“In another part of the work, after a series of curses which are ordered to be said over Âpep, the rubric directs that they shall be recited by a person who hath washed himself and is ceremonially clean, and when this has been done he is to write in green colour upon a piece of new papyrus the names of all the fiends who are in the train of Âpep, as well as those of their fathers, and mothers, and children.
He must then make figures of all these fiends in wax, and having inscribed their names upon them, must tie them up with black hair, and then cast them on the ground and kick them with the left foot, and pierce them with a stone spear; this done they are to be thrown into the fire.
More than once is it said, “It is good for a man to recite this book before the august god regularly,” for the doing of it was believed to give great power “to him, both upon earth and in the underworld.”
Finally, after the names of Âpep are enumerated, he who would benefit by the knowledge of them is bidden to “make the figure of a serpent with his tail in his mouth, and having stuck a knife in his back, cast him down upon the ground and say, “‘Âpep, Fiend, Betet.’”
Then, in order to destroy the fiends who are in the train of Âpep, other images or figures of them must be made with their hands tied behind them; these are to be called “Children of inactivity.”
The papyrus then continues, “Make another serpent with the face of a cat, and with a knife stuck in his back, and call it ‘Hemhem‘ (Roarer).
Make another with the face of a crocodile, and with a knife stuck in his back, and call it ‘Hauna-aru-her-hra.’
Make another with the face of a duck, and with a knife stuck in his back, and call it ‘Aluti.’
Make another with the face of a white cat, and with a knife stuck in his back, and tie it up and bind it tightly, and call it ‘Âpep the Enemy.’”
Such are the means which the Egyptians adopted when they wanted to keep away rain and storm, thunder and lightning, and mist and cloud, and to ensure a bright clear sky wherein the sun might run his course.”
E.A. Wallis Budge, Egyptian Magic, London, 1901. Pp. 82-4.