Publishing the Forbidden. All Rights Reserved. © Samizdat 2014-21.

Category: Alphabets

The Behistun Inscription

“In 1854 Sir Henry Rawlinson superintended diggings at Birs Nimrud (Borsippa, near Babylon), and excavated relics of the Biblical Nebuchadrezzar. This notable archaeologist began his career in the East as an officer in the Bombay army. He distinguished himself as a political agent and diplomatist. While resident at Baghdad, he devoted his leisure time to cuneiform studies.

One of his remarkable feats was the copying of the famous trilingual rock inscription of Darius the Great on a mountain cliff at Behistun, in Persian Kurdistan (the Behistun Inscription). This work was carried out at great personal risk, for the cliff is 1700 feet high and the sculptures and inscriptions are situated about 300 feet from the ground.

The Behistun Inscription

Bisotun Iran Relief Achamenid Period” by Hara1603 – Own work. Licensed under Public Domain via Wikimedia Commons.

Darius was the first monarch of his line to make use of the Persian cuneiform script, which in this case he utilized in conjunction with the older and more complicated Assyro-Babylonian alphabetic and syllabic characters to record a portion of the history of his reign.

Rawlinson’s translation of the famous inscription was an important contribution towards the decipherment of the cuneiform writings of Assyria and Babylonia.”

Donald A. Mackenzie, Myths of Babylonia and Assyria, 1915.

Opening and Closing of the Cosmic Book

“The historical origins of this doctrine remain to be examined. It is entirely conceivable that it came from the Orient to Provence, where it became associated at a later date with the doctrine of the sefiroth. The penchant for great numbers in the cosmic cycles, which quickly led beyond the 50,000 years of a cosmic jubilee, corresponds to similar tendencies in India and the Ismailite gnosis.

As early as the thirteenth century (as Bahya ben Asher attests), the single yobhel had become 18,000 and the seven shemittoth had mushroomed to thousands. The view that the slowing down of the revolutions of the stars at the end of every period of creation took place in geometric progression led to an extension of the 7,000 years of every single shemittah, reaching prodigious numbers.

On the other hand these ideas may also have roots, however tenuous, in the Aggadah. Several old rabbinic dicta were quoted by the kabbalists in this context for example, the epigram of R. Qatina in Sanhédrin 97a: “Six millennia shall the world exist, and in the following one it shall be desolate,” deduced, paradoxically enough from Isaiah 2:11.

Apparently the idea of such cosmic weeks arose independently of any scriptural foundation. Similarly, the same talmudic text declares: “As the land lies fallow once in seven years, the world too lies fallow one thousand years in seven thousand,” and only later, in the eighth millennium, the new aeon, which is the “world to come,” will begin.

The midrashic text known as Pirqe Rabbi Eliezer speaks in chapter 51 of a periodic opening and closing of the cosmic book or, to be more exact, of an unrolling of the celestial scroll, indicating a similar notion of continual creation.

Another motif that later attained great importance among the kabbalists was provided by the dictum of R. Abbahu (third century) in Bereshith Rabba, section 9 (and the parallel paraphrase in Shemoth Rabba), who deduced from Ecclesiastes 3:11 that “God created and destroyed worlds before creating this one; He said, these please me, those do not please me.”

Here the motif of the worlds that succeed our creation is combined with that of previous worlds, a motif that also plays a role in the doctrine of the shemittah. The destruction of the world is explained by the kabbalists of Gerona as the interruption of the current of the emanation, which no longer flows toward the lower worlds, toward heaven and earth, but remains closed in on itself. Creation, then, remains in a chaotic state, and only when the current is once again renewed is new life formed.

In the Book Temunah the doctrine of the shemittoth is elaborated in great detail and closely linked, above all, with the mystical conception of the nature of the Torah. There exists a supreme Torah, which we have already encountered on page 287 as torah qedumah. This primordial Torah is none other than the divine Sophia, containing within itself in pure spirituality, the traces of all being and all becoming.

Its letters are “very subtle and hidden, without figure, form, or limit.” But when the lower sefiroth emanate, they act in every shemittah in a different manner, according to the particular law of each one. No shemittah is by itself capable of manifesting all the power of God, expressed in the Sophia and in the primordial Torah.

Rather, the timeless and self-enclosed content of this primordial Torah is distributed at the time of the cosmic and historical creation in such a way that each shemittah unveils a particular aspect of the divine revelation, and with that, the intention pursued by God in this particular unit of creation.

This means, in effect, that the specific causality of each shemittah is expressed in a corresponding revelation of the Torah. The spiritual engrams hidden in the primordial Torah certainly do not undergo any change in their essence, but they are manifested in various permutations and forms as constituted by the letters of the Torah, and as combined in different manners in accordance with the changing shemittoth.

