Angels | Samizdat

June 17, 2015

An Excerpt from The Fall of the Angels

“How did the story about the fall of the angels relate to biblical tradition? Why is it only hinted at there, and not incorporated into the canon in more complete form? Two general points may be offered in response to these questions.

First, the story presupposes, rather than lies behind, the Hebrew Bible and, thus, is to be regarded as a development, indeed interpretation, of what later came to be recognized as canonical. Second, the communities which produced the story did so by transforming the biblical tradition through the dual filters of apocalyptic dualism and their own social contexts.

These points have to be taken into account when considering how it was that “the day of the Lord” of the exilic and post-exilic prophets could be absorbed into the notion of a final apocalyptic battle in later early Jewish literature. Was this shift from prophetic to apocalyptic eschatology the result of an attempt to reject the foreign domination by Hellenistic rulers—such as the Ptolemies in Egypt and the Seleucids in Syria—in the wake of Alexander the Great’s conquests?

Or was this growing dualism a reflection of the breach between urban and rural culture? Or, by contrast, did the apocalyptic religious tradition re-present knowledge gleaned from the “foreign” sciences of its day as divine revelation, doing so long before the Greeks came on the scene?

There were yet other stories in the Ancient Near East that had been told long time and retold in the Greek world. Those stories were adapted to the current social situation and to the clash of civilizations. (sic).

The famous passage from Genesis 6:1-4 played a central role in the development of apocalyptic traditions. The biblical tradition itself is ambiguous; it conveys a story about ancient “heroes”, on the one hand, and the “sons of the gods”, on the other. What these figures have to do with the destruction brought about through the Great Flood in the following narrative (Genesis 6:5ff.) constitutes the first question to be examined in this volume.

The contribution by Ronald Hendel does so by exploring possible parallels to the biblical story in the Ancient Near East. One of the most significant traditions to throw light on the biblical account is shown to be the Atrahasis Epic. If read alongside this epic, the ruptures and ambiguities within the Genesis narrative, which involves the insertion of a polytheistic conflict between deities into a monotheistic narrative about God and creation, do not appear so conspicuous or unexpected.

This is further illustrated by the common motif that has the lower world flooded by the heavenly world in order to prevent the superhuman inhabitants of the lower world from becoming too powerful. The attempt by the gods above to destroy the younger and smaller ones reaches a truce in the form of a treaty or alliance. This is how Genesis chapters 6-9 may be comprehended as a complete narrative and, in addition, came to include the passage in 6:1-4.

A tradition about a revolt in a heavenly palace is preserved in the Babylonian Atrahasis Epic, also known through the Baal-Cycle from Ugarit and the Hethitic Kumarbi Epic, has also influenced Greek mythology which tells of the conflict between Zeus, on the one hand, and his tyrannical murderer-father and the Titans his helpers, on the other. In this volume, Jan Bremmer argues impressively that the “Titans” of the story are actually not destroyed. The fear of their possible return persists and remains an irrepressible potential and threat.

How astronomic observation, the interpretation of stars as deities living in a distant world, and scientific knowledge are coalesced into the traditional image of God is shown by Matthias Albani in his analysis of Isaiah 14.

The Fall of the Rebel Angels is an oil-on-panel by Flemish renaissance artist Pieter Bruegel the Elder, painted in 1562. It is currently held and exhibited at the Royal Museums of Fine Arts of Belgium in Brussels.
Bruegel’s depiction of this subject is taken from a passage from the Book of Revelation (12, 2-9) and reveals the artist’s profound debt to Hieronymous Bosch, especially in the grotesque figures of the fallen angels, shown as half-human, half-animal monsters.
Together with Dulle Griet and The Triumph of Death, which have similar dimensions, it was probably painted for the same collector and destined to become part of a series.
https://en.wikipedia.org/wiki/The_Fall_of_the_Rebel_Angels_(Bruegel)

For Albani, the myth of the morning star that rises at night only to be driven away and dissolved by the light of the sun is discernible in a story about the power of God who, though rivaled by the smaller stars, is never surpassed by them.

The fact that the Isaiah account may be dated to the exilic period—and so is similar to expulsion of the throne pretender mentioned in Ezekiel 28—strengthens the likelihood that it functioned as a story of consolation. The image of the rise and fall of Helel was later translated into “Lucifer” in Latin tradition. The interpretation is depicted in Figure No. 2.

No direct line can be drawn from the Isaiah narrative to the Enochic apocalyptic literature and its Gnostic adaptation. The apocalyptic and cosmological dualisms of the latter fundamentally changed the religious tradition into something cosmic, super-historical, and superhuman.”

Christoph Auffarth & Loren T. Stuckenbruck, eds., “The Centre for Power for Evil: Its Origins and Development,” in The Fall of the Angels, Brill, 2004.

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December 17, 2014

Shemittah Without Limit

“In this state, the Torah is not “legible” for human beings. At the Sinaitic revelation, God taught Moses how to read the Torah by a division into letters and words, in such manner that it yielded a meaning in the Hebrew language. These considerations also opened the door to the possibility of alternative mystical readings, and it is precisely this notion that the Book Temunah presents in such a radical fashion.

In fact, according to this book, the world in which we live and which we know as the creation that began so and so many thousand years ago is not the first. It was preceded by another shemittah: the aeon of Grace, in the course of which all the sefiroth acted under the determining regime of this principal sefirah.

The world “built by Grace” at that time—according to the interpretation given by the kabbalists to Psalms 89:3—bears some resemblance to the Golden Age of Greek mythology. This shemittah was entirely bathed in light. The spheres of the heavens were simple and not composed of four elements; men stood at the highest spiritual pinnacle and possessed a pure body.

Even the cattle and other animals stood as high then as the animals that bear the Merkabah in our shemittah. The cult practiced by the creatures resembled the adoration of God by the angels in the present aeon. There was neither an exile of the body, as that of Israel, nor an exile of the souls, which is the transmigration of souls.

Man looked like the celestial man whom Ezekiel saw upon the throne. The manifestation of the primordial Torah as beheld by the creatures of that shemittah came exclusively from the side of Grace. Since there existed no evil inclination and no tempting serpent, the Torah of this shemittah (that is, the manner in which the mystical letters were combined) contained nothing concerning impurities or prohibitions. Even those letters had a simple form and were not in large measure composite, as at present.”

Gershom Scholem, Origins of the Kabbalah, 1962, p. 467.

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December 10, 2014

The Naassene Fragment, on Attis

S. 4 Moreover, also, the Phrygians say that the Father of wholes 5 is Amygdalos 6—

J. —no [ordinary] tree 7 (H. he says); but that He is that Amygdalos the Pre-existing, who having in Himself the Perfect Fruit, as it were, throbbing 8 and moving in [His] Depth, He tore asunder 9 His Womb, and gave birth to His own Son 10—

C. —the Invisible, Unnameable, and Ineffable [One] of whom we tell. 1

S. For “amyxai” 2 is, as it were, “to break” and “cut open”; just as (H. he says) in the case of inflamed bodies and those which have some internal tumour, when physicians lance them, they speak of “amychas.” 3

Thus (H. he says) the Phrygians call him Amygdalos.

C. From whom proceeded and was born the Invisible—

“Through whom all things were made, and without whom nothing was made.” 4

(30) S. The Phrygians also say that that which is generated from Him is Syriktēs. 5

J. For that which is generated is Spirit in harmony. 6

C. For “God (H. he says) is Spirit.” 7

Wherefore He says:

“Neither in this mountain do the true worshippers worship, nor in Jerusalem, but in Spirit.” 8

For the worship of the perfect [men] (H. he says) is spiritual, not fleshly.

J. And “Spirit” (H. he says) is there where both Father and Son are named, generated there from Him 1 and the Father.

S. He 2 (H. he says) is the Many-named, Myriad-eyed, Incomprehensible, whom every nature desires, some one way, some another.

J. This (H. he says) is the Word 3 of God, which is:

“The Word of Announcement of the Great Power. Wherefore It shall be sealed, and hidden, and concealed, stored in the Habitation, where the Root of the Universals has its foundation—

“Of Æons, Powers, Intelligences, Gods, Angels, Spirits Delegate, Existing Non-existences, Generated Ingenerables, Comprehensible Incomprehensibles,—Years, Months, Days, Hours,—of [the] Boundless Point, from which the most minute begins to increase by parts. 4

“For (H. he says) the Point which is nothing and is composed of nothing, though partless, will become by means of its own Thought a Greatness 1 beyond our own comprehension.”

C. This [Point] (H. he says) is the Kingdom of the Heavens, the “grain of mustard seed,” 2 the partless point, the first existing for the body; which no one (H. he says) knows save the spiritual [men] alone.

J. This (H. he says) is what is said:

“They are neither words nor languages whereby their 3 sounds are heard.” 4

H. These things, [then,] which are said and done by all men, they thus interpret off-hand to their peculiar theory (νοῦν), pretending that they are all done with a spiritual meaning.

For which cause also they 5 say that the performers in the theatres—they, too, neither say nor do anything without Design. 6

S. For example (H. he says), when the people assemble in the theatres, and a man comes on the stage, clad in a robe different from all others, with lute 7 in hand on which he plays, and thus chants the Great Mysteries, not knowing what he says: 8

“Whether blest Child of Kronos, or of Zeus, or of Great Rhea,—

Hail, Attis, thou mournful song 9 of Rhea!

Assyrians call thee thrice-longed-for Adōnis;

all Egypt [calls thee] Osiris;

the Wisdom of Hellas [names thee] Mēn’s Heavenly Horn;

the Samothracians [call thee] august Adama;

the Hæmonians, Korybas;

the Phrygians [name thee] Papa sometimes,

at times again Dead, or God, 1 or Unfruitful,

or Aipolos, or Green Reaped 2 Wheat-ear,

or the Fruitful that Amygdalos brought forth,

Man, Piper . . . Attis!”

H. He [S.] says that this is the Attis of many forms of whom they [NN., in H.’s opinion] sing as follows:

S. “Of Attis will I sing, of Rhea’s [Belovèd];—

not with the boomings 3 of bells,

nor with the deep-toned 4 pipe of Idæan Kurētes;

but I will blend my song with Phoebus’ music of the lyre.

Evoï! Evan!—for [thou art] Pan, [thou] Bacchus [art], and Shepherd of bright stars!”

G.R.S. Mead, Thrice-Greatest Hermes, Vol. 1, 1906, pp. 182-6.

From Hippolytus, Philosophumena; or, Refutation of all Heresies.

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December 7, 2014

Man as the “Great Seal”

“The divine power spreading from the sefiroth into Creation, from the world of the Throne and the angels outward, also descends below the human domain to living beings of a lower order, even to plants.

Trees, too, have a mystical root in those of Paradise, which represent the primordial images of all future trees. Everything below is linked to that which is above, to which it owes its existence, until it is linked by a chain of this kind to the Infinite.

”All creatures on earth depend on the higher powers, and these on still higher, up to the infinite cause.”

This cosmic chain is, at least in the realm of the sefiroth, a magnetic one. The sefiroth and logoi “rise above themselves like something rising under the influence of a magnet and thus their end [in the words of the Book Yesirah] is [enclosed] in its beginning” (on 1:7).

But in addition to the connection through emanation there is also one through vision, sefiyah. In connection with Yesirah 1:6, we learn that this vision itself is the magnetic act of communication in which everything ascends to its origins.

The Book of Creation says that the vision of the sefiroth is like lightning, and Isaac explains:

“The vision is the meditation of one thing out of the other. . . . Every cause is taken up and rises and then looks down from a cause that is higher than itself. . . . Everything is in the other and in communication with the other.”

Thus, not only does God contemplate the depths of his own wisdom when he produces the world, but a contemplative communication of the same kind also takes place among the sefiroth.

The contemplation of the mystic in a state of kawwanah is thus not unlike that which occurs among the spiritual essences themselves. In creation, it is not the divine middoth, the “fathers,” that act directly but rather the derivative middoth, toladoth, which issue from them. In isolation, without communicating with “fathers” or “mothers,” they are unable to produce anything.

Man too is inserted into this process. He is …

” … built out of combinations of the letters” (chap. 3). “And this higher edifice of spirit [ruah] that directs him [also] directs the All, and thus the All is connected to the upper and the lower ones and is composed of the world, the year and the soul. . . . And the soul is the determining factor in the All” (ibid.).

Man, our text continues, is “the quintessence of all creatures, a great seal, in which the beginning and the end” of all creatures are enclosed.”

Gershom Scholem, Origins of the Kabbalah, p. 290.

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November 29, 2014

Metaphysical Anti-Semitism

“The coupling of masculine and feminine potencies in the upper world, which subsequently came to play such a significant role in the doctrines of the Spanish kabbalists, seems also to have been known in Cathar circles. Here too we should assume a common source in the ancient gnosis rather than immediate influences. However, it is plausible that some details were taken over by the Cathars from Jewish mystics as, for example, the idea, well known to us from the Hekhaloth texts, that Israel was the name of a celestial angel.

Such ideas may also have been introduced into the movement by Jews who attached themselves to the Cathars. Thus, we learn for example that at the end of the twelfth century, a weaver named Johannes Judaeus stood at the head of the Italian Cathars as their bishop. The name would suggest, though it by no means proves, Jewish origin. The surname Judaeus does not always signify Jewish lineage in the Middle Ages.

Another angelological doctrine to be found only among the Cathars and in the kabbalistic traditions of Moses de Leon and the Zohar asserts that the prophet Elijah was an angel descended from heaven. The ideas of the two groups resembled one another, here and there, on the subject of the soul’s fate in the terrestrial paradise and its entry into the celestial paradise after the last judgment, and regarding the garments worn by the souls before their birth that are then preserved in heaven during their earthly existence. But all of these are disparate, and unconnected details, and they concern points of secondary interest only.

As regards the fundamental conceptions, there could of course be no real agreement between the two movements, since in their rejection of the world as the creation of Satan and of the Torah as the law of Satan, the Cathars go much further in their metaphysical anti-Semitism than does the Catholic Church. Besides, the Jewish scholars of Provence were thoroughly conscious of the gulf separating the Jewish conception of the world from that of the Cathars.”

Gershom Scholem, Origins of the Kabbalah, pp. 236-7.

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November 26, 2014

On the Oral Transmission

“On the other hand it would be a mistake to overlook the possibility that such an esoteric conception of the symbols of the Merkabah in the spirit of the Book Bahir might be found in the writings of Eleazar of Worms, especially as he refers to an oral tradition concerning the mystical significance of such symbols.

“When it is said in the book of the Merkabah that the angels who are placed over the doors of the seven Hekhaloth ride fiery horses that eat fiery coals. . . . It is well known that there is no eating and drinking in the supernal regions. But if I were to write down the interpretation, someone who is not worthy might see it and arrive at corrupt conceptions of it. . . . That is why [such an interpretation can be transmitted] only by way of tradition, kabbalah, that is to say, through oral transmission.”

The first kabbalists also interpreted the prophets’ descriptions of the Merkabah and the revelations of the authors of the Hekhaloth literature as symbols of profoundly spiritual states. It is not without reason that the anonymous kabbalistic commentary on the Merkabah, whose true author can be identified as Jacob ben Cohen of Soria, is attributed in some manuscripts to “the Kabbalah of the Hasid R. Eliezer of Worms.”

In Narbonne around 1250, Jacob Cohen and his brother Isaac met a “Hasid and kabbalist,” a pupil of Eleazar, who apparently knew how to combine the Hasidic tradition with the kabbalistic tradition of the Provençal group. Perhaps this anonymous disciple was more loyal to the oral transmission of his teacher’s ideas than we are able to conclude from a simple comparison of his writings with those of the earliest kabbalists.”

Gershom Scholem, Origins of the Kabbalah, pp. 183-4.

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July 9, 2014

The Divine Transmission of the World’s Pattern Through Angelic Minds.

“Indeed there are many features of neo-Platonic cosmology which would have appeared transparent in the structure of the Ars notoria ritual to its late medieval operators.

In a most basic way, the idea of an intrinsic congruence and similitude between the human mind and divine archetype of the world is a recurrent feature of twelfth-century neo-Platonic thought. Thus, Thierry of Chartres notes that »the soul is proportioned to the nature of the universe«; and in a similar vein, Hugh of St Victor, another prominent twelfth-century writer in the same neo-Platonic tradition, says at the beginning of his Didascalicon that »similars are comprehended by similars; […] in a word, the rational soul could by no means comprehend all things unless it were also composed of all of them[…] the soul grasps the similitude in and of itself, out of a certain native capacity and proper power of its own«.

But this is a similitude which traverses the spiritual cosmos as well as the human mind. Hugh explains in an appendix to the Didascalicon that knowledge emanates from God in such a way that ideas subsist in themselves only after they are created in the minds of the angels:

“What exists in actuality is an image of what exists in the mind of man, and what exists in the mind of man is an image of what exists in the divine Mind […] For the angelic nature first existed in the divine Idea as a plan, and then afterwards it began to subsist in itself through creation. The other creatures however, first existed in the Idea of God; next they were made in the knowledge of the angels; and finally they began to subsist in themselves.”

“In other words, all created things necessarily proceed, from highest to lowest, through the subsistence of creatures who have the capacity for ideas. The divine transmission of the world’s pattern through angelic minds of which Hugh speaks here is rendered visible in the presence of angels mingled with the liberal arts on the Chartres archivolt and rendered functional in the association of the angelic orders and liberal arts in the Ars notoria prayers.”

–Claire Fanger, “Sacred and Secular Knowledge Systems in the Ars Notoria and the Flowers of Heavenly Teaching of John of Morigny.” Pg. 165.

Quoted by Peter Dronke: >>Thierry of Chartres«, in: A History of Twelfth-Century Western Philosophy, ed. by Peter Dronke, Cambridge 1988, p. 372.

Hugh of St Victor: The Didascalicon of Hugh of St Victor, translated with an introduction and notes by Jerome Taylor, New York 1961, l.i, pp. 46-47.

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June 29, 2014

Swedenborg, Spirits, and Angels.

“In his introduction to Arcana Coelestia, Swedenborg wrote, “Of the Lord’s Divine mercy it has been granted me now for some years to be constantly and uninterruptedly in company with spirits and angels.”

–Nicholas Goodrick-Clarke, The Western Esoteric Traditions: A Historical Introduction, 2008. “Swedenborg,” pg. 163.

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Category: Angels

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