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The Angel Sandalfon

“The theory of the intelligible points is connected with the reinterpretation discussed previously (p. 259) of the ideas as spiritual atoms and their application to the sefiroth. From these and similar Provençal sources, this theory then made its way to the kabbalists in Castile, above all to Isaac Cohen and Todros Abulafia, and from there to the author of the Zohar.

The same hierarchical structure is expounded regarding the origin and still more the place of the supreme beatitude of the prophets, the hagiographers, and the mystical scholars in the description of the seven palaces of the lowest heaven, which comes immediately after the aforementioned account of the ritual for the conjuration of the Prince of the Torah.

The sefirotic symbolism is here presupposed as self-evident. The palaces begin with the lowest and ascend in rank, just as do the archons in charge of them. The highest rank is held not by Metatron, who rules over the sixth palace, but by Sandalfon, whose name is associated with the secret of the conquest of matter by form. This is the oldest source of this mystical etymology of Sandalfon, and it was in use later among many Spanish kabbalists.”

Gershom Scholem, Origins of the Kabbalah, pp. 361-2.

Jesus and the Disciples Were Great Magicians and Kabbalists

“That the kabbalists were not unaware of a possible connection between these ideas and the Christian Trinity is proved by the testimony of the Spanish scholar Profiat Duran. In his anti-Christian work “Ignominy of the Christians,” composed in 1397, he relates having heard in his youth many adepts of the Kabbalah voicing the opinion that the Christian dogmas of the Trinity and the Incarnation grew out of an erroneous interpretation of kabbalistic theses that were true in themselves.

Jesus and his disciples were not only great magicians—an opinion that was widespread in medieval Judaism—but real kabbalists, ”only their Kabbalah was full of mistakes.” The doctrine of the trinity, which they erroneously attributed to the deity, arose among them as a result of their missteps in this science [the Kabbalah] which established the primordial light, the radiant light and the transparent light.”

There was as well, already in the second half of the thirteenth century, no lack of philosophical opponents of the Kabbalah who, knowing nothing of this thesis of the three lights, nonetheless affirmed that the doctrine of the ten sefiroth was of Christian origin.

This thesis is, as our account of the true history of the idea of the sefiroth has shown, just as false as the historically unfounded suppositions of the kabbalists concerning the origins of the Christian dogmas. It is, incidentally, striking that the doctrine of Pseudo-Hai remained initially unknown to the first so-called “Christian kabbalists,” who only took it up after the middle of the sixteenth century and reinterpreted it in Christian terms for their own purposes.”

Gershom Scholem, Origins of the Kabbalah, p. 354.

The Angel Anafiel

“In older parts of the genuine Hekhaloth literature the rank reserved for this angel is even higher than that of Metatron. His position is now combined with speculations concerning the first sefirah, not in the strict kabbalistic conception but in the spirit of the Book Yesirah’s definition of the first sefirah as the pneuma of the living God, which could be understood metaphorically as a “branch of God”—in fact the literal meaning of ‘Anafiel.

In the fragment under consideration, various determinations intersect. The first sefirah is unexplorable because it is without limits. But it is, at the same time, also the consonant taw, an intelligible potency that becomes an angel even higher than the hashmal, higher, therefore, than the potency of the Merkabah, to which such great importance was attributed by the ‘Iyyun circle.

The supreme angel of the Merkabah, ‘Anafiel is therefore at the same time the first sefirah, and he stands in the place usually occupied in the writings of this group by the primordial ether. But this sefirah is also a secret primordial image, temunah, in the figure of Man; in other words, it is the ‘adam qadmon whom we met in a very different context in other writings of this circle.

This conforms perfectly with the cherub-mysticism of the German Hasidim. Ezekiel 1:26 is related to ‘Anafiel. Indeed, he is at the same time the indivisible, indifferent will, rason shaweh, which produces all the creatures; as such he also is the pneuma that directs, in the spirit of Ezekiel’s vision of the Merkabah, the inner movement of the spiritual beings emerging from him in the process of differentiation. This movement is born when the will turns toward its origin in the “marvelous and nameless light” above it.

In accordance with this idea, the “Book of the True Unity” explains ‘Anafiel as the seraph and the angel posted over the unity, whose power is ramified in seven lights that “stand before the place of the unity as a burning fire” and that are identical with the seven seraphim enumerated in chapter 7 of the “Tractate of the Hekhaloth.”

Perhaps this decomposition of the supreme luminous power into seven seraphim or lights ought to be approximated to certain notions of the Cathars, for whom the Paraclete was sevenfold and who spoke of the seven animae principales.”

Gershom Scholem, Origins of the Kabbalah, pp. 345-6.

The Source of Wisdom

“The Book ‘Iyyun itself makes no mention at all of primordial ether, unless the latter is concealed in the concept of the primordial darkness.

It does, however, play an important role in the “Source of Wisdom.” This small book was always regarded by the kabbalists as one of the most enigmatic works of their literature. Baer of Mezritsch still boasted to his disciple Solomon of Luzk of having studied this book with the founder of Hasidism, Israel Baal-shem who, Baer said, explained it to him word by word.

It consists of two parts. The first is concerned largely with the divine name YHWH, the manner in which it was engendered by the processes of language-mysticism, its wondrous power, and the role of the primordial ether at the origin of all movement of language.

Here it seems that the idea of the spoken word becoming “inscribed” in the air, issuing from the mouth of the person uttering it, was applied to the primordial processes of the creative divine speech. In the second part successive attempts are made to develop a cosmogony.

The name of God—so the book begins—is the unity of the movement of language branching out from the primordial root. This movement grows out of the primordial ether, in the form of the thirteen pairs of opposites that are at the same time the thirteen middoth of divine government.”

Gershom Scholem, The Origins of the Kabbalah, pp. 331-2.

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