The presupposition of the one Torah that is at the same time the highest and most all-embracing mystical essence thus serves as a justification of the existence of the most diverse manifestations in the changing shemittoth. The fundamental principle of the absolute divine character of the Torah is thus maintained, but it receives an interpretation that renders possible a completely new conception.”

Gershom Scholem, Origins of the Kabbalah, 1962, pp. 465-6.

Seeking the Garden of Eden Alphabet

“The letterforms of the Sinatic and Ezra Hebrew alphabets bear little physical resemblance to one another, though they share the same twenty-two-letter format and have the same names for the letters.

Hence, the Sinatic Hebrew letter Alef transliterates with the Ezra Alef, the Sinatic Beyt with the Ezra Beyt, and so forth. Sinatic letterforms are basically built from the letters Alef and Ayin. Ezra Hebrew letter forms are built upon variations of the letter Yod.

Both alphabets have letters which overtly or covertly contain other letters, such as the Tav contained in the Sinatic Alef or the Beyt contained in the Ezra Alef (as described in the Sefer Bahir).

Unlike the Ezra alphabet, Sinatic does not have final letters, which were developed much later as a means of showing separation between words in crowded scrolls. The final letters became significant in the Ezra alphabet when given extended numerical value in gematria or qabalistic numerology.

The sudden appearance of the original Hebrew was paralleled several hundred years later by the sudden appearance of Brahmi Sanskrit in the Indus Valley.

Sinatic and Brahmi have many similar letterforms, and both were replaced by later alphabets claimed in present times to be the originals (i.e. Sinatic replaced by Ezra and Brahmi replaced by Deva Negari).

Some Qabalists and Tantrikas maintain that there is a parent alphabet, called the “Gan Aden Alphabet” (Garden of Eden), from which both Hebrew and Sanskrit are derived.

[ … ]

There is also said to be a Gan Aden Torah, an unbroken sequence of letters that may be broken into words and sentences in innumerable ways.

Hence, the written Torah is one such “translation” of the unbroken letter sequence, minus the letters and anusvara that were not included in the Hebrew alphabet.

A book called the Tiqunim HaZohar (“Perfections of Splendor”) discusses seventy ways of translating the first six letters of the Torah.”

–Daniel Feldman, Qabala: The Mystical Heritage of the Children of Abraham, 2001, pg. 57.

The Book Bahir

The Book Bahir, (anonymous, 1185), attributed to Rabbi Nehunia ben ha-Kanah, “begins with a few statements concerning the creation. In the first part of the book there are many discussions of the letters of the alphabet, their shapes, and the meaning of their names.”

“This work is the first Jewish treatise that presents in a positive manner the concept of transmigration of souls, the reincarnation or rebirth of the same souls again and again.”

(I had no idea that reincarnation had any place in Jewish Kabbalah).

 This work is technically the earliest work of the Kabbalah, based on three major concepts which are not found in earlier Jewish sources. 

The first is the description of the divine world consisting of ten hypostases, ten divine powers, which are called ma’amarot (utterances), which were known in later kabbalalistic writings as the ten sefirot

The second is the identification of one of the ten divine powers as feminine, separate from the other nine, and thus introducing gender dualism into the image of the divine realms. 

The third is the description of the divine world as a tree (ilan); the work states that the divine powers are positioned one above the other like the branches of a tree. But the image was one of an upside-down tree, its roots above and its branches growing downward, toward the earth.

These three concepts became characteristic of Kabbalah as a whole, (excepting Abraham Abulafia, who rejected the concept of the ten sefirot), and the presence of these three concepts identifies works as part of the tradition of Kabbalah. 

“In addition to these three concepts there is in the Book Bahir a more dramatic description of the realm of evil than those usually found in earlier Jewish sources, but there is no final separation between God and Satan. The powers of evil are described as the fingers of God’s left hand.”

–Joseph Dan, Kabbalah: A Very Short Introduction, 2006, pp. 20-2.

Dr. John Dee, the Monas, and the Hebrew Alphabet as the Device of Divine Creation.

“…Dee was fascinated with the application of the exegetical techniques of cabbala to alchemy. He was well aware that each letter of the Hebrew alphabet has a numerical equivalence, and that the computation of these numbers in words and comparison with other significant words was believed to provide insights into various levels of reality. The fourth-century Sefer Ytzirah, or Jewish Book of Formation, gives a cosmogonic account of God engraving the universe with the twenty-two foundational letters of the Hebrew alphabet.” 

–Peter J. Forshaw, “The Early Alchemical Reception of John Dee’s Monas Hieroglyphica,” AMBIX, November, 2005, pg. 252 (6).

%d bloggers like this: