of the biblical traditions gained great momentum.

In 1872 George Smith delivered a paper to the Society of Biblical Archaeology in London, announcing the discovery of a Babylonian version of the biblical flood story, hereby renewing the interest in the extra-biblical traditions of Antiquity and eventually supporting the account of Berossos’ Babyloniaca.

A few years later, in 1876, Smith published his book The Chaldean Account of Genesis, in which he included translations of excerpts from fragments of Atrahasīs, a text which, together with the so-called “Creation Epic Enūma Elīsh,” soon became a corner stone for all comparisons between the biblical and Mesopotamian accounts of the “history” of primeval times.

Winter or Flood, by Nicolas Poussin (1594-1665 CE), executed between 1660 and 1664. This oil on canvas work is in the permanent collection of the Louvre, hanging in room 16, Richelieu, 2d floor. Accession number INV 7306. Courtesy of The Yorck Project: 10.000 Meisterwerke der Malerei. DVD-ROM, 2002. ISBN 3936122202. Distributed by DIRECTMEDIA Publishing GmbH. The work of art depicted in this image and the reproduction thereof are in the public domain worldwide. The reproduction is part of a collection of reproductions compiled by The Yorck Project. The compilation copyright is held by Zenodot Verlagsgesellschaft mbH and licensed under the GNU Free Documentation License. https://en.wikipedia.org/wiki/The_Four_Seasons_(Poussin)#The_Deluge

Winter or Flood, by Nicolas Poussin (1594-1665 CE), painted between 1660 and 1664 CE. This oil on canvas work is in the permanent collection of the Louvre Museum, hanging in room 16, Richelieu, 2d floor.
Accession number INV 7306.
Courtesy of The Yorck Project: 10.000 Meisterwerke der Malerei. DVD-ROM, 2002. ISBN 3936122202. Distributed by DIRECTMEDIA Publishing GmbH.
The work of art depicted in this image and the reproduction thereof are in the public domain worldwide. The reproduction is part of a collection of reproductions compiled by The Yorck Project. The compilation copyright is held by Zenodot Verlagsgesellschaft mbH and licensed under the GNU Free Documentation License.
https://en.wikipedia.org/wiki/The_Four_Seasons_(Poussin)#The_Deluge

(See W.G. Lambert and A.R. Millard, Atrahasīs: The Babylonian Story of the Flood (London: Oxford University Press, 1969), p. 3.)

(The comparison of the Mesopotamian flood story with its Noah-related figure of Ziusudra/Utnapishtim and the Babylonian Epic of Creation in conjunction with Berossos’ account of Babylonian History fostered many hypotheses and any originality of the biblical stories became disputed.

In 1902 H. Zimmern published his influential article “Urkönige und Uroffenbarung,” in E. Schrader, Die Keilinschriften und das Alte Testament (ed. H. Zimmern and H. Winckler; 3rd ed.; 2 vols.; Berlin: Reuther & Reichard, 1902-1903), 2:530-543, in which he attempted to parallel the names of the biblical primeval patriarchs and similar figures from extra-biblical traditions.

Great influence gained F. Delitzsch who with his lectures on “Babel und Bibel” (1902-1905) provoked the so-called “Babel-Bibel Streit”; see F. Delitzsch, Babel und Bibel (Leipzig: Hinrichs, 1921).

Later he took an even more open hostile stand against the traditional theologians in his work Die große Täuschung: Kritische Betrachtungen zu den alttestamentlichen Berichten über Israels Eindringen in Kanaan, die Gottesoffenbarung vom Sinai und die Wirksamkeit der Propheten (2 vols.; Stuttgart: Deutsche Verlagsanstalt, 1920-1921.)

Among the extant exemplars of the Sumerian King List, the Weld-Blundell prism in the Ashmolean Museum cuneiform collection represents the most extensive version as well as the most complete copy of the King List.
Listing rulers from the antediluvian dynasties to Suen-magir, the fourteenth ruler of the Isin dynasty (ca. 1763–1753 B.C.), the prism has four sides with two columns on each side.
The prism is perforated, and it originally stood on a wooden spindle going through its centre so that it could be rotated and read on all four sides.
http://cdli.ox.ac.uk/wiki/doku.php?id=the_sumerian_king_list_sklid=the_sumerian_king_list_skl

To cut a long story short, when S. Langdon published the Weld-Blundell (WB) copy of the Sumerian King List in 1923, a thorough revision of earlier opinions became necessary.

(A. Deimel, “Die babylonische und biblische Überlieferung bezüglich der vorsintflutlichen Urväter,” Orientalia (Rome) 17 (1925): pp. 33-47; cf. further H. Zimmern, “Die altbabylonischen vor-(und nach-) sintflutlichen Könige nach neuen Quellen,” ZDMG 78 (1924): pp. 19-35.

W.G. Lambert, “A New Fragment from a List of Antediluvian Kings and Marduk’s Chariot,” in Symbolae Biblicae et Mesopotamicae: Francisco Mario Theodoro de Liagre Böhl dedicatae (ed. M.A. Beek et al.; Studia Francisci Scholten memoriae dicata 4; Leiden, Brill, 1973), pp. 271-80, 271, pointed out that the connection of the patriarchs to the tradition of the Sumerian King List was first established by Josephus who again depended on Berossos.)

It became clear, in particular, that the names of (most) of Berossos’ early Babylonian rulers were of Sumerian origin. Zimmern himself revised his earlier theories and Pater Anton Deimel even disputed any connection of the cuneiform tradition to the biblical patriarchs.”

(A. Deimel, “Urväter,” p. 43 states: “(Es) dürfte besser ehrlich einzugestehen sein, dass bis jetzt kein Zusammenhang irgendwelcher Art zwischen der babylonischen und der biblischen Überlieferung bezüglich der vorsintflutlichen Urväter erwiesen ist.”

(“It is likely better to honestly admit that so far no connection whatsoever between the Babylonian and the biblical tradition is established with respect to the antediluvian patriarchs.”)

Gebhard J. Selz, “Of Heroes and Sages–Considerations of the Early Mesopotamian Background of Some Enochic Traditions,” in Armin Lange, et al, The Dead Sea Scrolls in Context, v. 2, Brill, 2011, pp. 789-90.

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June 17, 2015

On the Mythic Reigns of Antediluvian Kings in Sumeria

“Of the many fascinating and instructive artifacts that have been recovered from sites in Iraq where flourishing Sumerian cities once stood, few have been more intriguing than a prism now in the Weld-Blundell collection of the Ashmolean Museum in Oxford, England. Known more popularly as the Sumerian King List, it is held to have been compiled from as many as fifteen different texts.

Among all the extant exemplars of the Sumerian King List, the Weld-Blundell prism in the Ashmolean Museum cuneiform collection represents the most extensive version as well as the most complete copy of the King List. It lists rulers from the antediluvian dynasties to Suen-magir, the fourteenth ruler of the Isin dynasty (ca. 1763–1753 B.C.). The prism contains four sides with two columns on each side. Perforated, the prism must originally have a wooden spindle going through its centre so that it might be rotated and read on all four sides.
http://cdli.ox.ac.uk/wiki/doku.php?id=the_sumerian_king_list_sklid=the_sumerian_king_list_skl

The King List traces the rulers of certain Sumerian cities in succession and is of immense value because it contains some very old traditions while at the same time furnishing an important chronological framework for the antediluvian period of the Near East. The original form of the List is thought to have gone back to Utu-Hegal, king of Uruk, perhaps about 2000 BC, but who was certainly flourishing during the early stages of the celebrated Third Dynasty of Ur (c. 2070-1960 BC).

The List commenced with an “antediluvian preamble”: “When kingship was lowered from heaven, it was in the city of Eridu.” After two kings had ruled over Eridu, kingship was transferred to Badtibira (usually identified with Tell Medain near Telloh), where the reigns of three kings were duly recorded in succession.

The antediluvian portion of the King List concluded with three rulers who reigned in Larak (possibly Tell el-Wilaya near Kut el-Imara), Sippar (the modern Abu Habba, twenty miles southwest of Baghdad), and Shuruppak (identified with Tell Fara, some forty miles southeast of Diwaniyah) respectively.

At this point the narrative broke off with the terse words: “the flood swept over (the earth).”

Thereafter the prism continued with the postdiluvian dynasties of Kish and other cities, but this material comes from a much later period and translations are not entirely reliable in some areas. Because this section is not significant for the present discussion, it will be dispensed with.

It should also be noted that, some 2,000 years later, a Babylonian priest named Berossos furnished what has been regarded as a revised form of the Sumerian King List but reproduced the names in Greek rather than Sumerian.

Berossos compiled the material in the time of Antiochus I (281-261 BC) and cataloged ten rather than the eight rulers on the original list. The identities of the kings on the revised list are difficult to confirm for the most part, but as with the ancient record the one Berossos compiled ascribed very long reigns to each ruler.

While the antediluvian section of the Sumerian King List has usually been regarded as important for establishing a chronology of early Sumerian kings, their amazingly long tenure of regal office has provoked many attempts at interpretation. At one extreme was the desire to dismiss the astronomically large figures as “completely artificial” on the grounds that such a position could hardly be denied even by the most superficial examination.

Some other investigators, influenced by the mythological interpretation of Biblical and other ancient Near Eastern writings, relegated the numbers frankly to legend and folklore and regarded them as unworthy of serious consideration.

Other scholars, however, feeling that they had some sort of basis in reality, thought of them in terms of epic or monumental description. There were in fact some grounds for this position, especially when it was learned that in ancient Egypt the phrase “he died aged 110” was actually an epitaph commemorating a life that had been lived selflessly and had resulted in outstanding social and moral benefits for others (cf. Genesis 50:26; Joshua 24:29).

It was thus a poetic tribute and bore no necessary relation to the individual’s actual lifespan.”

R.K. Harrison, “Reinvestigating the Antediluvian Sumerian King List,” Journal of the Evangelical Theological Society (JETS) 36 / 1 (March 1993), pp. 3-4.

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June 17, 2015

On the Date of The Flood

“I now turn to Berossos’ account of the Flood as the central narrative of book 2. The extant fragments contain the following elements:

– Kronos reveals the destruction of mankind in a dream
– Xisouthros is told he must bury the tablets in Sippar
– He must build a boat and embark together with family, friends, and animals
– The coming and receding of the deluge (mentioned in only one sentence)
– Bird scene
– Disembarking
– Worship and ritual offering
– Disappearance of Xisouthros, who will henceforth live with the gods
– Xisouthros’ friends and relatives are told (not by Kronos, but a ‘voice’) to go to Sippar and dig up the tablets, and to hand them over to mankind.
– Landing place in Armenia, in the Korduaian mountains. The remains of the ark are still there, and people scrape off bitumen for magic purposes.

In Mesopotamian accounts of the deluge the Flood marks a break between a mythic prehistory and a history closer to the world as it is today. According to Manfried Dietrich, many mythical texts from Mesopotamia reflect this view of history, whereby an embryonic phase in the development of the world (‘embryonaler Status’) is followed by what he calls the ‘Jetzt-Zeit’, i.e. the present time.

The extant fragments of Berossos follow the same overall scheme. For Berossos too, the time before the Flood is a period of revelation, when the basis for all later knowledge was laid. Writings originating in this period would accordingly have a special authority and ‘the history which follows is the time when this revelation is transmitted and unfolded.’

Berossos was not the first to connect an antediluvian king list with the Flood story: already the Sumerian version of the Flood story mentions five primeval cities known also from copies of the Sumerian King List.

Among all the extant exemplars of the Sumerian King List, the Weld-Blundell prism in the Ashmolean Museum cuneiform collection represents the most extensive version as well as the most complete copy of the King List.
In this depiction, all four sides of the Sumerian King List prism are portrayed.
It lists rulers from the antediluvian dynasties to Suen-magir, the fourteenth ruler of the Isin dynasty (ca. 1763–1753 B.C.).
The prism contains four sides with two columns on each side. Perforated, the prism must originally have a wooden spindle going through its centre so that it might be rotated and read on all four sides.
http://cdli.ox.ac.uk/wiki/doku.php?id=the_sumerian_king_list_sklid=the_sumerian_king_list_skl

Berossos’ own knowledge of primordial kings probably goes back to sources that were available in Hellenistic times. The Sumerian King List itself was still known in the Seleucid era, or rather versions of king lists that echo, structurally and stylistically, their ancient forerunners from the early second millenium.

In matching up the primordial kings with the seven sages, the apkallu, Berossos once again works in the vein of contemporary scholars, who demonstrably constructed lists with kings and apkallu in order to advertise their own importance, and the primordial roots of their knowledge, as Alan Lenzi has recently shown (Editorial note: this link is to Alan Lenzi, “The Uruk List of Kings and Sages and Late Mesopotamian Scholarship,” JANER 8.2, 2008, which will be serialized in its own posts shortly).

Detail, apkallu head, from a frieze in Nimrud.
http://non-aliencreatures.wikia.com/wiki/Apkallu

Yet, Berossos does not merely translate ancient documents, but rather selects and reframes what he finds, thus constructing his own version of the past. For a start, he locates the beginnings of kingship in Babylon and not in Eridu as the first city of Mesopotamian tradition.

Moreover, he reckons the overall duration of pre-flood history at 432,000 years (120 saroi = 120 x 3600 years), a sum that reflects the sexagesimal counting system of ancient Mesopotamia but which, as far as we know, is unique in Mesoptamian tradition.

432,000, however, is no arbitrary accumulation of individual reigns, but rather represents an astronomical ‘great year’, or an exact fraction of it. A great year is the period of time it takes for all heavenly bodies to return to their original place in the sky.

Berossos evidently had at least some astronomical knowledge, and moreover was keen to display his knowledge. Indeed, another peculiarity of Babyloniaca 2, beside the exorbitant reigns of the pre-flood kings, is Berossos’ unusual and very specific reference to a date for the Flood:

Kronos stood over him in his sleep and said that on the 15th of the month of Daisios mankind would be destroyed by a flood.

The Armenian version (F4a) supplies some explanatory glosses inserted at a later stage (in italics):

He says that Kronos, whom they call the father of Aramazd and others call Time, revealed to him in his sleep that on the 15th of the month of De(s)ios, which is Mareri, mankind was to be destroyed by the Flood.

There is no mention of a specific date in cuneiform texts about the Flood, yet Berossos puts it on ‘the fifteenth of the month Daisios’. According to the Macedonian calendar introduced by the Seleucids, Daisios is the 8th month of the year, and comes in spring (April/May, Babylonian Ayyaru).

Perhaps Berossos inserted a Macedonian dating in order to make it more relevant to his readers who were familiar with Greek Flood narratives. The choice of date may not be entirely accidental, as the Tigris and the Euphrates burst their banks in spring.

However, extant cuneiform sources link the deluge with rains and a cosmic storm rather than natural inundations, and we may have to look elsewhere for an explanation.”

Martin Lang, “Book Two: Mesopotamian Early History and the Flood Story,” from Johannes Haubold, Giovanni B. Lanfranchi, Robert Rollinger, John Steele (eds.), The World of Berossos, Proceedings of the 4th International Colloquium on the Ancient Near East Between Classical and Ancient Oriental Traditions, Harrassowitz Verlag, Wiesbaden, 2013, pp. 49-51.

June 16, 2015

Oannes and the Apkallu, the Seven Sages of Sumeria

“Placed between two other books, Babyloniaca 2 takes on the function of a narrative pivot in Berossos’ work. It has connections with book one and book three, by way of recapitulation (e.g. Oannes and the sages) and anticipation (mention of kings who are treated in book three); and it brings into contact two fundamentally different periods in history: the mythic prehistory of book 1, which is cast as a revelation transmitted by the semi-divine sage Oannes; and the political history of book 3, which bears out Oannes’ revelation in a setting where gods and humans are much more clearly separate.

Book 2 of Berossos’ Babyloniaca contains, as far as we can tell, the history of Babylonian kingship organised according to a very traditional pattern. Broadly speaking, it comprises the ten kings before the Flood, the deluge narrative and a concise history of rulers down to Nabonassar.

The structural backbone of the book is a king list, more specifically, the so-called Sumerian King List in a version which contains sections before and after the Flood. The time before the Flood is structured by the succession of antediluvian kings, that after the Flood traces the reigns of postdiluvian kings, thus forming a narrative diptych around the central Flood narrative. Eusebius describes the overall effect as follows:

“This Berosos narrated in his first book, and in the second he wrote ordering the kings one after another… In collecting the names of the kings he collects [that] alone, but he tells nothing precise of their deeds, indeed he did not consider them worthy of mention […].”

Eusebius’ complaint notwithstanding, Berossos does seem to have fleshed out the skeleton of his king list with some narrative interludes. For example, he inserts references to the antediluvian sages, a peculiarity paralleled in cuneiform sources of the Hellenistic period.

The combination of the list itself and the Flood narrative continued unchanged down to the first millennium BCE and is also attested in some fragments from the Neo-Assyrian and Late Babylonian period.

More specifically, Berossos connects the beginnings of humanity with the Oannes theme from book one. As far as we can tell, that theme appeared twice in the Babyloniaca: near the beginning of the work, Berossos introduces Oannes as the ‘paragon of Mesopotamian scholarly mysticism and wisdom’.

‘In the very first year’, a fearsome beast named Oannes appears out of the Red Sea and teaches humankind the arts of civilisation. In book 2, we learn that he is only the first in a series of other such beasts (F3a).

This protective spirit (Apkallu or Abkallu) guarded the entrance to the temple of Ninurta at Nimrud. A fish’s head can be seen on Apkallu’s head, and its skin hangs down over the back of Apkallu’s body.
Neo-Assyrian era, 865-860 BCE. From the Temple of Ninurta, Nimrud (ancient Kalhu; Biblical Calah), northern Mesopotamia, Iraq. (The British Museum, London).
Osama Shukir Muhammed Amin FRCP (Glasg)
http://www.ancient.eu/image/2708/

Oannes, however, is clearly the most important: he is depicted as more than a mere culture hero but acts as something very close to a creator god himself, shaping amorphous matter and turning mindless creatures into human beings with an identity and creative intelligence.

Oannes alone is responsible for the growth of human civilisation and its manifestations in history. Moreover, in describing his intervention, Berossos combines what in Sumero-Akkadian tradition were known as divine acts of creation with the teachings that humanity traditionally attributed to the apkallu, the mysterious seven sages who were created and inspired by Enki/Ea, the god of wisdom.

Part of the reason here, I suspect, might be that Berossos tried to make Oannes more plausible to a Greek audience by giving him some of the attributes of the Platonic δημιουργός (dēmiurgós), who acts ‘like a versatile artist or craftsman, creates his work from available materials according to a predetermined plan (PI. Resp. 507c; 530 a; 597b ff.; PI. Soph. 265c ff.; PI. Pit. 269c ff.; 272e ff.; PI. 7V.)’.

The aim is to underline the enormous age of Babylonian culture, the beginnings of which coincide with the dawn of all human culture. It is significant therefore that Berossos recapitulates the Oannes theme when he finally starts his account of human history in Babyloniaca 2.”

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Category: 1763 BCE

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